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Artwork metadata
Structured fields synced from connected systems.
| Medium | tempera |
| Dimensions | 33 × 35 Cm |
| Tags | Saint CatherineangelsChristian subjectsChristianitykingmanmartyrsmensaintssoldiersswordsviolencewheelwomanwomenCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
03
Mar
note
Barbara Wriston, “Joiners’ Tools in the Art Institute of Chicago,”
Barbara Wriston, “Joiners’ Tools in the Art Institute of Chicago,”
Tue
03
Mar
exhibition
Worcester (Mass.) Art Museum, Condition: Excellent,
Worcester (Mass.) Art Museum, Condition: Excellent,
Tue
03
Mar
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 107-111, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 107-111, ill.
Tue
03
Mar
note
Marisa Melero-Moneo, “Retablo y frontal del convento de San Juan de Quejena en Álava
Marisa Melero-Moneo, “Retablo y frontal del convento de San Juan de Quejena en Álava (1396),” Locus Amoenus 5 (2000–01), pp. 37–40, fig. 2.
Tue
03
Mar
exhibition
1951, no. 17, as probably Norwegian.
1951, no. 17, as probably Norwegian.
Tue
03
Mar
note
José Pijoán, Arte gótico de la Europa occidental: Siglos XIII, XIV y XV, Summa artis 11, Madrid, 1947, p. 435, fig. 741.
José Pijoán, Arte gótico de la Europa occidental: Siglos XIII, XIV y XV, Summa artis 11, Madrid, 1947, p. 435, fig. 741.
Tue
03
Mar
exhibition
Pittsburgh, Carnegie Institute, A Survey of British Painting, 1938, no. 13.
Pittsburgh, Carnegie Institute, A Survey of British Painting, 1938, no. 13.
Tue
03
Mar
note
“The Cover,” Bulletin of the Art Institute of Chicago 28
“The Cover,” Bulletin of the Art Institute of Chicago 28 (1934), p. 20 (cover ill.).
Tue
03
Mar
note
“XIVth Century Primitive Presents Puzzle,” Art Digest 8, 16
“XIVth Century Primitive Presents Puzzle,” Art Digest 8, 16 (1934), p. 29 (ill.).
Tue
03
Mar
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 13, as English School (?).
Art Institute of Chicago, A Century of Progress, 1934, no. 13, as English School (?).
Tue
03
Mar
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 17, as English School (?).
Art Institute of Chicago, A Century of Progress, 1933, no. 17, as English School (?).
Tue
03
Mar
note
sold to the Art Institute, 1932.
sold to the Art Institute, 1932.
Tue
03
Mar
note
Arnold Seligmann, Rey and Company, Paris and New York, by 1932
Arnold Seligmann, Rey and Company, Paris and New York, by 1932
Mon
03
Mar
note
Raquel Sáenz Pascual, La pintura gótica en Álava: Una contribución a su estudio, Vitoria-Gasteiz, 1997, pp. 138, 167, 172–74, 176, fig. 19.
Raquel Sáenz Pascual, La pintura gótica en Álava: Una contribución a su estudio, Vitoria-Gasteiz, 1997, pp. 138, 167, 172–74, 176, fig. 19.
Sun
03
Mar
note
Raquel Sáenz Pascual, “Un ejemplo de gótica lineal tardío: El retablo de San Andrés de Añastro,” in Revisión del arte medieval en Euskal Herria, cuadernos de sección: Artes plásticas y monumentales 15
Raquel Sáenz Pascual, “Un ejemplo de gótica lineal tardío: El retablo de San Andrés de Añastro,” in Revisión del arte medieval en Euskal Herria, cuadernos de sección: Artes plásticas y monumentales 15 (1996), pp. 478–81.
Tue
03
Mar
note
John Maxon, The Art Institute of Chicago, London, 1970, p. 25.
John Maxon, The Art Institute of Chicago, London, 1970, p. 25.
Fri
03
Mar
note
Art Institute of Chicago Museum Studies 2
Art Institute of Chicago Museum Studies 2 (1967), p. 77, fig. 1.
Fri
03
Mar
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 174.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 174.
© Artist-Unknown. All rights reserved.