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paper (fiber product)25 × 35 Cm
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About the artwork
Artist supplied description.
Devoting less effort to the fabric textures and pearly luster of high-society mezzotint portraits, publishers also mocked sartorial excesses, especially those with foreign sources. In 1770s London, the epithet macaroni was directed at dandyish men and overdressed women who adopted an outrageous, European style and acted in an affected manners that their genders were said to become indistinguishable. Such costumes evidently even made leaving home difficult. This print’s subtitle, “Sic Itur ad Astra” (which translates as “Thus one goes to the stars”) comes from the Roman poet Virgil and suggests that the wigs and expanding carriages shown here have reached astronomical new heights.
Artwork metadata
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| Medium | paper (fiber product) |
| Dimensions | 25 × 35 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
22
Nov
exhibition
The Art Institute of Chicago, "Burnishing the Night: Baroque to Contemporary Mezzotints from the Collection", February 21 - May 31, 2015
The Art Institute of Chicago, "Burnishing the Night: Baroque to Contemporary Mezzotints from the Collection", February 21 - May 31, 2015
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