James Vibert, Sculptor

Dorn, Roland, et al., Van Gogh Face to Face: The Portraits, exh. cat. (Detroit Institute of Arts/Thames & Hudson, 2000), pp. 238, fig. 214 (color ill.), 269.

Myers, Bernard Samuel, The German Expressionists: A Generation in Revolt (New York: Praeger, 1957), p. 28 (pl. 7).

Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1946), pp. 30-31 (ill.), 57.

New York, Museum of Modern Art, 20th Century Portraits, December 9, 1942-January 24, 1943, no cat. no., p. 58 (ill.); traveled to Baltimore Museum of Art, February 12-March 7, 1943, and Worcester Art Museum, March 21-April 18, 1943.

Wheeler, Monroe, 20th Century Portraits, exh. cat. (New York: Museum of Modern Art, 1942), no cat. no., p. 58 (ill.).

Art Institute of Chicago, Catalogue of a Century of Progress Exhibition of Paintings and Sculpture, exh. cat. (Chicago: Lakeside Press, R. R. Donnelley & Sons Co., 1934), cat. 319.

Chicago, Art Institute, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 319.

Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch-Bartlett Collection (Chicago: Art Institute of Chicago, 1929), pp. 26-27 (ill.), 59.

Zabel, M. D., “An American Gallery of Modern Painting,” Art and Archaeology 26 (December 1928), pp. 232 (ill.), 235.

Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1926), pp. 18, 19 (ill.), 53.

given to the Art Institute of Chicago, 1926.

Boston, Art Club, 1925.

Minneapolis Institute of Arts, Exhibition of French Paintings from a Well-Known Collection, 1925, no cat.

Bulletin of the Minneapolis Institute of Arts 14 (April 1925), p. 32.

Willy Russ-Young (1877–1959), Serrières-Neuchâtel, Switzerland, by 1921 [verso label]. Sold through Galerie Fischer, Lucerne, to Frederic Clay Bartlett (1873–1953), Chicago, July 1924 [invoice from Galerie Fischer to Frederic Clay Bartlett, July 16, 1924, copy in curatorial file]

de Mandach, Conrad, Hodler Gedächtnis-Ausstellung, exh. cat. (Bern: Kunstmuseum Bern, 1921), cat. 370.

Bern, Kunstmuseum, Hodler Gedächtnis-Ausstellung, August 20-October 23, 1921, cat. 370.

Loosli, Carl Albert, Ferdinand Hodler, vol. 2 (Zurich: Rascher, 1920), pl. 97.

Heller, Reinhold, “Ferdinand Hodler: A Unique Note in the Birch Bartlett Collection,” The Art Institute of Chicago Museum Studies 12, 2 (1986), pp. 166-87, fig. 1 (color ill.).

Brettell, Richard R., “The Bartletts and the Grande Jatte: Collecting Modern Painting in the 1920s,” The Art Institute of Chicago Museum Studies 12, 2 (1986), p. 14.

Speyer, A. James, and Courtney Graham Donnell, Twentieth Century European Painting (Chicago: University of Chicago Press, 1980), p. 46, no. 2B3.