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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 65 × 54 Cm |
| Tags | still lifeFranceFrenchcupgreen (color)interiormetalpitcherpurple (color)tabletankardwood |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
22
Jan
note
Gloria Groom, ed. Gauguin: Artist as Alchemist, exh. cat.
Gloria Groom, ed. Gauguin: Artist as Alchemist, exh. cat. (Art Institute of Chicago/ Yale University Press, 2017). p. 14, 96, 98, 334, cat. 26.
Thu
22
Jan
note
Claire Bernardi and Ophélie Ferlier-Bouat, Guaguin: L’alchimiste, exh. cat.
Claire Bernardi and Ophélie Ferlier-Bouat, Guaguin: L’alchimiste, exh. cat. (Musée d’Osay/ Réunion des muséea nationaux-Grand Palais/ Graphicom, 2017), p.54-55, 305, cat. 56.
Thu
22
Jan
exhibition
Chicago, The Art Institute of Chicago, Gauguin: Artist as Alchemist, June 25-Sept. 10. 2017; Paris, Musée d’Orsay, Oct. 9, 2017-Jan. 1, 2018.
Chicago, The Art Institute of Chicago, Gauguin: Artist as Alchemist, June 25-Sept. 10. 2017; Paris, Musée d’Orsay, Oct. 9, 2017-Jan. 1, 2018.
Thu
22
Jan
exhibition
Copenhagen, Ordrupgaard, Gauguin and Impressionism: Painting, Sculpture and Ceramics, 1875–1887, August 20–November 20, 2005, cat. 13; Fort Worth, Kimbell Art Museum, December 18, 2005 - March 26, 2006.
Copenhagen, Ordrupgaard, Gauguin and Impressionism: Painting, Sculpture and Ceramics, 1875–1887, August 20–November 20, 2005, cat. 13; Fort Worth, Kimbell Art Museum, December 18, 2005 - March 26, 2006.
Thu
22
Jan
note
Elise Eckermann, ‘En lutte contre une puissance formidable’: Paul Gauguin im Spannungsfeld von Kunstkritik und Kunstmarkt
Elise Eckermann, ‘En lutte contre une puissance formidable’: Paul Gauguin im Spannungsfeld von Kunstkritik und Kunstmarkt (Weimar 2003), p. 275, pl. 9.
Thu
22
Jan
exhibition
Chicago, The Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, September 22, 2001-January 13, 2002; traveled to Amsterdam, The Van Gogh Museum, February 9-June 2, 2002, fig. 51.
Chicago, The Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, September 22, 2001-January 13, 2002; traveled to Amsterdam, The Van Gogh Museum, February 9-June 2, 2002, fig. 51.
Thu
22
Jan
note
Douglas Druick, Peter Kort Zegers and Britt Salvesen, Gauguin
Douglas Druick, Peter Kort Zegers and Britt Salvesen, Gauguin (Chicago, 2001), pp. 72 (ill.), 107.
Thu
22
Jan
note
Daniel Wildenstein with Sylvie Crussard and Martine Heudron, Gauguin: Premier itinéraire d’un sauvage: Catalogue de l’oeuvre peint
Daniel Wildenstein with Sylvie Crussard and Martine Heudron, Gauguin: Premier itinéraire d’un sauvage: Catalogue de l’oeuvre peint (1873-1888) vol. 1 (Paris, 2001), pp. 67–68, no. 60 (color ill.).
Thu
22
Jan
exhibition
Lyons, Musée dex Beaux Arts, Les Grands Courants de la peinture contemporaine, 1949, cat. 43 (ill. 16), as Le Pot de terre et le pot de fer.
Lyons, Musée dex Beaux Arts, Les Grands Courants de la peinture contemporaine, 1949, cat. 43 (ill. 16), as Le Pot de terre et le pot de fer.
Thu
22
Jan
note
Lee van Dovski
Lee van Dovski (Herbert Lewandowski), Paul Gauguin oder die Flucht vor der Zivilisation (Olten-Bern, 1948, 1950), p. 339, no. 23.
Thu
22
Jan
note
Raymond Cogniat, Gauguin
Raymond Cogniat, Gauguin (Paris, 1947), p. 6 (ill.).
Thu
22
Jan
exhibition
Paris, Galerie Charpentier, Tableaux de la vie silencieuse, 1946, cat. 26bis (ill.), as Le Pot de terre et le pot de fer.
Paris, Galerie Charpentier, Tableaux de la vie silencieuse, 1946, cat. 26bis (ill.), as Le Pot de terre et le pot de fer.
Thu
22
Jan
note
possibly Amédée Schuffenecker (1854-1935), Émile’s brother, after 1903....
possibly Amédée Schuffenecker (1854-1935), Émile’s brother, after 1903. Private collection, Paris by 1947 [according to Cogniat 1947]. Dr B., ca. 1949 [according to exhibition catalogue, 1949]. Mr. and Mrs. Robert E. Ricksen, Palm Beach, Florida
Fri
22
Jan
note
“Gauguin, Cat. 1, Wood Tankard
“Gauguin, Cat. 1, Wood Tankard (1999.362),” in Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, ed. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2016), https://publications.artic.edu/gauguin/reader/gauguinart/section/140163.
