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paper (fiber product)41 × 31 Cm
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About the artwork
Artist supplied description.
The hero of Virgil’s epic the Aeneid, Aeneas is associated with the foundation of Roman culture following the fall of Troy and an arduous journey to his destined homeland in Italy. In this print, Aeneas is prepared for deification; his armor has been removed, and nymphs and cupids perform a ritual cleansing of his body. Van den Dyck, an artist who emerged from the orbit of Peter Paul Rubens, realized this print during one of his many years in Italy. After settling first in Venice, the artist eventually became a court painter to Duke Carlo Gonzaga II in Mantua.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 41 × 31 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
11
Feb
note
Anne-Marie Logan, “Daniel van den Dyck.” Wallraf-Richartz-Jahrbuch
Anne-Marie Logan, “Daniel van den Dyck.” Wallraf-Richartz-Jahrbuch
Wed
11
Feb
note
given to the Art Institute, 2015.
given to the Art Institute, 2015.
Fri
11
Feb
note
Vol. 55, studien zur niederländischen kunst: festschrift für prof. Dr. Justus müller hofstede
Vol. 55, studien zur niederländischen kunst: festschrift für prof. Dr. Justus müller hofstede (1994), pp. 95 and 97, fig. 2. (ill.).
Mon
11
Feb
note
Sold by Paul McCarron, to Anne-Marie Logan, February 13, 1991
Sold by Paul McCarron, to Anne-Marie Logan, February 13, 1991
© Artist-Unknown. All rights reserved.
