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oil paint (paint)68 × 50 Cm
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About the artwork
Artist supplied description.
James McNeill Whistler painted marine scenes throughout his career, including this depiction of the Thames River, which was a frequent subject in Whistler’s work when he lived in London. Here, he focused on the river’s industrial elements: boats and barges, laboring men, and smoking chimneys. Whistler unified the composition with deft brushwork and a subtle palette of brown and gray that anticipated his later interest in delicate tonal harmonies. The painting’s bold realism and thickly painted surface were inspired by French artist Gustave Courbet, whose work Whistler encountered during his stays in Paris in the mid-1850s and 1860s.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 68 × 50 Cm |
| Tags | landscapesCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
exhibition
Paris, France, Palais Royal: Galerie D Orleans, Exposition Universelle De 1867,
Paris, France, Palais Royal: Galerie D Orleans, Exposition Universelle De 1867,
Tue
27
Jan
note
The artist, from 1863 to about 1889
The artist, from 1863 to about 1889
Tue
27
Jan
note
<a href="https://www....
Tue
27
Jan
exhibition
London, England, Queen’s Square, College for Working Men and Women, 1889. cat. no. 77, as The Old Battersea Bridge.
London, England, Queen’s Square, College for Working Men and Women, 1889. cat. no. 77, as The Old Battersea Bridge.
Tue
27
Jan
note
<a href="https://www....
Tue
27
Jan
exhibition
London, England, The Royal Academy of the Arts, Exhibition of the Royal Academy of the Arts: The Ninety–Ninth, 1867, cat. no. 243, as Battersea.
London, England, The Royal Academy of the Arts, Exhibition of the Royal Academy of the Arts: The Ninety–Ninth, 1867, cat. no. 243, as Battersea.
Tue
27
Jan
exhibition
London England, Goupil Gallery, Nocturnes, Marines, and Chevalet Pieces: J. McNeil Whistler, Chelsea, cat. no. 36, lent by Madame Coronio.
London England, Goupil Gallery, Nocturnes, Marines, and Chevalet Pieces: J. McNeil Whistler, Chelsea, cat. no. 36, lent by Madame Coronio.
Tue
27
Jan
note
<a href="https://www....
Tue
27
Jan
note
Margaret F. MacDonald, Grischka Petri, "Grey and Silver: Old Battersea Reach," <em>The Paintings of James McNeill Whistler: A Catalogue Raisonné</em>, University of Glasgow, accessed June 3, 2020, <a href="https://whistlerpaintings.gla.ac.u...
Margaret F. MacDonald, Grischka Petri, "Grey and Silver: Old Battersea Reach," The Paintings of James McNeill Whistler: A Catalogue Raisonné, University of Glasgow, accessed June 3, 2020, https://whistlerpaintings.gla.ac.uk/catalogue/display/?mid=y046 (ill.).
Tue
27
Jan
note
Jay A. Clarke and Sarah Kelly Oehler, eds., <em>Whistler Paintings and Drawings at the Art Institute of Chicago</em>
Jay A. Clarke and Sarah Kelly Oehler, eds., Whistler Paintings and Drawings at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), cat. 7 (ill.), http://artic.edu/digitalwhistler.
Tue
27
Jan
exhibition
London, Dulwich Picture Gallery, An American in London: Whistler and the Thames, Oct. 16, 2013–Jan. 12, 2014; Andover, Addison Gallery of American Art, Feb. –Apr. 13, 2014; Washingon DC, Freer Gallery of Art, May 2–Aug. 17, 2014; Japan...
London, Dulwich Picture Gallery, An American in London: Whistler and the Thames, Oct. 16, 2013–Jan. 12, 2014; Andover, Addison Gallery of American Art, Feb. –Apr. 13, 2014; Washingon DC, Freer Gallery of Art, May 2–Aug. 17, 2014; Japan, National Museum of Modern Art, Kyoto, Sept. 13–Nov. 16, 2014; Japan, Yokohama Museum of Art, Dec. 6, 2014–Mar. 1, 2015; U.S. venues only.
