0 likesNot savedShare from mobile app
oil paint (paint)54 × 65 Cm
Views
0
Likes
0
Saves
Not saved
Shares
0
About the artwork
Artist supplied description.
In the 1880s, at a time when many of the original Impressionist painters had begun to pursue independent styles, Camille Pissarro actively worked to keep the group together. He persuaded Gustave Caillebotte and Claude Monet to take part in the seventh Impressionist exhibition, in 1882, and also displayed a number of his own paintings of peasant girls. Here the small brushstrokes, applied one next to the other and sometimes overlaid with dabs of thicker paint, result in an irregularly built-up surface, serving to integrate figure and setting and evoke the textures of the young woman’s wool clothing.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 54 × 65 Cm |
| Tags | womenwomancoffeewomaninteriorcuppeasantsyouthwindowdomesticdomestic sceneseveryday life (genre)portraitsCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
note
Charles Saunier, “L’art nouveau, Camille Pissarro, les indépendants” Le revue indépendante 23, 66
Charles Saunier, “L’art nouveau, Camille Pissarro, les indépendants” Le revue indépendante 23, 66 (Apr. 1892), p. 35.
Tue
27
Jan
exhibition
London, Dowdeswell and Dowdeswell, Paintings, Drawings and Pastels by Members of “La Société des impressionnistes, ” Apr. 20–July 1883, cat. 5, as Paysanne prenant son Café.
London, Dowdeswell and Dowdeswell, Paintings, Drawings and Pastels by Members of “La Société des impressionnistes,” Apr. 20–July 1883, cat. 5, as Paysanne prenant son Café.
Tue
27
Jan
note
Possibly J.–K. Huysmans, “Appendice,” in L’art moderne
Possibly J.–K. Huysmans, “Appendice,” in L’art moderne (G. Charpentier, 1883), pp. 261–77.
Tue
27
Jan
note
by descent to the Palmer family
by descent to the Palmer family
Tue
27
Jan
note
Catalogue de la 7me exposition des artistes indépendants, exh. cat.
Catalogue de la 7me exposition des artistes indépendants, exh. cat. (Morris Pére et Fils, 1882), cat. 111.
Tue
27
Jan
note
Galeries Durand-Ruel, Exposition Camille Pissarro, exh. cat.
Galeries Durand-Ruel, Exposition Camille Pissarro, exh. cat. (E. Ménard et Cie, 1892), p. 23, cat 16.
Tue
27
Jan
exhibition
Paris, 251, rue Saint-Honoré, Salons du Panorama de Reischoffen, 7me exposition des artistes indépendants [Seventh impressionist exhibition], Mar. 1–31, 1882, cat. 111, as Jeune paysanne prenant son café.
Paris, 251, rue Saint-Honoré, Salons du Panorama de Reischoffen, 7me exposition des artistes indépendants [Seventh impressionist exhibition], Mar. 1–31, 1882, cat. 111, as Jeune paysanne prenant son café.
Tue
27
Jan
note
Dowdeswell and Dowdeswell/Société des Impressionnistes, Catalogue of Paintings, Drawings, and Pastels by Members of “La société des impressionnistes,” exh. cat.
Dowdeswell and Dowdeswell/Société des Impressionnistes, Catalogue of Paintings, Drawings, and Pastels by Members of “La société des impressionnistes,” exh. cat. (Dowdeswell and Dowdeswell, 1883), p. 7, cat. 5.
Tue
27
Jan
note
“Cat. 10: Young Peasant Having Her Coffee, 1881,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby
“Cat. 10: Young Peasant Having Her Coffee, 1881,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
Tue
27
Jan
note
Christie's, New York, Impressionist and Modern Art: Works on Paper and Day Sale, sale cat.
Christie's, New York, Impressionist and Modern Art: Works on Paper and Day Sale, sale cat. (Christie’s, Nov. 6, 2013), p. 60, fig. 1.
Tue
27
Jan
note
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des Impressionnistes
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des Impressionnistes (Découvertes Gallimard/Réunion des Musées Nationaux Arts, 2012), pp. 48 (ill.), 122.
Tue
27
Jan
note
Richard Brettell, Pissarro’s People, exh. cat.
Richard Brettell, Pissarro’s People, exh. cat. (Fine Arts Museums of San Francisco/Sterling and Francine Clark Art Institute/Prestel, 2011), pp. 188–89, fig. 143; 303.
Tue
27
Jan
exhibition
Williamstown, Mass., Sterling and Francine Clark Art Institute, Pissarro’s People, June 12–Oct. 2, 2011, no cat. no. (ill.); San Francisco, Legion of Honor, Oct. 22, 2011–Jan. 22, 2012.
Williamstown, Mass., Sterling and Francine Clark Art Institute, Pissarro’s People, June 12–Oct. 2, 2011, no cat. no. (ill.); San Francisco, Legion of Honor, Oct. 22, 2011–Jan. 22, 2012.
