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tempera49 × 77 Cm
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About the artwork
Artist supplied description.
Saints Augustine and Peter and Saints John the Baptist and Catherine of Alexandria—identifiable by their clothing, attributes, and Latin inscriptions—once flanked a larger central image, probably of a Virgin and Child. The frames were made in the early 20th century, but they reflect the architectural style and motifs typical of 14th century Venetian altarpieces.
The leading Venetian painter of his time, Paolo Veneziano combined sinuous Gothic contours, sumptuous textile patterns, and severe facial types influenced by contemporary Byzantine art. This mix of styles reflects Venice’s role as the center of a vast trade network encompassing Western Europe and the Byzantine Empire and extending as far as East Asia and sub-Saharan Africa.
Artwork metadata
Structured fields synced from connected systems.
| Medium | tempera |
| Dimensions | 49 × 77 Cm |
| Tags | saintsstaffsreligious figuresreligious attirereligiousreligionred (color)orange (color)menkeyshatgold (color)ChristianityChristian subjectsblue (color)blueCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
02
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The Roerich Museum, New York
The Roerich Museum, New York
Mon
02
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Grimaldi, Venice (according to the Roerich Museum sale catalogue)
Grimaldi, Venice (according to the Roerich Museum sale catalogue)
Mon
02
Feb
note
Filippo Pedrocco, Paolo Veneziano, Milan, 2003, pp. 111, 116, 130, 192–93, no. 24, ill.
Filippo Pedrocco, Paolo Veneziano, Milan, 2003, pp. 111, 116, 130, 192–93, no. 24, ill.
Mon
02
Feb
note
given to the Art Institute, 1958.
given to the Art Institute, 1958.
Mon
02
Feb
note
Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, 2 vols., London, 1957, vol. 1, p. 127.
Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, 2 vols., London, 1957, vol. 1, p. 127.
Mon
02
Feb
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Rodolfo Pallucchini, La pittura veneziana del trecento, Lezioni tenute alla Facoltà di Lettere dell’Università di Bologna, Bologna, 1955, p. 131.
Rodolfo Pallucchini, La pittura veneziana del trecento, Lezioni tenute alla Facoltà di Lettere dell’Università di Bologna, Bologna, 1955, p. 131.
Mon
02
Feb
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Sergio Bettini, Pitture cretesi-veneziane, slave e italiane del Museo Nazionale di Ravenna, Ravenna, 1940, p. 100 n. 1.
Sergio Bettini, Pitture cretesi-veneziane, slave e italiane del Museo Nazionale di Ravenna, Ravenna, 1940, p. 100 n. 1.
Mon
02
Feb
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Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano: His Paintings in America and Elsewhere,”
Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano: His Paintings in America and Elsewhere,” (1939) in Michelangelo Muraro, Paolo da Venezia, University Park, Pennsylvania, and London, 1970, pp. 97, 98 n. 7.
Mon
02
Feb
exhibition
The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1934, no. 36, as School of Lorenzo Veneziano.
The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1934, no. 36, as School of Lorenzo Veneziano.
Mon
02
Feb
exhibition
The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1933, no. 88, as School of Lorenzo Veneziano.
The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1933, no. 88, as School of Lorenzo Veneziano.
Mon
02
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on loan to the Art Institute from 1932
on loan to the Art Institute from 1932
Mon
02
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The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192.
Mon
02
Feb
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sold American Art Association, New York, March 28, 1930, no....
sold American Art Association, New York, March 28, 1930, no. 151 (ill.), as Lorenzo Veneziano, to Robert B. Harshe acting on behalf of Catherine Barker Spaulding Hickox (Harshe was listed as the buyer in the published results of the Roerich sale)
Mon
02
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Daniel Catton Rich, “Two Trecento Venetian Panels,” Bulletin of the Art Institute of Chicago 24
Daniel Catton Rich, “Two Trecento Venetian Panels,” Bulletin of the Art Institute of Chicago 24 (1930), pp. 86–89 (ill.).
Mon
02
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Catherine Barker Spaulding Hickox, Michigan City, Indiana, and New York, 1930–58
Catherine Barker Spaulding Hickox, Michigan City, Indiana, and New York, 1930–58
Mon
02
Feb
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Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20
Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20 (1930), p. 3.
Mon
02
Feb
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Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano,” Burlington Magazine 57
Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano,” Burlington Magazine 57 (1930), pp. 171, 177.
Mon
02
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“Roerich Museum Is to Sell Its Old Masters,” Art Digest 4, 11
“Roerich Museum Is to Sell Its Old Masters,” Art Digest 4, 11 (1930), p. 15.
Mon
02
Feb
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Mojmír S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Part I, Prague, 1998, p. 130.
Mojmír S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Part I, Prague, 1998, p. 130.
Fri
02
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Robert Gibbs, "Paolo Veneziano
Robert Gibbs, "Paolo Veneziano (Paolo da Venezia)" in The Dictionary of Art, vol. 24, London, 1996, pp. 32-33.
Tue
02
Feb
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Christopher Lloyd, with contributions by Margherita Andreotti, Larry J. Feinberg, and Martha Wolff, Italian Paintings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection, Chicago, 1993, pp. 185–89, ill.
Christopher Lloyd, with contributions by Margherita Andreotti, Larry J. Feinberg, and Martha Wolff, Italian Paintings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection, Chicago, 1993, pp. 185–89, ill.
Sat
02
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Grgo Gamulin, "La pittura su tavola nel tardo medioevo sulla costa orientale dell'Adriatico" in Venezia e il Levante fino al secolo XV, ed. Agostino Pertusi
Grgo Gamulin, "La pittura su tavola nel tardo medioevo sulla costa orientale dell'Adriatico" in Venezia e il Levante fino al secolo XV, ed. Agostino Pertusi (Florence, 1974), p. 204 n. 1.
Wed
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Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Massachusetts, 1972, pp. 158, 375, 441, 571.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Massachusetts, 1972, pp. 158, 375, 441, 571.
Mon
02
Feb
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Michelangelo Muraro, Paolo da Venezia, University Park, Pennsylvania, and London, 1970, pp. 55, 73 n. 47, 103–4, 106, fig. 19.
Michelangelo Muraro, Paolo da Venezia, University Park, Pennsylvania, and London, 1970, pp. 55, 73 n. 47, 103–4, 106, fig. 19.
Mon
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John Maxon, The Art Institute of Chicago, 1970, pp. 23, 288.
John Maxon, The Art Institute of Chicago, 1970, pp. 23, 288.
Thu
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Brigitte Klesse, Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts, Bern, 1967, p. 446, no. 460c.
Brigitte Klesse, Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts, Bern, 1967, p. 446, no. 460c.
Sun
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Feb
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Rodolfo Pallucchini, La pittura veneziana del trecento, Venice and Rome, 1964, p. 51, fig. 172.
Rodolfo Pallucchini, La pittura veneziana del trecento, Venice and Rome, 1964, p. 51, fig. 172.
Thu
02
Feb
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The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 350.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 350.
Thu
02
Feb
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Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae, Munich, 1961, p. 516.
Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae, Munich, 1961, p. 516.
© Artist-Unknown. All rights reserved.