ART TRACKERS logo
ArtworkStatus unknown

The Herring Net

0 likesNot savedShare from mobile app
oil paint (paint)122 × 76 Cm

Views

0

Likes

0

Saves

Not saved

Shares

0

About the artwork
Artist supplied description.

In 1883 Winslow Homer moved to the small coastal village of Prouts Neck, Maine, where he created a series of paintings of the sea unparalleled in American art. Long inspired by the subject, Homer had spent summers visiting New England fishing villages during the 1870s, and in 1881–82 he made a trip to a fishing community in Cullercoats, England, that fundamentally changed his work and his life. The paintings he created after 1882 focus almost exclusively on humankind’s age-old contest with nature. Here Homer depicted the heroic efforts of fishermen at their daily work, hauling in an abundant catch of herring. In a small dory, two figures loom large against the mist on the horizon, through which the sails of the mother schooners are dimly visible. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions122 × 76 Cm
Tags
peopleworkweather/seasonsfoodwatermenfishingboatsCentury of Progressworld's fairsChicago World's Fairsanimalslandscapesportraits
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note

W.A. Coffin, “A Painter of the Sea,” <em>Century Magazine</em>

W.A. Coffin, “A Painter of the Sea,” Century Magazine (Sept. 1899).
Tue
24
Feb
note

R. Hitchcock, <em>The Art of the World: The World’s Columbian Exposition</em>

R. Hitchcock, The Art of the World: The World’s Columbian Exposition (New York: D. Appleton and Company, 1895) Section 4, 143 (ill.).
Tue
24
Feb
note

William R. Cross, <em>Homer at the Beach: A Marine Painter's Journey, 1869–1880</em>, exh. cat.

William R. Cross, Homer at the Beach: A Marine Painter's Journey, 1869–1880, exh. cat. (Gloucester, MA: Cape Ann Museum, 2019), 11, 158, 160, fig. 64 (ill.).
Tue
24
Feb
note

Thomas Andrew Denenberg, et al., <em>Wyeth Vertigo</em>

Thomas Andrew Denenberg, et al., Wyeth Vertigo (VT: Shelburne Museum, 2013).
Tue
24
Feb
exhibition

Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960...

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Tue
24
Feb
note

Lloyd Goodrich, <em>Winslow Homer</em>

Lloyd Goodrich, Winslow Homer (New York, Braziller, 1959).
Tue
24
Feb
exhibition

Milwaukee, Marquette University, <em>Festival of the American Arts</em>, Apr. 22–May 3, 1956, no. 38.

Milwaukee, Marquette University, Festival of the American Arts, Apr. 22–May 3, 1956, no. 38.
Tue
24
Feb
note

<em>National Geographic Magazine</em>

National Geographic Magazine (Feb. 1951): 211 (ill.).
Tue
24
Feb
exhibition

New York, Knoedler Galleries, <em>To Honor Henry McBride, An Exhibition of Paintings, Drawings and Water Colours</em>, Nov. 29–Dec. 17, 1949, no. 1, as <em>Banks Fishermen</em> or <em>The Herring Net</em>.

New York, Knoedler Galleries, To Honor Henry McBride, An Exhibition of Paintings, Drawings and Water Colours, Nov. 29–Dec. 17, 1949, no. 1, as Banks Fishermen or The Herring Net.
Tue
24
Feb
note

Lloyd Goodrich, <em>Winslow Homer</em>

Lloyd Goodrich, Winslow Homer (New York: Whitney Museum of American Art; The MacMillan Company, 1944), cat. 28.
Tue
24
Feb
note

Lloyd Goodrich, “The Young Winslow Homer,” <em>Magazine of Art</em>

Lloyd Goodrich, “The Young Winslow Homer,” Magazine of Art (Feb. 1944).
Tue
24
Feb
note

Forbes Watson, <em>Winslow Homer</em>

Forbes Watson, Winslow Homer (New York: Crown Publishers, 1942), (ill.).
Tue
24
Feb
note

Donald Jenks, <em>Paintings on Parade, A Pictorial Handbook of World’s Masterpieces</em>

Donald Jenks, Paintings on Parade, A Pictorial Handbook of World’s Masterpieces (Boston: Hale, Cushman Flint, 1939).
Tue
24
Feb
note

<em>Art Digest</em> 13

Art Digest 13 (Mar. 15, 1939): 26 (ill.)
Tue
24
Feb
note

Thomas Craven, <em>Treasury of Art Masterpieces from the Renaissance to the Present Day</em>

Thomas Craven, Treasury of Art Masterpieces from the Renaissance to the Present Day (New York: Simon and Schuster, 1939), 463, no. 112.
Tue
24
Feb
note

Kate Brewster, “The Ryerson Gift to The Art Institute of Chicago,” <em>Magazine of Art</em> 31

