Reclining Tahitian (fragment)

The Art Institute of Chicago, "Gauguin: Artist as Alchemist", June 25 - September 10, 2017, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.

Art Institute of Chicago, Intimate Encounters: Paul Gauguin and the South Pacific; The Edward McCormick Blair Collection, Sept. 6, 2003–Jan. 11, 2004, not in cat.

Art Institute of Chicago, Intimate Encounters: Paul Gauguin and the South Pacific; The Edward McCormick Blair Collection, exhibition brochure (Art Institute of Chicago, 2003), not in cat.

sold to the Art Institute of Chicago, 1948.

From the artist to Francisco “Paco” Durrio (1868–1940), Paris, between 1893 and 1895 [González de Durana, Alzuri, and Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), pp. 195–98, 210, no. 18, 222, no. 22

Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh cat. (Museo de Bellas Artes de Bilbao, 2013), p. 210, no. 18, 222, no. 22.

returned by Lucas Lichtenhan to Walther Geiser in 1936

Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, exh. cat. (Ernest Brown & Phillips, 1931), p. 6, cat. 8.

Walther Geiser (1897–1993), Basel, by Jan. 18, 1931 [Oviri appears in the inventories of Geiser (no. 86-106, Jan. 18, 1931, Holzschnitte, and no. 68–89, Dec. 24, 1931, as Gravures sur bois, all listed as a set of woodcuts)]

London, Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, May–June 1931, cat. 8.

consigned by Walther Geiser to Lucas Lichtenhan (1897–1969), Basel, on Jan. 18, 1931

left by Francisco “Paco” Durrio at Kunsthalle Basel for exhibition in 1928

Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, with introductions by F. Cossio del Pomar and G. Daniel de Monfreid, exh. cat. (n.p., 1926), n.pag., cat. 54.

Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, Dec. 17, 1926, cat. 54.

and Société du Salon d’Automne, Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, exh. cat. (Compagnie Française des Papiers-Monnaie, 1906), cat. 152.]

Paris, Grand Palais des Champs-Élysées, Salon d’automne: 4me exposition, 1906, cat. 152, as Noa-Noa.

Société du Salon d’Automne, Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, exh. cat. (Compagnie Française des Papiers-Monnaie, 1906), n.pag., cat. 152.

Berlin, Galerien Thannhauser, Paul Gauguin, 1848–1903, Oct. 1928, cat. 206.

Galerien Thannhauser, Paul Gauguin, 1848–1903, introduction by W. Barth, exh. cat. (Galerien Thannhauser, 1928), p. 16, cat. 206.

Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat. (Kunsthalle Basel, 1928), p. 25, cat. 120.

Kunsthalle Basel, Paul Gauguin, 1848–1903, July–Sept. 9, 1928, cat. 120 and cat. 230.

Kunsthalle Basel, Paul Gauguin, 1848–1903, 2nd ed., exh. cat. (Kunsthalle Basel, 1928), p. 30, cat. 230.

Elizabeth Mongan, Eberhard Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine H. Stauffer (Galerie Kornfeld, 1988), p. 152, cat. 35.

Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, May 1–July 31, 1988, cat. 213a; Art Institute of Chicago, Sept. 17–Dec. 11, 1988; Paris, Galeries Nationales du Grand Palais, as Gauguin, Jan. 10–Apr. 20, 1989 (Chicago and Paris only).

Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 375, cat. 213a.

Alan G. Wilkinson, Gauguin to Moore: Primitivism in Modern Sculpture, exh. cat. (Art Gallery of Ontario, 1982), pp. 68–69, cat. 26 (ill.).

Toronto, Art Gallery of Ontario, Gauguin to Moore: Primitivism in Modern Sculpture, Nov. 7, 1981–Jan. 3, 1982, cat. 26 (ill.).

Richard S. Field, Paul Gauguin: Monotypes, exh. cat. (Philadelphia Museum of Art, 1973), pp. 61, 147, cat. 12 (ill.).