Tue
27
Jan
note
Margaret F. MacDonald et al., An American in London: Whistler and the Thames,
Margaret F. MacDonald et al., An American in London: Whistler and the Thames, (Philip Wilson Publishers Ltd, 2013), cover (ill.).
Tue
27
Jan
note
Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em>
Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2011), cat. 10.
Tue
27
Jan
exhibition
Art Gallery of Ontario, Toronto, Canada, Turner, Whistler, Monet, Art Gallery of Ontario, Toronto, Canada; 12 June 2004 – 5 Sept. 2004; Grand Palais, Paris from 16 Oct. 2004 – 16 Jan; and Tate Britain, London 12 Feb. 2005 – 15 May 2005.
Art Gallery of Ontario, Toronto, Canada, Turner, Whistler, Monet, Art Gallery of Ontario, Toronto, Canada; 12 June 2004 – 5 Sept. 2004; Grand Palais, Paris from 16 Oct. 2004 – 16 Jan; and Tate Britain, London 12 Feb. 2005 – 15 May 2005.
Tue
27
Jan
exhibition
Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960...
Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Tue
27
Jan
exhibition
Art Institute of Chicago, Sargent, Whistler and Mary Cassatt, Jan. 14–Feb. 25, 1954, Frederick Sweet, cat. no. 95; New York, the Metropolitan Museum of Art, Mar. 25–May 23, 1954.
Art Institute of Chicago, Sargent, Whistler and Mary Cassatt, Jan. 14–Feb. 25, 1954, Frederick Sweet, cat. no. 95; New York, the Metropolitan Museum of Art, Mar. 25–May 23, 1954.
Tue
27
Jan
note
James W. Lane, Whistler
James W. Lane, Whistler (New York: Crown Publishers, 1942), 35, 60.
Tue
27
Jan
exhibition
Pittsburgh, Pa. Carnegie Institute, Department of Fine Arts, Survey of American Painting, Oct. 24–Dec. 15, 1940.
Pittsburgh, Pa. Carnegie Institute, Department of Fine Arts, Survey of American Painting, Oct. 24–Dec. 15, 1940.
Tue
27
Jan
exhibition
Art Institute of Chicago, Summer Exhibitions, July 20–Oct. 29, 1939, cat. no. 3.
Art Institute of Chicago, Summer Exhibitions, July 20–Oct. 29, 1939, cat. no. 3.
Tue
27
Jan
exhibition
Richmond, The Virginia Museum of Fine Arts, The Main Currents in the Development of American Painting: Inaugural Exhibition of the Virginia Museum of Fine Arts, Jan. 16–Mar. 1, 1936, cat. no. 50, ill.
Richmond, The Virginia Museum of Fine Arts, The Main Currents in the Development of American Painting: Inaugural Exhibition of the Virginia Museum of Fine Arts, Jan. 16–Mar. 1, 1936, cat. no. 50, ill.
Tue
27
Jan
exhibition
San Francisco, M.H. DeYoung Memorial Museum, Palace of the Legion of Honor, Exhibition of American Painting: Eighteenth and Nineteenth Century Paintings, June 7–July 7, 1935, cat. no. 242, ill.
San Francisco, M.H. DeYoung Memorial Museum, Palace of the Legion of Honor, Exhibition of American Painting: Eighteenth and Nineteenth Century Paintings, June 7–July 7, 1935, cat. no. 242, ill.
Tue
27
Jan
exhibition
Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, June 1–Nov. 1, 1934, cat. no. 423.
Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, June 1–Nov. 1, 1934, cat. no. 423.
Tue
27
Jan
note
John Shapley, ed., The Index of Twentieth Century Artists, 4 vols.
John Shapley, ed., The Index of Twentieth Century Artists, 4 vols. (1934; repr. New York: Arno Press, 1970), 182–220.
Tue
27
Jan
exhibition
Chicago, The University of Chicago Renaissance Society, Wieboldt Hall, Summer Exhibition: Sea and Land and City Streets, June 8–Aug. 30, 1933, cat. no. 7.
