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oil paint (paint)81 × 65 Cm
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About the artwork
Artist supplied description.
Paul Cezanne made this work during his first prolonged stay at Auvers, where he was mentored by Impressionist painter Camille Pissarro. Cezanne rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—using blocky, energetic patches of color and areas of ragged brushwork that seem unfinished, especially at the lower left and center. These choices, which were radical at the time, mark his attempt to communicate not merely the landscape’s appearance but also the feeling of seeing it and painting it.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 81 × 65 Cm |
| Tags | Century of ProgressbuildingbuildingscountrysideFrancehillshomeshousehousesskytownstownscapestreesweather/seasonslandscapesworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
20
Jan
note
Guillermo Solana, Van Gogh: Los Últimos Paisajes,
Guillermo Solana, Van Gogh: Los Últimos Paisajes, (Museo Thyssen-Bornemisza), p. 58 (ill.), cat. 1.
Tue
20
Jan
exhibition
Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, cat. 27; London, Tate, Oct. 5, 2022-Mar. 12, 2023.
Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, cat. 27; London, Tate, Oct. 5, 2022-Mar. 12, 2023.
Tue
20
Jan
note
Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat.
Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat. (Chicago: Art Institute of Chicago, 2022), 43, 96-97 cat. 27.
Tue
20
Jan
exhibition
Treviso, Museo di Santa Caterina, Storie dell'Impressionismo, October 29, 2016-April 17, 2017, cat. 83.
Treviso, Museo di Santa Caterina, Storie dell'Impressionismo, October 29, 2016-April 17, 2017, cat. 83.
Tue
20
Jan
note
Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin
Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin (Linea d’ombre, 2016), 322-23 (detail ill.), 423-30 cat. 83.
Tue
20
Jan
exhibition
Paris, Musée Luxembourg, Cezanne et Paris, October 10, 2011-February 27, 2012.
Paris, Musée Luxembourg, Cezanne et Paris, October 10, 2011-February 27, 2012.
Tue
20
Jan
exhibition
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 14 (ill.).
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 14 (ill.).
Tue
20
Jan
note
The Age of Impressionism at the Art Institute of Chicago
The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 14, pp. 50, 51 (ill.).
Tue
20
Jan
exhibition
Madrid, Museo Thyssen-Bornemisza, Van Gogh in Auvers, June 12–September 16, 2007, cat. 1.
Madrid, Museo Thyssen-Bornemisza, Van Gogh in Auvers, June 12–September 16, 2007, cat. 1.
Tue
20
Jan
exhibition
New York, Pioneering Modern Painting: Cézanne & Pissarro 1865-1885, June 26 – September 12, 2005, traveled to Los Angeles County Museum of Art, October 20, 2005 – January 2006 and Paris, Musée d’Orsay, February 27 – May 28, 2006, cat. 66...
New York, Pioneering Modern Painting: Cézanne & Pissarro 1865-1885, June 26 – September 12, 2005, traveled to Los Angeles County Museum of Art, October 20, 2005 – January 2006 and Paris, Musée d’Orsay, February 27 – May 28, 2006, cat. 66, Auvers-sur-Oise, Panoramic View (Vue panoramique d’Auvers-sur-Oise), c. 1875-76.
Tue
20
Jan
exhibition
Newcastle-upon-Tyne, Laing Art Gallery, Exchange loan for Van Gogh/ Gauguin: The Studio of the South, August 15, 2001-June 2, 2002.
Newcastle-upon-Tyne, Laing Art Gallery, Exchange loan for Van Gogh/ Gauguin: The Studio of the South, August 15, 2001-June 2, 2002.
Tue
20
Jan
note
Paul Gachet, Deux Amis des Impressionistes: Le Docteur Gachet et Murer
Paul Gachet, Deux Amis des Impressionistes: Le Docteur Gachet et Murer (Paris, 1956), p. 56, n. 2, as Panorma (Auvers).
Tue
20
Jan
note
The Art Institute of Chicago, A Brief Guide to the Collections
The Art Institute of Chicago, A Brief Guide to the Collections (The Art Institute of Chicago, 1956), p. 36, as Auvers, Village Panorama.
Tue
20
Jan
note
David Cooper, “The Painters of Auvers-sur-Oise,” Burlington Magazine 97
David Cooper, “The Painters of Auvers-sur-Oise,” Burlington Magazine 97 (April 1955), p. 103, fig. 8 (ill.).
Tue
20
Jan
note
M. Raynal, Geneva, 1954, p. 40
M. Raynal, Geneva, 1954, p. 40 (ill.).
Tue
20
Jan
exhibition
Paris, Orangerie des Tuileries, Van Gogh et Les Peinters d’Auvers sur Oise, November 24, 1954 – February 28, 1955, cat. 12 (ill.), as Vue d’Auvers, 1873-74.
