0 likesNot savedShare from mobile app
oil paint (paint)38 × 29 Cm
Views
0
Likes
0
Saves
Not saved
Shares
0
About the artwork
Artist supplied description.
In small, lively paintings made for his own pleasure or for a few discerning patrons, Francisco de Goya explored satirical and popular aspects of Spanish life. This series was inspired by a contemporary event, the capture of notorious criminal El Maragato by Friar Pedro de Saldivia in 1806. After escaping from prison, El Maragato spent two months stealing food, guns, and money before trying to take Friar Pedro and other innocent people hostage. The friar outsmarted the bandit, however, seizing his gun, shooting him in the thigh as he tried to flee, and finally tying him up. This story was extremely popular in the early 19th century and Spanish artists memorialized it in images, poems, and songs.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 38 × 29 Cm |
| Tags | NarrativeexteriorSpainmenviolencehorsesgunsweaponsfriarsCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note
Zeferino Araujo Sánchez, Goya
Zeferino Araujo Sánchez, Goya (Madrid, 1895), p. 100, no. 95.
Sat
14
Feb
note
One of a series of six small paintings in an inventory of Goya’s collection, Madrid, taken in 1812 for the division of property between the artist and his son Javier following the death of the artist's wife
One of a series of six small paintings in an inventory of Goya’s collection, Madrid, taken in 1812 for the division of property between the artist and his son Javier following the death of the artist's wife
Sat
14
Feb
note
presumably Javier Goya after 1812....
presumably Javier Goya after 1812. Lafitte collection, Madrid
Sat
14
Feb
exhibition
Museum of Fine Arts, Boston, Goya: Order and Disorder, October 12, 2014-January 19, 2015, cat. 186 (ill.).
Museum of Fine Arts, Boston, Goya: Order and Disorder, October 12, 2014-January 19, 2015, cat. 186 (ill.).
Sat
14
Feb
note
Museum of Fine Arts, Boston, Goya: Order and Disorder, October 12, 2014-January 19, 2015, cat. 186
Museum of Fine Arts, Boston, Goya: Order and Disorder, October 12, 2014-January 19, 2015, cat. 186 (ill.).
Sat
14
Feb
exhibition
Frankfurt, Stadel Museum, Schwarze Romantik, von Goya bis Max Ernst, September 25, 2014-January 20, 2013; Paris, Musée d'Orsay, L'Ange du bizarre. Le romanticisme noir de Goya a Max Ernst, March 4-June 9, 2013.
Frankfurt, Stadel Museum, Schwarze Romantik, von Goya bis Max Ernst, September 25, 2014-January 20, 2013; Paris, Musée d'Orsay, L'Ange du bizarre. Le romanticisme noir de Goya a Max Ernst, March 4-June 9, 2013.
Sat
14
Feb
exhibition
Paris, France, Musée d'Orsay, Crime and Punishment, March 15- June 27, 2010, cat. 68.
Paris, France, Musée d'Orsay, Crime and Punishment, March 15- June 27, 2010, cat. 68.
Sat
14
Feb
note
Marilyne Assante di Panzillo. “Figures du Crime Romantique: Brigand, Femmes Fatales, et Sorcières”, Crime & Châtiment, Exh. cat.
Marilyne Assante di Panzillo. “Figures du Crime Romantique: Brigand, Femmes Fatales, et Sorcières”, Crime & Châtiment, Exh. cat. (Musée d’Orsay, 2010), p. 126, ill. 127, cat. 68.
Sat
14
Feb
note
Robert Hughes, Goya
Robert Hughes, Goya (New York, 2003), p. 226 (ill.).
Sat
14
Feb
note
Eleanor Sherman Font, “Goya’s Source for the Maragato Series,” Gazette des Beaux-Arts
Eleanor Sherman Font, “Goya’s Source for the Maragato Series,” Gazette des Beaux-Arts (November 1958), pp. 289, 291 (ill.).
Sat
14
Feb
exhibition
New York, Metropolitan Museum, Goya Drawings and Prints, May 3–30, 1955, cat. 182.
New York, Metropolitan Museum, Goya Drawings and Prints, May 3–30, 1955, cat. 182.
Sat
14
Feb
exhibition
New York, Wildenstein & Co., A Loan Exhibition of Goya, For the Benefit of the Institute of Fine Arts, New York University, November 9–December 16, 1950, cat. 33.