Kate Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31 (Feb. 1938): 94–100 (ill.).
Tue
24
Feb
note

<em>Art Quarterly</em> 1, no. 2

Art Quarterly 1, no. 2 (Spring 1938): 147 (ill.).
Tue
24
Feb
note

Art Institute of Chicago, <em>Bulletin of The Art Institute of Chicago</em> 32

Art Institute of Chicago, Bulletin of The Art Institute of Chicago 32 (Jan. 19, 1938): 5 (ill.).
Tue
24
Feb
note

bequeathed to the Art Institute of Chicago, 1937.

bequeathed to the Art Institute of Chicago, 1937.
Tue
24
Feb
note

H. Clifford, “Winslow Homer: Oils, Watercolors and Drawings in a Centenary Exhibition Current in Philadelphia,” <em>Art News</em> 34

H. Clifford, “Winslow Homer: Oils, Watercolors and Drawings in a Centenary Exhibition Current in Philadelphia,” Art News 34 (May 9, 1936): 6 (ill.).
Tue
24
Feb
note

Calvin S. Hathaway, “Drawings by Winslow Homer in The Museum’s Collections,” <em>Chronicle of the Museum of Decorative Arts of the Cooper Hewitt</em> 1, no. 2

Calvin S. Hathaway, “Drawings by Winslow Homer in The Museum’s Collections,” Chronicle of the Museum of Decorative Arts of the Cooper Hewitt 1, no. 2 (Apr. 1936).
Tue
24
Feb
note

John Shapely, ed., <em>The Index of Twentieth Century Artists</em>, 4

John Shapely, ed., The Index of Twentieth Century Artists, 4 (New York, College Art Association ) vol. 1, 1934; reprint ed., (New York, Arno Press, 1970), 24–37, 56–60.
Tue
24
Feb
exhibition

Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/5626/a-century-of-progress-loan-exhibition-of-paintings-and-sculpture-1933"><em>A Century of Progress</em></a>, June 1–Nov. 1, 1933, cat.

Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat.
Tue
24
Feb
note

<em>Art Digest</em> 7

Art Digest 7 (May 15, 1933): 29 (ill.).
Tue
24
Feb
note

Art Institute of Chicago, <em>Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, Lent from American Collections</em>, exh. cat.

Art Institute of Chicago, Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, Lent from American Collections, exh. cat. (Chicago: Art Institute of Chicago, 1933), 63, cat. 460, pl. LXXXIII (ill.).
Tue
24
Feb
note

sold to Martin A....

sold to Martin A. Ryerson (1856–1932), Chicago, 1915
Tue
24
Feb
note

G. Dubois, “Two Exhibitions by Winslow Homer,” <em>Magazine of Art</em>

G. Dubois, “Two Exhibitions by Winslow Homer,” Magazine of Art (Jan. 1932).
Tue
24
Feb
note

by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [<em>Last Will and Testament of Martin A....

by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]
Tue
24
Feb
note

Theodore Bolton, “The Art of Winslow Homer: An Estimate in 1932,” <em>Fine Arts</em> 18

Theodore Bolton, “The Art of Winslow Homer: An Estimate in 1932,” Fine Arts 18 (Feb. 1932): 23–28.
Tue
24
Feb
note

W.H. Downes, “American Painters of the Sea,” <em>American Magazine of Art</em> 23

W.H. Downes, “American Painters of the Sea,” American Magazine of Art 23 (Nov. 1931): 360–74.
Tue
24
Feb
note

<em>Creative Art</em> 6

Creative Art 6 (June 1930), supplement, 141 (ill.).
Tue
24
Feb
exhibition

New York, Museum of Modern Art, <em>Homer, Ryder, and Eakins</em>, May 6–June 4, 1930, cat.

New York, Museum of Modern Art, Homer, Ryder, and Eakins, May 6–June 4, 1930, cat.
Tue
24
Feb
note

Judith A. Barter, et al., <em>American Arts at The Art Institute of Chicago: From Colonial Times to World War I</em>

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Chicago: Art Institute of Chicago, 1998).
Fri
24
Feb
exhibition

Washington, DC, National Gallery of Art, <em>Winslow Homer</em>, Oct. 15, 1995–Jan. 28, 1996; Museum of Fine Arts, Boston, Feb. 21–May 26, 1996; New York, Metropolitan Museum of Art, June 17–Sept. 22, 1996.