Chicago, The University of Chicago Renaissance Society, Wieboldt Hall, Summer Exhibition: Sea and Land and City Streets, June 8–Aug. 30, 1933, cat. no. 7.
Tue
27
Jan
note
“The Potter Palmer Collection of Paintings,” <em>Bulletin of the Art Institute of Chicago</em> 16, no. 3
“The Potter Palmer Collection of Paintings,” Bulletin of the Art Institute of Chicago 16, no. 3 (May 1922), 37–38.
Tue
27
Jan
note
given to the Art Institute of Chicago, 1922.
given to the Art Institute of Chicago, 1922.
Tue
27
Jan
note
“Summer at the Institute,” <em>Bulletin of the Art Institute of Chicago</em> 15, no. 5
“Summer at the Institute,” Bulletin of the Art Institute of Chicago 15, no. 5 (Sept.–Oct. 1921): 158–59 (ill.).
Tue
27
Jan
exhibition
London, England, Barbican Art Gallery, The Image of London: Views by Travellers and Emigrés, 1550–1920, Malcolm Warner, cat. no. 158, p. 153, ill.
London, England, Barbican Art Gallery, The Image of London: Views by Travellers and Emigrés, 1550–1920, Malcolm Warner, cat. no. 158, p. 153, ill.
Tue
27
Jan
note
Howard Mansfield, A Descriptive Catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler,
Howard Mansfield, A Descriptive Catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler, (Chicago, 1909), 57, no. 90.
Tue
27
Jan
note
Bernhard Sickert, Whistler
Bernhard Sickert, Whistler (London: Duckworth & Co., New York: E.P. Dutton & Co., 1908), nos. 12, 27 and 105.
Tue
27
Jan
note
Joseph and Elizabeth R. Pennell, The Life of James McNeill Whistler, 2 vols.
Joseph and Elizabeth R. Pennell, The Life of James McNeill Whistler, 2 vols. (London: William Heinemann and Philadelphia: J.B. Lippincott Co., 1908), vol. 1, 78–79, 144.
Tue
27
Jan
note
Elisabeth Luther Cary, The Works of James McNeill Whistler: A Study with a Tentative List of the Artist’s Works
Elisabeth Luther Cary, The Works of James McNeill Whistler: A Study with a Tentative List of the Artist’s Works (New York: Moffat, Yard and Co., 1907), no. 70, 167.
Tue
27
Jan
note
sold to Mrs....
sold to Mrs. Aglaia Coronio (born Ionides, 1834–1906), London, from about 1889 to 1892 [according to letter from James McNeill Whistler to Aglaia Coronio, undated (December 1888?), GUW 07900, note 3
Tue
27
Jan
exhibition
Paris, France, Palais de l’Ecole des Beaux–Arts, Exposition des Oeuvres de James McNeill Whistler, May 1905, cat. no. 58, as Sur la Tamise (On the Thames), lent by Mrs. Potter Palmer.
Paris, France, Palais de l’Ecole des Beaux–Arts, Exposition des Oeuvres de James McNeill Whistler, May 1905, cat. no. 58, as Sur la Tamise (On the Thames), lent by Mrs. Potter Palmer.
Tue
27
Jan
exhibition
Boston, Massachusetts, The Copley Society, Memorial Exhibition of the Works of the Late Mr. J. McNeill Whistler: Oil Paintings, Watercolors, Pastels and Drawings, Feb. 1904, cat. no. 70, as The Thames, lent by Mrs. Potter Palmer.
Boston, Massachusetts, The Copley Society, Memorial Exhibition of the Works of the Late Mr. J. McNeill Whistler: Oil Paintings, Watercolors, Pastels and Drawings, Feb. 1904, cat. no. 70, as The Thames, lent by Mrs. Potter Palmer.
Tue
27
Jan
exhibition
Songs on Stone: James McNeill Whistler and the Art of Lithography The Art Institute of Chicago June 6–Aug. 30, 1998; National Gallery of Canada, Ottawa Oct. 2, 1998–Jan. 3, 1999.
Songs on Stone: James McNeill Whistler and the Art of Lithography The Art Institute of Chicago June 6–Aug. 30, 1998; National Gallery of Canada, Ottawa Oct. 2, 1998–Jan. 3, 1999.