Paris, Orangerie des Tuileries, Van Gogh et Les Peinters d’Auvers sur Oise, November 24, 1954 – February 28, 1955, cat. 12 (ill.), as Vue d’Auvers, 1873-74.
Tue
20
Jan
note
Mayer Schapiro, Paul Cézanne
Mayer Schapiro, Paul Cézanne (New York, 1952), pp. 44-45 (ill.), as View of Auvers, c. 1874.
Tue
20
Jan
exhibition
The Art Institute of Chicago, Cézanne, Paintings, Watercolors and Drawings: A Loan Exhibition, February – March 1952, traveled to New York, Metropolitan Museum of Art, April – May 1952, cat. 15 (ill.), as Auvers: Village Panorama...
The Art Institute of Chicago, Cézanne, Paintings, Watercolors and Drawings: A Loan Exhibition, February – March 1952, traveled to New York, Metropolitan Museum of Art, April – May 1952, cat. 15 (ill.), as Auvers: Village Panorama, 1873-75.
Tue
20
Jan
note
Charles Fabens Kelly, “Chicago: Record Years,” Art News 51, 4
Charles Fabens Kelly, “Chicago: Record Years,” Art News 51, 4 (June-July-August 1952), p. 54, as Auvers-sur-Oise.
Tue
20
Jan
note
John Rewald, “Cézanne’s Theories About Art,” Art News 47, 7
John Rewald, “Cézanne’s Theories About Art,” Art News 47, 7 (November, 1948), fig. 53.
Tue
20
Jan
note
Albert Barnes and Violette de Manzia, The Art of Paul Cézanne
Albert Barnes and Violette de Manzia, The Art of Paul Cézanne (New York, 1939), no. 47, as Auvers-sur-Oise: Village Panorama, 1873-75.
Tue
20
Jan
note
Coronet
Coronet (May 1939), p. 12 (ill.).
Tue
20
Jan
note
R. Goldwater in Art News Annual
R. Goldwater in Art News Annual (March 26, 1938), p. 146 (ill.).
Tue
20
Jan
note
Lionello Venturi, Cézanne: son art, son oeuvre vols. 2
Lionello Venturi, Cézanne: son art, son oeuvre vols. 2 (Paris, 1936), no. 150 (ill.), as Auvers, vue panoramique, 1873-75.
Tue
20
Jan
exhibition
The Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, 1933, cat. 304, as Auvers-sur-Oise, Village Panorama, 1873.
The Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, 1933, cat. 304, as Auvers-sur-Oise, Village Panorama, 1873.
Tue
20
Jan
exhibition
Philadelphia, Pennsylvania Museum of Art, Exhibition of the Works of Cézanne, November 10 – December 10, 1932, cat. 4, as Auvers-sur-Oise, Village Panorama, 1873.
Philadelphia, Pennsylvania Museum of Art, Exhibition of the Works of Cézanne, November 10 – December 10, 1932, cat. 4, as Auvers-sur-Oise, Village Panorama, 1873.
Tue
20
Jan
note
Daniel Catton Rich, “The Bequest of Mrs. L. L. Coburn,” Bulletin of The Art Institute of Chicago 26
Daniel Catton Rich, “The Bequest of Mrs. L. L. Coburn,” Bulletin of The Art Institute of Chicago 26 (1932), p. 70, as Auvers-sur-Oise, 1873.
Wed
20
Jan
exhibition
New York, The Metropolitan Museum of Art, Cézanne to Van Gogh: The Collection of Dr. Gachet, May – August 1999, traveled to Amsterdam, The Van Gogh Museum, September – December 1999, cat. P.G. II-4, as Panorama (Auvers), 1873.
New York, The Metropolitan Museum of Art, Cézanne to Van Gogh: The Collection of Dr. Gachet, May – August 1999, traveled to Amsterdam, The Van Gogh Museum, September – December 1999, cat. P.G. II-4, as Panorama (Auvers), 1873.
Mon
20
Jan
exhibition
Glasgow, Mclellan Galleries, The Birth of Impressionism, May 23 – September 7, 1997, no cat. no., as Auvers: Village Panorama, c. 1873.
Glasgow, Mclellan Galleries, The Birth of Impressionism, May 23 – September 7, 1997, no cat. no., as Auvers: Village Panorama, c. 1873.
Mon
20
Jan
exhibition
Sydney Art Gallery of New South Whales, Australia, The Classic Cezanne, November 28, 1997 – February 28, 1999, cat. 3, Panoramic view of Auvers/Vue panoramique d’Auvers-sur-Oise, c. 1873-74.
Sydney Art Gallery of New South Whales, Australia, The Classic Cezanne, November 28, 1997 – February 28, 1999, cat. 3, Panoramic view of Auvers/Vue panoramique d’Auvers-sur-Oise, c. 1873-74.
