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Self-Portrait

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oil paint (paint)71 × 108 Cm

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About the artwork
Artist supplied description.

Frédéric Bazille was in his mid-20s when he executed this startlingly direct self-portrait. Depicted against a dark background with only his palette and brushes to indicate his profession, he looks at the viewer as if caught unawares. The unseen easel and canvas must be located immediately in front of the artist and to our left.

During his brief career, which ended when he was killed in the line of duty during the Franco-Prussian War, Frédéric Bazille produced about 70 paintings, 4 of them self-portraits. He created this work while sharing an apartment-studio with Claude Monet and experimenting with new painting techniques that would be central to the Impressionist movement. It was both a practice piece (in which Bazille observed and painted his reversed image as seen in a mirror) and, given his recent decision to abandon a medical career in favor of art, a professional manifesto.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions71 × 108 Cm
Tags
portraitspaintbrushespaintersartistself-portraitsworkmen
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
28
Jan
exhibition

Amsterdam, Van Gogh Museum, In the Picture - Artists' Portraits, February 14-August 30, 2020.

Amsterdam, Van Gogh Museum, In the Picture - Artists' Portraits, February 14-August 30, 2020.
Wed
28
Jan
note

Jason Ferado, "French Lessons for a New Republic: Shows Toasting Liberte, Egalite and the Pursuit of Decorating," New York Times, June 16, 2017, c15

Jason Ferado, "French Lessons for a New Republic: Shows Toasting Liberte, Egalite and the Pursuit of Decorating," New York Times, June 16, 2017, c15 (ill.)
Wed
28
Jan
note

Kimberly A. Jones, "Self-Portrait with Palette," in Frédéric Bazille

Kimberly A. Jones, "Self-Portrait with Palette," in Frédéric Bazille (1841-1870) and the Birth of Impressionism, edited by Michel Hilaire and Paul Perrin, Montpellier, 2016, pp. 48-51, cat. 17, fig. 19.
Wed
28
Jan
note

Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin

Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin (Linea d’ombre, 2016), 19 (color ill.)
Wed
28
Jan
exhibition

Montpellier, France, Musée Fabre, Frédéric Bazille (1841-1870) and the Birth of Impressionism, June 25 - October 16, 2016, cat. 17; Musée d'Orsay, November 14, 2016-March 5, 2017; Washington, D.C., National Gallery of Art, April 9-July 9...

Montpellier, France, Musée Fabre, Frédéric Bazille (1841-1870) and the Birth of Impressionism, June 25 - October 16, 2016, cat. 17; Musée d'Orsay, November 14, 2016-March 5, 2017; Washington, D.C., National Gallery of Art, April 9-July 9, 2017.
Wed
28
Jan
exhibition

Fort Worth, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, no. 5.

Fort Worth, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, no. 5.
Wed
28
Jan
note

Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago

Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Chicago: Art Institute of Chicago and New Haven: Yale University Press, 2008), pp. 20 (ill.), 33, cat. 5 (ill.); revised edition (Art Institute of Chicago and Yale University Press, 2010).
Wed
28
Jan
exhibition

Paris, Musée Marmottan Monet, Frédéric Bazille, October 2, 2003–January 18, 2004, no. 8.

Paris, Musée Marmottan Monet, Frédéric Bazille, October 2, 2003–January 18, 2004, no. 8.
Wed
28
Jan
note

Marianne Delafond and Caroline Genet-Bondeville, Frédéric Bazille, exh. cat.

Marianne Delafond and Caroline Genet-Bondeville, Frédéric Bazille, exh. cat. (Musée Marmottan, 2003), pp. 62, 67, 83, cat. 8.
Wed
28
Jan
note

Steven Platzman, Cézanne: The Self-Portraits

Steven Platzman, Cézanne: The Self-Portraits (London: Thames & Hudson, 2001), pp. 38 (ill.), 41–42, 208 n. 39.
Wed
28
Jan
note

Art Institute of Chicago, Impressionism and Post Impressionism in the Art Institute of Chicago

Art Institute of Chicago, Impressionism and Post Impressionism in the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2000), p. 29 (ill.).
Wed
28
Jan
exhibition

Montpellier, Musée Fabre, Frédéric Bazille, October 13–31, 1959, no. 9.

