Woman Mending

Kunstmuseum Basel, Camile Pissarro: The Studio of Modernism, Sep. 4, 2021-Jan. 23, 2022. cat. 121.

Christophe Duvivier and Josef Helfenstein, eds., Camille Pissarro: The Studio of Modernism, exh. cat. (Munich Prestel Verlag, 2021), 274 cat. 121, 322.

“Cat. 15: Woman Mending, 1895,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.

Richard Brettell, Pissarro’s People, exh. cat. (Fine Arts Museums of San Francisco/Sterling and Francine Clark Art Institute/Prestel, 2011), pp. 34–35, fig. 16; 190; 192–93, fig. 147; 268–69, fig. 230.

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 368, 369, 370, 386, 409.

Richard Shiff, “The Restless Worker,” in Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), p. 38.

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 694, cat. 1098 (ill.).

Art Gallery of New South Wales, Camille Pissarro, Nov 19, 2005–Feb. 19, 2006, cat. 98 (ill.); Melbourne, National Gallery of Victoria, Mar. 4–May 28, 2006.

Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), pp. 207; 208, cat. 98 (ill.); 254.

given to the Art Institute of Chicago, beginning in 1959 [in undivided fractional interests, receiving final fractional interest for one hundred percent ownership in 1961].

sold to Mrs. Mary Block (née Lasker), Chicago, December 1950

sold to Sam Saltz, New York, by December 1950

Paris, Galerie de l’Élysée, C. Pissarro: Des peintures et des pastels de 1880 à 1900 environ, Apr. 23–May 5, 1948, no cat.

John Rewald, Pissarro (Braun & Cie, [1940]), cat. 48 (ill.).

Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 1, Texte (P. Rosenberg, 1939), p. 210, cat. 934.

Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 2, Planche (P. Rosenberg, 1939), pl. 189, cat. 934.

Zurich, Switzerland, Moderne Galerie, Camille Pissarro, July 11–Aug. 31, 1913, cat. 7.

London, Stafford Gallery, Pictures by Camille Pissarro, from Oct. 13, 1911, cat. 11.

Katalog over Martsudstillingen, 58 Vesterbrogade, exh. cat. (1911), p. 2, cat. 34.

Copenhagen, Valdemar Kleis, Katalog over Martsudstillingen (1886–1911), Mar. 1911, cat. 34.

by descent to his son, Ludovic-Rodolph (Rodo) Pissarro, Paris, 1904 [this and the two following per Pissarro and Snollaerts, 2005]

Stafford Gallery, Exhibition of Pictures by Camille Pissarro, 1830–1903, exh. cat. (Stafford Gallery, 1911), p. 10, cat. 11.

The artist (d. 1903)

Joachim Pissarro and Stephanie Rachum, Camille Pissarro: Impressionist Innovator, exh. cat. (Israel Museum, Jerusalem, 1994), p. 56 (ill.).

Joachim Pissarro, Camille Pissarro (Abrams, 1993), p. 169, cat. 179 (ill.).

Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 126 (ill.).

Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 4, 1895–1898 (Valhermeil, 1989), pp. 127 (letter 1181); 129, n. 2; 149 (letter 1199).

Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 49 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.

Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 104, cat. 49 (ill.); 105 (detail); 154, cat. 49 (ill.).

Christopher Lloyd, “Camille Pissarro: Towards a Reassessment,” Art International 25, 1–2 (Jan. 1982), p. 64 (ill.).

Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), p. 98 (ill.).

Ralph E. Shikes and Paula Harper, Pissarro: His Life and Work (Horizon, 1980), p. 291 (ill.).

Christopher Lloyd, Pissarro (Phaidon, 1979), p. 15, pl. 34.

Chicago, Mr. and Mrs. Leigh Block, Oct. 19, 1976–May 20, 1977, no cat.

Raymond Cogniat, Pissarro (Flammarion, 1974), p. 73 (ill.).

Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), pp. 48 (ill.), 162–63.

John Maxon, The Art Institute of Chicago (Abrams, 1970), pp. 268 (ill.), 285.

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 359.