The Zone (Outside the City Walls)

to the present owner

by descent to private collection, New York

The Art Institute of Chicago, "Bridget Riley Drawings: From the Artist's Studio", September 17, 2022 - January 16, 2023.

New York, The Museum of Modern Art, "Félix Fénéon (1861-1944)", August 27, 2020 - January 3, 2021, p. 87, pl. 25, cat. by Starr Figura, et. al.

Daxer & Marschall, Recent Acquisitions, Catalogue XXV (Munich, 2018), pp. 82–83 (color ill.).

offered through Daxer & Marschall Kunsthandel, Munich, to the Art Institute, 2018.

New York, The Museum of Modern Art, Georges Seurat, The Drawings, Oct. 28, 2007–Jan. 7, 2008, cat. 62, pp. 128 (color ill.) and 251.

sold, New York, Sotheby's, May 3, 2005, lot 48

Les Marques de Collections de Dessins & d’Estampes (The Hague: Martinus Nijhoff, 1956), p. 136.

Paris, Musée National d'Art Moderne, Le dessin de Toulouse-Lautrec aux Cubistes, 1954, cat. 191, p. 37.

sold, Paris, Hôtel Drouot, Collection Fénéon, May 30, 1947, lot 40 (ill.). Private Collection, Paris, by 1954 [Paris, 1954]. Alex Loeb, Paris, by 1961–at least 1962 [De Hauke 1961

George Seligmann, The Drawings of Georges Seurat (New York: Curt Valentin, 1947), no. 32, pp. 23 and 68.

possibly by descent to the artist’s nephew, Maurice-Adrien (1869–1941), Paris, 1925 [Seligmann 1947]. Galerie Knoedler & Co., Paris [according to De Hauke 1961]. Galerie Gérard Frères, Paris [according to De Hauke 1961]. Gustave Goubaux (1876–1957) [according to De Hauke 1961]. Félix Fénéon (1861–1944), Paris, by Jan. 1937 [London 1937]

London, Leicester Galleries, Artists Who Died Young, Mar.–Apr. 1938, cat. 31, p. 14.

Zurich, Galerie Aktuaryus, Le Néo-Impressionnisme, 1937, cat. 13.

Gotthard Jedlicka, “Die Zeichnungen Seurats,” Galerie und Sammler (Oct.–Nov. 1937), p. 149 (ill.).

London, Wildenstein and Co, Seurat and his Contemporaries, Jan. 20–Feb. 27, 1937, cat. 67, p. 27.

Paris, Galerie Paul Rosenberg, Seurat, Feb. 3–29, 1936, cat. 102.

Paris, Galerie Georges Aubry, Aquarelles, pastels et dessins des Maitres du XIXe siècle, 1931, cat. 75 (as La Grève).

By descent to the artist's brother-in-law, Léon Appert (1837–1925), Paris, 1891

sold to Abraham (1900–1975) and Nadia (Nehama) Jaglom (née Shoenberg

André Chastel and Fiorella Minervino, Tout l'œuvre peint de Seurat (Paris: Flammarion, 1973), no. D128, p. 114 (ill.) (as Fillette sur une Plage. Le Port).

1900–2004), New York, by June 2, 1969 [Abraham Jaglom diary entry]

Paris, Galerie Max Kaganovitch, Les 30 ans de la Galerie Max Kaganovitch: Dessins, aquarelles, tableaux, sculptures des XIXe et XXe siècles, May 4–June 18, 1966, cat. 93 (ill.).

Robert L. Herbert, Seurat’s Drawings (New York: Shorewood, 1962), no. 165, p. 186 (ill.).

Herbert 1962]. Galerie Max Kaganovitch, Paris, by May 1966