Montpellier, Musée Fabre, Frédéric Bazille, October 13–31, 1959, no. 9.
Wed
28
Jan
exhibition

Montpellier, Musée Fabre, Des Primitifs a Nicolas de Staël: Belles Peintures de collections privées de la region montpelliéraine, April 19–May 19, 1958, no. 3

Montpellier, Musée Fabre, Des Primitifs a Nicolas de Staël: Belles Peintures de collections privées de la region montpelliéraine, April 19–May 19, 1958, no. 3
Wed
28
Jan
note

François Daulte, Frédéric Bazille et son temps

François Daulte, Frédéric Bazille et son temps (Geneva: Pierre Cailler, 1952), p. 141, 170, no. 10, (ill.).
Wed
28
Jan
exhibition

Paris, Wildenstein, Bazille: Exposition organisée au profit du Musée de Montpellier, June–Julys 1950, no. 16.

Paris, Wildenstein, Bazille: Exposition organisée au profit du Musée de Montpellier, June–Julys 1950, no. 16.
Wed
28
Jan
exhibition

Montpellier, Musée Fabre, Centenaire de Bazille, May–June 1941, no. 18.

Montpellier, Musée Fabre, Centenaire de Bazille, May–June 1941, no. 18.
Wed
28
Jan
note

Pierre du Colombier, “La place de Frédéric Bazille,” Candide

Pierre du Colombier, “La place de Frédéric Bazille,” Candide (April 1935).
Wed
28
Jan
exhibition

Paris, Association des Étudiants Protestants, Frédéric Bazille 1841–1870, 1935, no. 5.

Paris, Association des Étudiants Protestants, Frédéric Bazille 1841–1870, 1935, no. 5.
Wed
28
Jan
note

Gaston Poulain, Bazille et ses amis

Gaston Poulain, Bazille et ses amis (Paris: Renaissance du Livre, 1932), p. 214, no. 17.
Wed
28
Jan
note

by descent to his son, André Bazille, Montpellier, until at least 1932 [according to Poulain 1932]

by descent to his son, André Bazille, Montpellier, until at least 1932 [according to Poulain 1932]
Wed
28
Jan
exhibition

Montpellier, Exposition Internationale de Montpellier, rétrospective Bazille, 1927, no. 18.

Montpellier, Exposition Internationale de Montpellier, rétrospective Bazille, 1927, no. 18.
Wed
28
Jan
exhibition

Paris, Sociéte du Salon d’Automne, Exposition rétrospective d’oeuvres de Frédéric Bazille, October 1–November 8, 1910, no. 13.

Paris, Sociéte du Salon d’Automne, Exposition rétrospective d’oeuvres de Frédéric Bazille, October 1–November 8, 1910, no. 13.
Wed
28
Jan
note

Marc Bazille, brother of the artist, until at least 1910 [lent by him to Paris 1910]

Marc Bazille, brother of the artist, until at least 1910 [lent by him to Paris 1910]
Wed
28
Jan
note

Richard R. Brettell, French Salon Artists, 1800–1900

Richard R. Brettell, French Salon Artists, 1800–1900 (Chicago: Art Institute of Chicago, 1987), pp. 74–75 (ill.), 117.
Thu
28
Jan
note

John House, “Impressionism and the Modern Portrait,” in Sona Johnson, Faces of Impressionism: Portraits from American Collections, exh. cat.

John House, “Impressionism and the Modern Portrait,” in Sona Johnson, Faces of Impressionism: Portraits from American Collections, exh. cat. (Baltimore Museum of Art, 1999), p. 20.
Thu
28
Jan
exhibition

Baltimore Museum of Art, Faces of Impressionism: Portraits from American Collections, October 10, 1999–January 30, 2000, cat. 1; Houston, The Museum of Fine Arts, March 25–May 7, 2000; Cleveland Museum of Art, May 28–July 30, 2000.

Baltimore Museum of Art, Faces of Impressionism: Portraits from American Collections, October 10, 1999–January 30, 2000, cat. 1; Houston, The Museum of Fine Arts, March 25–May 7, 2000; Cleveland Museum of Art, May 28–July 30, 2000.
Wed
28
Jan
note

Dianne W. Pitman, Bazille: Purity, Pose, and Painting in the 1860s

Dianne W. Pitman, Bazille: Purity, Pose, and Painting in the 1860s (University Park, Pennsylvania: Pennsylvania State University, 1998), frontispiece (ill.), pp. 113, 248–49 n. 70.
Sat
28
Jan
note