New York, Wildenstein & Co., A Loan Exhibition of Goya, For the Benefit of the Institute of Fine Arts, New York University, November 9–December 16, 1950, cat. 33.
Sat
14
Feb
note
R. Hilton, Margato y El Ocaso del Bandalerismo Espanol
R. Hilton, Margato y El Ocaso del Bandalerismo Espanol (New York, 1946), pp. 1–10 (ill.).
Sat
14
Feb
exhibition
The Art Institute of Chicago, Goya, 1941, pp. 46–49, cat. 75 (ill.)
The Art Institute of Chicago, Goya, 1941, pp. 46–49, cat. 75 (ill.)
Sat
14
Feb
exhibition
The Toledo Museum of Art, Spanish Painting, March 16-April 27, 1941, pp. 136–137, cat. 94 (ill.).
The Toledo Museum of Art, Spanish Painting, March 16-April 27, 1941, pp. 136–137, cat. 94 (ill.).
Sat
14
Feb
note
J. Gudiol, Goya
J. Gudiol, Goya (New York, 1941), p. 88, (ill.) 78-83.
Sat
14
Feb
note
The Art Institute of Chicago, Masterpiece of the Month
The Art Institute of Chicago, Masterpiece of the Month (June 1940), pp. 127, 128.
Sat
14
Feb
exhibition
Columbus, Ohio, Gallery of Fine Arts, Exhibition of Spanish Art, 1936.
Columbus, Ohio, Gallery of Fine Arts, Exhibition of Spanish Art, 1936.
Sat
14
Feb
exhibition
The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 69-d.
The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 69-d.
Sat
14
Feb
exhibition
M. Knoedler & Co., New York, Loan Exhibition of Paintings by Goya, April 9-April 21, 1934, cat. 16 (ill.).
M. Knoedler & Co., New York, Loan Exhibition of Paintings by Goya, April 9-April 21, 1934, cat. 16 (ill.).
Sat
14
Feb
note
“America Sees First Big Goya Exhibition,” Art Digest 8
“America Sees First Big Goya Exhibition,” Art Digest 8 (April 15, 1934), p. 6 (ill.).
Sat
14
Feb
note
The Art Institute of Chicago Bulletin 27, 1
The Art Institute of Chicago Bulletin 27, 1 (1933), p. 10.
Sat
14
Feb
note
Daniel Catton Rich, “Five Centuries of Early Painting in Chicago,” Pantheon 12
Daniel Catton Rich, “Five Centuries of Early Painting in Chicago,” Pantheon 12 (July-December 1933), pp. 93, 381.
Sat
14
Feb
exhibition
The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 166-d.
The Art Institute of Chicago, Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 166-d.
Sat
14
Feb
note
bequeathed to the Art Institute, 1933.
bequeathed to the Art Institute, 1933.
Sat
14
Feb
note
X. Desparmet Fitz-Gerald, L’Oeuvre Peint de Goya,Catalogue Raisonné vol. 1
X. Desparmet Fitz-Gerald, L’Oeuvre Peint de Goya,Catalogue Raisonné vol. 1 (Paris, 1928-1950), no. 219, pl. 170.
Sat
14
Feb
exhibition
New York, Metropolitan Museum of Art, Spanish Painting, 1928, cat. 7–12, ill.
New York, Metropolitan Museum of Art, Spanish Painting, 1928, cat. 7–12, ill.
Sat
14
Feb
note
A. P. McMahon, “Spanish Painting: Greco to Goya,” The Arts 13
A. P. McMahon, “Spanish Painting: Greco to Goya,” The Arts 13 (1928), pp. 183 (ill.).
Sat
14
Feb
note
L. Estarico, Francisco Goya, trans. R. West, 1924, pp. 65, 177, no. 597, pl. 185–190.
L. Estarico, Francisco Goya, trans. R. West, 1924, pp. 65, 177, no. 597, pl. 185–190.
Sat
14
Feb
note
A. de Beruete y Moret, Goya: Composiciones y Figuras, vol. 2
A. de Beruete y Moret, Goya: Composiciones y Figuras, vol. 2 (Madrid, 1917), no. 158-163.
Sat
14
Feb
note
Hugh Stokes, Francisco Goya
Hugh Stokes, Francisco Goya (New York, 1914), p. 351, no. 501–506.