Sat
20
Jan
note
John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné
John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné (New York, 1996), vol. 1, p. 161, no. 221, vol. 2, p. 73, as Vue panoramique d’Auvers-sur-oise, 1873-74.
Fri
20
Jan
note
Charles de Lartigue, Les paysages de Paul Cézanne
Charles de Lartigue, Les paysages de Paul Cézanne (Lyon, 1995), pp. 74, as Auvers, vue panoramique, c. 1873-75.
Fri
20
Jan
exhibition
Paris, Galeries nationales du Grand Palais, Cézanne, September 25, 1995-January 7, 1996, cat. 31; London, Tate Gallery, February 8-April 28, 1996; Philadelphia Museum of Art, May 26-August 18, 1996.
Paris, Galeries nationales du Grand Palais, Cézanne, September 25, 1995-January 7, 1996, cat. 31; London, Tate Gallery, February 8-April 28, 1996; Philadelphia Museum of Art, May 26-August 18, 1996.
Fri
20
Jan
note
Philippe Dagen, Cézanne
Philippe Dagen, Cézanne (Paris, 1995), p. 57 (ill.), 59, as Auvers, vue panoramique, 1873-75.
Sat
20
Jan
note
Michael Howard, Cézanne
Michael Howard, Cézanne (London, 1990), p. 66, 67 (ill.), as Auvers, Panoramic View, 1873-75.
Tue
20
Jan
note
Richard Brettell, French Impressionists
Richard Brettell, French Impressionists (Chicago, 1987), pp. 18 (ill.), 19, 117, as Auvers: Village Panorama, c. 1873.
Tue
20
Jan
note
R. Wollheim, Painting as Art
R. Wollheim, Painting as Art (Princeton, 1987), fig. 1.
Mon
20
Jan
note
B. Bernard, The Impressionist Revolution
B. Bernard, The Impressionist Revolution (London, 1986), p. 247, ill.
Sun
20
Jan
exhibition
Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces From The Art Institute of Chicago, October 18 – December 17, 1985, traveled to Fukoka Art Museum, January 5 – February 2, 1986 and Kyoto Municipal Museum of Art...
Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces From The Art Institute of Chicago, October 18 – December 17, 1985, traveled to Fukoka Art Museum, January 5 – February 2, 1986 and Kyoto Municipal Museum of Art, March 4 – April 13, 1986, cat. 26 (ill.), as Auvers: Panoramic View, 1873-75.
Fri
20
Jan
note
Paul Cézanne, exh. cat.
Paul Cézanne, exh. cat. (Madrid, Museo Epañol de Arte Conemporáneo, 1984), p. 232 (ill.), as Vista de Auvers desde lo alto, 1873-75, illustrated only.
Fri
20
Jan
exhibition
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28-September 16, 1984, traveled to The Art Institute of Chicago, October 23, 1984-January 6, 1985 and Paris...
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28-September 16, 1984, traveled to The Art Institute of Chicago, October 23, 1984-January 6, 1985 and Paris, Galeries nationales du Grand Palais, February 8-April 22, 1985, cat. 69 (ill.), as Auvers, Panoramic View (Auvers, Vue panoramique), 1873-75.
Fri
20
Jan
note
Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago and London, 1984), pp. 112, fig. 22, 113-115, as View of Auvers also called Auvers: Village Panorma, c. 1874.
Sun
20
Jan
note
R. Shikes and P. Harper, Pissarro, His Life and Work
R. Shikes and P. Harper, Pissarro, His Life and Work (New York, 1980), p. 119, ill.
Fri
20
Jan
note
John Rewald, Post-Impressionism: From Van Gogh to Gauguin
John Rewald, Post-Impressionism: From Van Gogh to Gauguin (New York, 1978), p. 362 (ill.), as
Tue
20
Jan
note
Alice Bellony-Rewald, The Lost World of Impressionists
Alice Bellony-Rewald, The Lost World of Impressionists (London, 1976), pp. 150-51 (ill.),
Mon
20
Jan
note
N. Wadley, London, 1975, pl. 26.
N. Wadley, London, 1975, pl. 26.
Mon
20
Jan
note
F. Elgar, Newe York, 1975, fig. 29.
F. Elgar, Newe York, 1975, fig. 29.
Sun
20
Jan
note
René Huyghe, La Relève du reel: impressionnisme, symbolisme
René Huyghe, La Relève du reel: impressionnisme, symbolisme (Paris, 1974), no. 179.
Mon
20
Jan
note
John Rewald, “Choquet and Cézanne,” Gazette des Beaux-Arts
John Rewald, “Choquet and Cézanne,” Gazette des Beaux-Arts (July-August 1969), p. 82, under no. 6, reprinted in John Rewald, Studies in Impressionism (London, 1985), p. 165, under no. 6.
Fri
20
Jan
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 71, as Auvers: Village Panorama, 1873-75.
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