Houses of Parliament, London

The Paris and New York Durand-Ruel stock books record different dates for the sale]

Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 110 (detail ill.), 111 cat. 67, 139.

Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 67.

London, Tate Britain, Crossing the Channel: Impressionists in London 1870-1904, Nov. 2, 2017-May 5, 2018; traveled to Paris, Petit Palais, Musée des Beaux-Arts de la Ville de Paris and used new title Impressionists in London, French artists in exile, 1870-1904, June 6-Oct. 14, 2018.

Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 167; 170, cat. 88 (ill.); 171. Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 167; 170, cat. 88 (ill.); 171.

Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 88 (ill.).

David A. Brenneman, “Claude Monet, Le Parlement de Londres, effet de brouillard,” in L’impressionnisme, de France et d’Amérique: Monet, Renoir, Sisley, Degas . . . , ed. Françoise Cachin and Richard R. Brettell, exh. cat. (Artlys/Musée Fabre/Musée de Grenoble, 2007), p. 136.

Matthew Drutt, ed., Thannhauser: The Thannhauser Collection of the Guggenheim Museum (Solomon R. Guggenheim Foundation, 2001), pp. 140, 142 (ill.).

Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no.

Art Institute of Chicago, “Catalogue,” Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 34.

Park Forest (Ill.) Art Center, Mar. 25–Apr. 22, 1956, no cat.

Wichita (Kans.) Art Museum, Three Centuries of French Painting, May 9–23, 1954, cat. 18.

Wichita Art Museum, Three Centuries of French Painting, exh cat. (Wichita Art Museum, 1954), p. 3, cat. 18.

Chicago, Remington Rand, window display, Apr. 14–30, 1952, no cat.

University of Chicago, Lexington Hall, Nov. 28–Dec. 19, 1951, no cat.

Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. 287.

Buford L. Pickens, “H. H. Richardson and Basic Form Concepts in Modern Architecture,” Art Quarterly 3 (1940), pp. 275, fig. 2; 277.

San Francisco, California Palace of the Legion of Honor and the M. H. de Young Memorial Museum, Seven Centuries of Painting: A Loan Exhibition of Old and Modern Masters, Dec. 29, 1939–Jan. 28, 1940, cat. L-132 (ill.).

California Palace of the Legion of Honor and M. H. de Young Memorial Museum, Seven Centuries of Painting: A Loan Exhibition of Old and Modern Masters, exh. cat. (Recorder, 1939), pp. 47, cat. L-132; 108, cat. L-132 (ill.).

Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für freunde und sammler der kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.

bequeathed to the Art Institute of Chicago, 1933.

Anthony Bertram, Claude Monet, The World’s Masters (Studio/William Edwin Rudge, 1931), pl. 20.

Charles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840–1926, exh. cat. (Art Institute of Chicago/Thames & Hudson, 1995), p. 138, cat. 117 (ill.).

Eric M. Zafran, “Monet in America,” in Wildenstein and Co., Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein and Co., 2007), p. 112.

Thomas McBurney, Artistic Greatness: A Comparative Exploration of Michelangelo, Beethoven, and Monet (Galde, 1999), p. 305 (ill.).

Meyer Schapiro, Impressionism: Reflections and Perceptions (Braziller, 1997), pp. 181–82; 183, fig. 86.

Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 117 (ill.).

Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 56; 57; 99, pl. 28; 109.

Judi Freeman, Fauves, exh. cat. (Art Gallery of New South Wales/Thames & Hudson, 1995), p. 86, fig. 1.

Judi Freeman, “Far from the Earth of France: The Fauves Abroad,” in Judi Freeman, The Fauve Landscape, exh. cat. (Los Angeles County Museum of Art/Abbeville, 1990), pp. 187; 190, pl. 192; 191.

Nina Kalitina, Claude Monet: Tableaux des musée d’URSS (Èd. d’Art Aurora/Cercle d’Art, 1990), p. 124 (ill.).

Atlanta, High Museum of Art, Monet in London, Oct. 9, 1988–Jan. 8, 1989, cat. 20 (ill.).

Grace Seiberling, Monet in London, exh. cat. (High Museum of Art/University of Washington Press, 1988), pp. 23, fig. 17; 59; 62; 84; 102, cat. 20.

Richard R. Brettell, Post-Impressionists (Art Institute of Chicago/Abrams, 1987), pp. 91, 92 (ill.), 118.

Auckland City Art Gallery, Claude Monet: Painter of Light, Apr. 29–June 9, 1985, cat. 33 (ill.); Sydney, Art Gallery of New South Wales, June 21–Aug. 4, 1985; Melbourne, National Gallery of Victoria, Aug. 14–Sept. 29, 1985.

John House, “Catalogue of the Exhibition,” in Auckland City Art Gallery, Claude Monet: Painter of Light, exh. cat. (Auckland City Art Gallery/NZI, 1985), pp. 102; 103; 105, cat. 33 (ill.).

John House, “Monet and the Genesis of His Series,” in Auckland City Art Gallery, Claude Monet: Painter of Light, exh. cat. (Auckland City Art Gallery/NZI, 1985), pp. 16, 23.

Shelburne (Vt.) Museum, June 7, 1984–Jan. 29, 1985, no cat.

Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 4, Nos. 1596–1983 et les grandes décorations (Taschen/Wildenstein Institute, 1996), pp. 708–09, cat. 1600 (ill.).

Grace Seiberling, Monet’s Series (Garland, 1981), p. 378, no. 53.

A. James Speyer, Twentieth-Century European Paintings, compiled by Courtney Graham Donnell (University of Chicago Press, 1980), p. 59, cat. 3A12; microfiche 3, no. A12 (ill.).

Susan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 163, cat. 106 (ill.).

Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 106 (ill.).

Grace Seiberling, “The Evolution of an Impressionist,” in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 36.

Anthea Callen, The Impressionists in London, exh. cat. (Arts Council of Great Britain, 1973), pp. 48–49, cat. 28 (ill.).

London, Hayward Gallery, The Impressionists in London, Jan. 3–Mar. 11, 1973, cat. 28 (ill.).

University of Iowa Gallery of Art, Impressionism and Its Roots, exh. cat. (University of Iowa Gallery of Art, 1964), p. 43, cat. 37 (ill.).

Iowa City, University of Iowa Gallery of Art, Impressionism and Its Roots, Nov. 8–Dec. 6, 1964, cat. 37 (ill.).

Frank Seiberling, “A Guide to the Exhibition,” in University of Iowa Gallery of Art, Impressionism and Its Roots, exh. cat. (University of Iowa Gallery of Art, 1964), p. 7.