Tue
27
Jan
exhibition
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 44 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 44 (ill.).
Tue
27
Jan
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 100–01, cat. 44 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 100–01, cat. 44 (ill.).
Tue
27
Jan
note
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Painting...
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 175, 176.
Tue
27
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 362, 363, 378, 383, 399, 401, 405, 409, 411, 417.
Tue
27
Jan
note
Christie’s, London, Impressionist and Modern Art: Evening Sale, sale cat.
Christie’s, London, Impressionist and Modern Art: Evening Sale, sale cat. (Christie’s, June 21, 2005), p. 42 (ill.).
Tue
27
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Tayl...
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 442, cat. 662 (ill.).
Tue
27
Jan
note
Richard Brettell, From Monet to Van Gogh: A History of Impressionism, pt. 2
Richard Brettell, From Monet to Van Gogh: A History of Impressionism, pt. 2 (Teaching Company, 2002), pp. 91, 101, 179.
Tue
27
Jan
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 63 (ill.).
Tue
27
Jan
note
Marie–José Pellé, “Vert Pissarro . . .” Impressions de Normandie et d’ailleurs
Marie–José Pellé, “Vert Pissarro . . .” Impressions de Normandie et d’ailleurs (Bertout, 2000), p. 86.
Mon
27
Jan
note
Paul Smith, Seurat and the Avant–Garde
Paul Smith, Seurat and the Avant–Garde (Yale University Press, 1997), pp. 93; 94, fig. 114.
Sat
27
Jan
note
Ruth Berson, ed., The New Painting: Impressionism, 1874–1886, Documentation, vol. 1, Reviews
Ruth Berson, ed., The New Painting: Impressionism, 1874–1886, Documentation, vol. 1, Reviews (Fine Arts Museums of San Francisco/University of Washington Press, 1996), pp. 377, 380, 384, 393, 395, 396, 397, 412, 413, 417 (ill.).
Sat
27
Jan
note
Ruth Berson, ed., The New Painting: Impressionism, 1874–1886, Documentation, vol. 2, Exhibited Works
Ruth Berson, ed., The New Painting: Impressionism, 1874–1886, Documentation, vol. 2, Exhibited Works (Fine Arts Museums of San Francisco/University of Washington Press, 1996), pp. 208–09, 226 (ill.).
Sat
27
Jan
note
Martha Ward, Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
Martha Ward, Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde (University of Chicago Press, 1996), pp. 39; 40, fig. 1.5.
Fri
27
Jan
note
Paul Smith, Impressionism: Beneath the Surface
Paul Smith, Impressionism: Beneath the Surface (Abrams, 1995), pp. 124, fig. 81; 125.
Wed
27
Jan
note
Joachim Pissarro, Camille Pissarro
Joachim Pissarro, Camille Pissarro (Abrams, 1993), pp. 156; 158, fig. 160; 215.
Wed
27
Jan
exhibition
Art Institute of Chicago, Chicago’s Dream, a World’s Treasure: The Art Institute of Chicago, 1893–1993, Nov. 1, 1993–Jan. 9, 1994, not in cat.
Art Institute of Chicago, Chicago’s Dream, a World’s Treasure: The Art Institute of Chicago, 1893–1993, Nov. 1, 1993–Jan. 9, 1994, not in cat.
Wed
27
Jan
note
Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood
Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), pp. 10, 86 (ill.).
Sun
27
Jan
note
Martha Kapos, ed., The Impressionists: A Retrospective
Martha Kapos, ed., The Impressionists: A Retrospective (Hugh Lauter Levin Associates, 1991), p. 259, pl. 81.
Sun
27
Jan
note
Bernard Denvir, Impressionism: The Painters and the Paintings
Bernard Denvir, Impressionism: The Painters and the Paintings (Studio Editions, 1991), pp. 259, pl. 254; 419.
Wed
27
Jan
note
Paul Smith, “Paul Adam, Soi et les ‘Peintres impressionnistes’: La genèse d’un discours moderniste,” Revue de l’art 82
Paul Smith, “Paul Adam, Soi et les ‘Peintres impressionnistes’: La genèse d’un discours moderniste,” Revue de l’art 82 (1988), pp. 44; 46, fig. 9.
Wed
27
Jan
note
Ministry of Culture; State Hermitage Museum; Pushkin State Museum of Fine Arts; Metropolitan Museum of Art, New York; and Art Institute of Chicago, Ot Delakrua do Matissa: Shedevry frantsuzskoi zhivopisi XIX–nachala XX veka, iz Muzeia Metro...
Ministry of Culture; State Hermitage Museum; Pushkin State Museum of Fine Arts; Metropolitan Museum of Art, New York; and Art Institute of Chicago, Ot Delakrua do Matissa: Shedevry frantsuzskoi zhivopisi XIX–nachala XX veka, iz Muzeia Metropoliten v N’iu-Iorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Masterpieces of French Painting of the Nineteenth to the Beginning of the Twentieth Century from the Metropolitan Museum of Art, New York, and the Art Institute of Chicago], trans. from English by Iu. A. Kleiner and A. A. Zhukov, exh. cat. (Avrora, 1988), cat. 25 (ill.).