Fri
22
Jan
note
given to the Art Institute in 1999.
given to the Art Institute in 1999.
Fri
22
Jan
exhibition
Singapore, Museum of Art, Monet to Moore: The Millennium Gift of the Sara Lee Corporation, April 1–May 30, 1999; traveled to Canberra, National Gallery of Australia, June 11–August 22, 1999; Raleigh, North Carolina Museum of Art...
Singapore, Museum of Art, Monet to Moore: The Millennium Gift of the Sara Lee Corporation, April 1–May 30, 1999; traveled to Canberra, National Gallery of Australia, June 11–August 22, 1999; Raleigh, North Carolina Museum of Art, September 10–November 7, 1999; Oregon, Portland Art Museum, November 19, 1999–January 25, 1999; Chicago, Art Institute, March 15–May 28, 2000, cat. 12, as Clay Jug and Iron Jug.
Wed
22
Jan
exhibition
Laren, The Netherlands, Singer Museum, The Sara Lee Collection: An Impressionist Legacy, October 18, 1997 – February 15, 1998, pp. 30-31.
Laren, The Netherlands, Singer Museum, The Sara Lee Collection: An Impressionist Legacy, October 18, 1997 – February 15, 1998, pp. 30-31.
Sun
22
Jan
exhibition
Lakeland, Florida, Polk Museum of Art, Modern Masters: The Collection of Sara Lee Corporation, January 15-March 12, 1995.
Lakeland, Florida, Polk Museum of Art, Modern Masters: The Collection of Sara Lee Corporation, January 15-March 12, 1995.
Sat
22
Jan
note
James G. Massey, Arthur J. Powell and Norm W. Wilson, Windows and Images: An Introduction to the Humanities
James G. Massey, Arthur J. Powell and Norm W. Wilson, Windows and Images: An Introduction to the Humanities (Needham Heights, Massachusetts, 1994), cover (color ill.).
Fri
22
Jan
note
Belinda Thomson, Gauguin by Himself
Belinda Thomson, Gauguin by Himself (Boston, 1993), pp. 32, 56 (color ill.).
Mon
22
Jan
exhibition
Winston-Salem, North Carolina, Reynolda House Museum of American Art, An Impressionist Legacy: The Collection of Sara Lee Corporation, September 9-December 25, 1990; traveled to Memphis, Tennessee, Dixon Gallery and Gardens...
Winston-Salem, North Carolina, Reynolda House Museum of American Art, An Impressionist Legacy: The Collection of Sara Lee Corporation, September 9-December 25, 1990; traveled to Memphis, Tennessee, Dixon Gallery and Gardens, January 20-March 17, 1991, pp. 30-31.
Wed
22
Jan
note
Richard R. Brettell, An Impressionist Legacy: The Collection of Sara Lee Corporation
Richard R. Brettell, An Impressionist Legacy: The Collection of Sara Lee Corporation (New York, 1986), pp. 30-31 (ill.).
Tue
22
Jan
note
acquired by the Sara Lee Corporation, Chicago, 1985 [memorandum of Norma Farrell dated April 4, 1985 concerning conservation]
acquired by the Sara Lee Corporation, Chicago, 1985 [memorandum of Norma Farrell dated April 4, 1985 concerning conservation]
Tue
22
Jan
note
Nathan Cummings (died 1985), Chicago and New York
Nathan Cummings (died 1985), Chicago and New York
Tue
22
Jan
note
Elda Fezzi, Gauguin
Elda Fezzi, Gauguin (New York, 1980), pp. 22, no. 51, fig. 57.
Fri
22
Jan
note
sold Parke-Bernet, New York, October 21, 1971, lot 93 (ill....
sold Parke-Bernet, New York, October 21, 1971, lot 93 (ill.)
Wed
22
Jan
note
Georges Wildenstein, Gauguin
Georges Wildenstein, Gauguin (Paris, 1964), p. 22, no. 47 (ill.).
Sun
22
Jan
note
Probably on deposit at Goupil, Boussard and Valadon by March 1893 and then sent to George Daniel de Monfreid [according to a letter from Joyant to Monfreid, March 24, 1893 as quoted in Jean Loize, Les amities du peintre Georges Daniel de Mo...
Probably on deposit at Goupil, Boussard and Valadon by March 1893 and then sent to George Daniel de Monfreid [according to a letter from Joyant to Monfreid, March 24, 1893 as quoted in Jean Loize, Les amities du peintre Georges Daniel de Monfreid et ses reliques de Gauguin (Paris, 1951), pp. 93–4, no. 138, “I toile: nature morte, pot et cafeterie.”]. Possibly Émile Schuffenecker (1851-1934), Paris [‘Schuffenecker’ as the owner without first name is quoted in G. Wildenstein, 1964 and D. Wildenstein, 2001 as information given to G. Wildenstein by Jeanne Schuffenecker, Émile Schuffenecker’s daughter]
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