Washington, DC, National Gallery of Art, Winslow Homer, Oct. 15, 1995–Jan. 28, 1996; Museum of Fine Arts, Boston, Feb. 21–May 26, 1996; New York, Metropolitan Museum of Art, June 17–Sept. 22, 1996.
Wed
24
Feb
note

Carolyn Kinder Carr, et al., <em>Revisiting the White City: American Art at the 1893 World's Fair</em>

Carolyn Kinder Carr, et al., Revisiting the White City: American Art at the 1893 World's Fair (Lebanon, NH: University Press of New England, 1993), 262 (ill.).
Sat
24
Feb
note

Paul Raymond Provost, “Winslow Homer’s The Fog Warning: The Fisherman as Heroic Character,” <em>American Journal</em> 22, no. 1

Paul Raymond Provost, “Winslow Homer’s The Fog Warning: The Fisherman as Heroic Character,” American Journal 22, no. 1 (New York: Kennedy Galleries, 1990): 21–27, fig. 2 (ill.).
Wed
24
Feb
note

Milo Naeve, “The Edwardian Era and Patrons of American Art at The Art Institute of Chicago: The Birth of a Tradition,” <em>America’s International Exposition of Fine Arts and Antiques</em>

Milo Naeve, “The Edwardian Era and Patrons of American Art at The Art Institute of Chicago: The Birth of a Tradition,” America’s International Exposition of Fine Arts and Antiques (Lakeside Group, 1988), 23, fig. 4.
Wed
24
Feb
note

Art Institute of Chicago, <em>Master Paintings in The Art Institute of Chicago</em>

Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Boston: Little, Brown, and Company, 1988), 89 (ill.).
Mon
24
Feb
note

Lois Fink and Joshua Taylor, <em>The Academic Tradition in American Art, National Collection of Fine Arts</em>

Lois Fink and Joshua Taylor, The Academic Tradition in American Art, National Collection of Fine Arts (Washington, DC: Smithsonian Institution Press, 1975).
Sun
24
Feb
note

C. Montgomery, “The Fish as a Symbol,” <em>Studio International</em> 187

C. Montgomery, “The Fish as a Symbol,” Studio International 187 (May 1974): 200–26 (ill.).
Sat
24
Feb
note

David A. Hanks, “American Paintings at The Art Institute,” <em>Antiques</em> 104

David A. Hanks, “American Paintings at The Art Institute,” Antiques 104 (Nov. 1973): 873–905 (ill.).
Thu
24
Feb
note

Vincent Price, "The Vincent Price Treasury of American Art," <em>Country Beautiful</em>

Vincent Price, "The Vincent Price Treasury of American Art," Country Beautiful (1972): 139 (ill.).
Thu
24
Feb
note

John Wilmerding, <em>Winslow Homer</em>

John Wilmerding, Winslow Homer (Westport, CT: Praeger, 1972), 147 (ill.).
Mon
24
Feb
note

Barbara Novak, <em>American Painting of the Nineteenth Century: Realism, Idealism and the American Experience</em>

Barbara Novak, American Painting of the Nineteenth Century: Realism, Idealism and the American Experience (Westport, CT: Praeger, 1969).
Sat
24
Feb
note

John Wilmerding, <em>A History of Marine Painting</em>

John Wilmerding, A History of Marine Painting (Salem, MA: Peabody Essex Museum, 1968).
Fri
24
Feb
exhibition

NY, Brooklyn Museum, <em>The Triumph of Realism</em>, Oct. 3–Nov. 19, 1967, cat.; Richmond, Virginia Museum of Fine Arts, Dec. 11, 1967–Jan. 4, 1968; San Francisco, California Palace of the Legion of Honor, Feb. 17–Mar. 31, 1968.

NY, Brooklyn Museum, The Triumph of Realism, Oct. 3–Nov. 19, 1967, cat.; Richmond, Virginia Museum of Fine Arts, Dec. 11, 1967–Jan. 4, 1968; San Francisco, California Palace of the Legion of Honor, Feb. 17–Mar. 31, 1968.
Fri
24
Feb
note

Philip C. Beam, <em>Winslow Homer at Prout’s Neck</em>

Philip C. Beam, Winslow Homer at Prout’s Neck (Boston: Little, Brown and Company, 1967), 67 (ill.).
Mon
24
Feb
note

H. Ingalls, “Elements in the Development of Winslow Homer,” <em>Art Journal</em> 24

H. Ingalls, “Elements in the Development of Winslow Homer,” Art Journal 24 (Fall 1964): 18–22.
Sat
24
Feb
note

Jean Gould, <em>Winslow Homer: A Portrait</em>

Jean Gould, Winslow Homer: A Portrait (New York: Dodd, Mead, 1962).
Fri
24
Feb
note

Albert Ten Eyck Gardner, <em>Winslow Homer, American Artists: His World and His Work</em>

Albert Ten Eyck Gardner, Winslow Homer, American Artists: His World and His Work (New York, Clarkson N. Potter, 1961), 188 (ill.).
© Artist-Unknown. All rights reserved.