ArtworkStatus unknown

Apollo on Parnassus, Surrounded by the Muses and Poets

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paper (fiber product)47 × 35 Cm

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About the artwork
Artist supplied description.

Famous artworks replicated in print became more famous with each copy. While Marcantonio Raimondi was sued by Albrecht Dürer for illegally copying his woodcuts, he worked directly with Raphael to create printed versions of the master’s paintings and drawings for dissemination. The fresco of Apollo on Parnassus would have been inaccessible even to buyers who could afford this large print, as it was in Pope Julius II’s personal library in the Vatican. The engraving explicitly mentions this; the inscription on the doorway beneath the painting reads Raphael Pinxit in Vaticano, MAF (Raphael painted [the fresco] in the Vatican and Marcantonio made [the engraving].)

Artwork metadata
Structured fields synced from connected systems.
Mediumpaper (fiber product)
Dimensions47 × 35 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
08
Feb
exhibition

The Art Institute of Chicago, “Altered and Adorned: Using Renaissance Prints in Daily Life, ” April 30-July 10, 2011, cat. 1.

The Art Institute of Chicago, “Altered and Adorned: Using Renaissance Prints in Daily Life,” April 30-July 10, 2011, cat. 1.
Thu
08
Feb
exhibition

The Art Institute of Chicago, "The Art of Music: A Salute to the Centennial Season of the Chicago Symphony Orchestra, " November 1, 1990-March 31, 1991, no cat.

The Art Institute of Chicago, "The Art of Music: A Salute to the Centennial Season of the Chicago Symphony Orchestra," November 1, 1990-March 31, 1991, no cat.
Sun
08
Feb
exhibition

Lawrence, KS, The Spencer Museum of Art, University of Kansas, “The Engravings of Marcantonio Raimondi, ” November 16, 1981-January 3, 1982; also traveled to Ackland Art Museum, University of North Carolina, Chapel Hill...

Lawrence, KS, The Spencer Museum of Art, University of Kansas, “The Engravings of Marcantonio Raimondi,” November 16, 1981-January 3, 1982; also traveled to Ackland Art Museum, University of North Carolina, Chapel Hill, February 10-March 28, 1982; and Wellesley College Art Museum, MA, April 15-June 15, 1982; pp. 155-57, cat. 48b (ill.).
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