Wed
27
Jan
exhibition
Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka...
Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-Ĭorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 25; Moscow, Pushkin Museum, June 10-July 30, 1988.
Mon
27
Jan
note
Joel Isaacson, “The Painters Called Impressionists,” in The New Painting: Impressionism, 1874–1886, ed. Charles S. Moffett, with the assistance of Ruth Berson, Barbara Lee Williams, and Fronia E. Wissman, exh. cat.
Joel Isaacson, “The Painters Called Impressionists,” in The New Painting: Impressionism, 1874–1886, ed. Charles S. Moffett, with the assistance of Ruth Berson, Barbara Lee Williams, and Fronia E. Wissman, exh. cat. (Fine Arts Museums of San Francisco, 1986), pp. 388; 394; 395; 409, cat. 127 (ill.).
Mon
27
Jan
exhibition
Washington, D.C., National Gallery of Art, The New Painting: Impressionism, 1874–1886, Jan. 17–Apr. 6, 1986, cat. 127 (ill.); Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum, Apr. 19–July 6, 1986.
Washington, D.C., National Gallery of Art, The New Painting: Impressionism, 1874–1886, Jan. 17–Apr. 6, 1986, cat. 127 (ill.); Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum, Apr. 19–July 6, 1986.
Fri
27
Jan
note
Kate Flint, ed., Impressionists in England: The Critical Reception
Kate Flint, ed., Impressionists in England: The Critical Reception (Routledge & Kegan Paul, 1984), p. 361.
Tue
27
Jan
note
Christopher Lloyd, Camille Pissarro
Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), p. 92 (ill.).
Sun
27
Jan
note
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 1, 1865–1885
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 1, 1865–1885 (Presses Universitaires de France, 1980), pp. 243 (letter 183), 252 (letter 190).
Sun
27
Jan
note
Joel Isaacson, The Crisis of Impressionism, 1878–1882, exh. cat.
Joel Isaacson, The Crisis of Impressionism, 1878–1882, exh. cat. (University of Michigan Museum of Art, 1980), pp. 158–59, cat 41 (ill.).
Sun
27
Jan
note
Ralph E. Shikes and Paula Harper, Pissarro: His Life and Work
Ralph E. Shikes and Paula Harper, Pissarro: His Life and Work (Horizon, 1980), p. 177 (ill.).
Sat
27
Jan
exhibition
Ann Arbor, University of Michigan Museum of Art, The Crisis of Impressionism, 1878–1882, Nov. 2, 1979–Jan. 6, 1980, cat. 41 (ill.).
Ann Arbor, University of Michigan Museum of Art, The Crisis of Impressionism, 1878–1882, Nov. 2, 1979–Jan. 6, 1980, cat. 41 (ill.).
Sat
27
Jan
note
Christopher Lloyd, Pissarro
Christopher Lloyd, Pissarro (Phaidon, 1979), pp. 8; 15, pl. 26.
Sat
27
Jan
exhibition
Milan, Palazzo Reale, Boccioni e il suo tempo, Dec. 10, 1973¬–Feb. 24, 1974, cat. 1 (ill.).
Milan, Palazzo Reale, Boccioni e il suo tempo, Dec. 10, 1973¬–Feb. 24, 1974, cat. 1 (ill.).
Sat
27
Jan
note
Mikhail Guerman, Camille Pissarro, Masters of World Painting
Mikhail Guerman, Camille Pissarro, Masters of World Painting (Aurora Art Publishers, 1973), p. 10.
Sat
27
Jan
note
Palazzo Reale, Boccioni e il suo tempo, exh. cat.
Palazzo Reale, Boccioni e il suo tempo, exh. cat. (Arti Grafiche Fiorin, 1973), p. 6, cat. 1 (ill.).
Thu
27
Jan
note
Charles Kunstler, Camille Pissarro
Charles Kunstler, Camille Pissarro (Fabbri, 1972), pp. 44, fig. 2; 45.
Mon
27
Jan
note
Joslyn Art Museum, Mary Cassatt among the Impressionists, exh. cat.
Joslyn Art Museum, Mary Cassatt among the Impressionists, exh. cat. (Klopp Print. Co., 1969), pp. 41, cat. 39 (ill.); 73, cat. 39.
Mon
27
Jan
exhibition
Omaha, Nebr., Joslyn Art Museum, Mary Cassatt among the Impressionists, Apr. 10–June 1, 1969, cat. 39 (ill.).
Omaha, Nebr., Joslyn Art Museum, Mary Cassatt among the Impressionists, Apr. 10–June 1, 1969, cat. 39 (ill.).
© Artist-Unknown. All rights reserved.