Sat
14
Feb
note
sold to Martin Ryerson (died 1932), Chicago in May 1911 [see purchase receipt dated May 13, 1911]
sold to Martin Ryerson (died 1932), Chicago in May 1911 [see purchase receipt dated May 13, 1911]
Sat
14
Feb
note
Albert Frederick Calvert, Goya, 1908, pp. 152–153, no. 24–29.
Albert Frederick Calvert, Goya, 1908, pp. 152–153, no. 24–29.
Sat
14
Feb
note
V. von Loga, Francisco Goya, 1903, p. 215, no. 485, pl. 31.
V. von Loga, Francisco Goya, 1903, p. 215, no. 485, pl. 31.
Sat
14
Feb
note
Paul Lafond, Goya
Paul Lafond, Goya (Paris, 1902), p. 110, no. 68.
Mon
14
Feb
note
Jeannine Baticle, Goya d’or et de sang
Jeannine Baticle, Goya d’or et de sang (Paris, 1994), p. 95.
Mon
14
Feb
note
Janis Tomlinson, Francisco Goya y Lucientes 1746-1828
Janis Tomlinson, Francisco Goya y Lucientes 1746-1828 (London, 1994), p. 173, fig. 136.
Mon
14
Feb
exhibition
Madrid, Museo del Prado, Goya: Truth and Fantasy. The Small Paintings, November 15, 1994-February 27, 1994, cat. 88; London, Royal Academy of Arts, March 18-June 12, 1994; Art Institute of Chicago, July 16-October 16, 1994.
Madrid, Museo del Prado, Goya: Truth and Fantasy. The Small Paintings, November 15, 1994-February 27, 1994, cat. 88; London, Royal Academy of Arts, March 18-June 12, 1994; Art Institute of Chicago, July 16-October 16, 1994.
Sun
14
Feb
note
The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago
The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Chicago, 1988), p. 45 (ill.).
Wed
14
Feb
note
John D. Morse, Paintings in North America: Over 3000 Masterpieces by 50 Great Artists
John D. Morse, Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York, 1979), p. 144.
Mon
14
Feb
note
Nigel Glendinning, Goya and His Critics
Nigel Glendinning, Goya and His Critics (London, 1977), pp. 219,
Sun
14
Feb
note
the group of small paintings marked X8 being allotted to the son: "Seis quadros del Maragato señalados con el número ocho, en 700 [reales]" (the inventory mark has been removed from the painting and is no longer visible) [see Gassier and Wi...
the group of small paintings marked X8 being allotted to the son: "Seis quadros del Maragato señalados con el número ocho, en 700 [reales]" (the inventory mark has been removed from the painting and is no longer visible) [see Gassier and Wilson 1971]
Sun
14
Feb
note
Pierre Gassier and Juliet Wilson, The Life and Complete Work of Francisco Goya
Pierre Gassier and Juliet Wilson, The Life and Complete Work of Francisco Goya (New York, 1971), pp. 156 (ill.), 374, 381, no. 868.
Sat
14
Feb
exhibition
The Hague, Mauritshuis, Goya, July 4–September 13, 1970; traveled to Paris, Palais du Louvre, September 25–December 7, 1970, cat. 34 (ill.).
The Hague, Mauritshuis, Goya, July 4–September 13, 1970; traveled to Paris, Palais du Louvre, September 25–December 7, 1970, cat. 34 (ill.).
Mon
14
Feb
note
Rodolfo Pallucchini, “L’Art Institute di Chicago,” L’Illustrazione del Medico 33, 218
Rodolfo Pallucchini, “L’Art Institute di Chicago,” L’Illustrazione del Medico 33, 218 (February 1966), pp. 12, 14, fig. 6.
Tue
14
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 201, 102 (ill.).
Thu
14
Feb
note
sale, Paris, Hôtel Drouot, March 7, 1861, bought in together with other paintings from the series for 590 francs [see Hippolyte Mireur, Dictionnaire des ventes (Paris, 1914), vol....
sale, Paris, Hôtel Drouot, March 7, 1861, bought in together with other paintings from the series for 590 francs [see Hippolyte Mireur, Dictionnaire des ventes (Paris, 1914), vol. 3, p. 360 and Despartment Fitz-Gerald 1928-1950]. Julius Böhler, Munich by 1911
© Artist-Unknown. All rights reserved.