Sun
27
Jan
exhibition
Albi, France, Musee Toulouse–Lautrec, Trésors Impression nistes du Musée, Jean Devoisins, June 27–Aug. 31, 1980, cat. no. 57, p. 65, ill. as Gris et argent: Old Battersea Reach.
Albi, France, Musee Toulouse–Lautrec, Trésors Impression nistes du Musée, Jean Devoisins, June 27–Aug. 31, 1980, cat. no. 57, p. 65, ill. as Gris et argent: Old Battersea Reach.
Sat
27
Jan
exhibition
Art Institute of Chicago, Whistler: Prints and Paintings, May–Aug. 31, 1979.
Art Institute of Chicago, Whistler: Prints and Paintings, May–Aug. 31, 1979.
Sat
27
Jan
note
Roy McMullen, Victorian Outsider: A Biography of J.A.M. Whistler
Roy McMullen, Victorian Outsider: A Biography of J.A.M. Whistler (New York: E.P. Dutton & Co., 1973), 5–97, 114–117, 130–133, 244–247, 262–263.
Sat
27
Jan
exhibition
Art Institute of Chicago, James McNeill Whistler, Jan. 13–Feb. 25, 1968, Frederick Sweet, cat. no. 4 as Grey and Silver Battersea Reach; Utica, New York, Munson–Williams–Proctor Institute, Mar. 17–Apr. 28.
Art Institute of Chicago, James McNeill Whistler, Jan. 13–Feb. 25, 1968, Frederick Sweet, cat. no. 4 as Grey and Silver Battersea Reach; Utica, New York, Munson–Williams–Proctor Institute, Mar. 17–Apr. 28.
Sat
27
Jan
note
Frederick A. Sweet, James McNeill Whistler
Frederick A. Sweet, James McNeill Whistler (Chicago, 1968), 54–57, no. 4.
Mon
27
Jan
note
by descent to her sons, Honoré Palmer (1874–1964) and Potter Palmer II (1875–1943), 1918
by descent to her sons, Honoré Palmer (1874–1964) and Potter Palmer II (1875–1943), 1918
Sun
27
Jan
note
Denys Sutton, Nocturne: The Art of James McNeill Whistler
Denys Sutton, Nocturne: The Art of James McNeill Whistler (London: Country Life, 1963), 41–42.
Wed
27
Jan
note
Andrew McLaren Young, James McNeill Whistler, an Exhibition of Paintings and Other Works, organized by the Arts Council of Great Britain and the English Speaking Union of the United States
Andrew McLaren Young, James McNeill Whistler, an Exhibition of Paintings and Other Works, organized by the Arts Council of Great Britain and the English Speaking Union of the United States (Great Britain: W.S. Cowell, 1960), 37–38, no. 8.
Wed
27
Jan
exhibition
London, England, The Arts Council Gallery, Sept. 1–24, 1960, James McNeill whistler, An Exhibition of Paintings and Other Works, Andrew McLaren Young, cat. no. 8; New York, The Knoedler Galleries, Nov. 2–30, 1960.
London, England, The Arts Council Gallery, Sept. 1–24, 1960, James McNeill whistler, An Exhibition of Paintings and Other Works, Andrew McLaren Young, cat. no. 8; New York, The Knoedler Galleries, Nov. 2–30, 1960.
Wed
27
Jan
note
sold to Mrs....
sold to Mrs. Potter Palmer (Bertha Palmer, born Honoré, 1849–1918), Chicago, May 30, 1892, for £450 [Goupil & Cie / Boussod, Valadon & Co. Stock Books, Livre no. 13, 1891–1895, p. 97, no. 22337, as Old Battersea Chelsea, Special Collections, Getty Research Institute, copy in curatorial object file
Wed
27
Jan
note
<a href="https://www....
Wed
27
Jan
note
consigned to Boussod, Valadon & Co....
consigned to Boussod, Valadon & Co., Paris, by May 30, 1892
© Artist-Unknown. All rights reserved.