Michel Schulman, Frédéric Bazille, 1841–1870: Catalogue raisonné

Michel Schulman, Frédéric Bazille, 1841–1870: Catalogue raisonné (Paris: Éditions de l’Amateur and Éditions des Catalogues raisonnés, 1995), pp. 133–134, no. 20, fig. 20; 170 under no. 39; 186 under no. 47; 223 under no. 67.
Thu
28
Jan
note

Valérie Bajou, Frédéric Bazille, 1841–1870

Valérie Bajou, Frédéric Bazille, 1841–1870 (La Calade, Aix-en-Provence: Edisud, 1993), pp. 67–68, fig. 28.
Tue
28
Jan
note

François-Bernard Michel, Frédéric Michel: Réflexions sur la peinture, la médecine, le paysage et le portrait, les origines de l’Impressionisme, la vraie nature de Claude Monet, la mélancolie et la société provinciale

François-Bernard Michel, Frédéric Michel: Réflexions sur la peinture, la médecine, le paysage et le portrait, les origines de l’Impressionisme, la vraie nature de Claude Monet, la mélancolie et la société provinciale (Paris: Bernard Grasset, 1992), pp. 13–16.
Tue
28
Jan
exhibition

Montpellier, France, Musee Fabre, Frédéric Bazille: Prophet of Impressionism, cat. 42, July 11-October 4, 1992; Brooklyn Museum, November 12, 1992–January 24, 1993; Memphis, Dixon Gallery and Gardens, February 14–April 25, 1993.

Montpellier, France, Musee Fabre, Frédéric Bazille: Prophet of Impressionism, cat. 42, July 11-October 4, 1992; Brooklyn Museum, November 12, 1992–January 24, 1993; Memphis, Dixon Gallery and Gardens, February 14–April 25, 1993.
Tue
28
Jan
note

François Daulte, Frédéric Bazille et les débuts de l’impressionisme: Catalogue raisonné de l’oeuvre peint

François Daulte, Frédéric Bazille et les débuts de l’impressionisme: Catalogue raisonné de l’oeuvre peint (Paris, Bibliothèque des Arts, 1992), pp. 134–35 (ill.), 157, no. 10 (ill.).
Tue
28
Jan
note

Pascal Bonafoux, The Impressionists: Portraits and Confidences

Pascal Bonafoux, The Impressionists: Portraits and Confidences (New York: Skira and Rizzoli, 1986), p. 48 (ill.).
Thu
28
Jan
note

Douglas Druick, in Douglas Druick and Michel Hoog, Fantin-Latour, exh. cat.

Douglas Druick, in Douglas Druick and Michel Hoog, Fantin-Latour, exh. cat. (Grand Palais, Paris, 1982), p. 206 under no. 73.
Sat
28
Jan
note

Richard Fremantle, “Three Exhibitions in America,” Burlington Magazine 120

Richard Fremantle, “Three Exhibitions in America,” Burlington Magazine 120 (1978), fig. 102.
Sat
28
Jan
exhibition

Art Institute of Chicago, European Portraits 1600–1900, July 8–September 11, 1978, cat. 17.

Art Institute of Chicago, European Portraits 1600–1900, July 8–September 11, 1978, cat. 17.
Sat
28
Jan
note

Art Institute of Chicago, The Art Institute of Chicago: 100 Masterpieces

Art Institute of Chicago, The Art Institute of Chicago: 100 Masterpieces (Chicago: Rand McNally & Co., 1978), p. 87, no. 45.
Sat
28
Jan
note

“Etcetera, news and views of the world of art,” Art Gallery 21, 3

“Etcetera, news and views of the world of art,” Art Gallery 21, 3 (1978), p. 21 (ill.).
Sat
28
Jan
exhibition

Art Institute of Chicago, Frederic Bazille and Early Impressionism, March 4–April 30, 1978, cat. 13.

Art Institute of Chicago, Frederic Bazille and Early Impressionism, March 4–April 30, 1978, cat. 13.
Wed
28
Jan
note

John Maxon, The Art Institute of Chicago

John Maxon, The Art Institute of Chicago (New York: H. N. Abrams, 1970), p. 79 (ill.); reprinted (London: Thames and Hudson, Ltd., 1977).
Tue
28
Jan
note

André Treves, “Après les peintres de la Seine et ses affluents: Les Ecoles de Fontainebleau, Le XIXe siècle,” Le Peintre no. 390

André Treves, “Après les peintres de la Seine et ses affluents: Les Ecoles de Fontainebleau, Le XIXe siècle,” Le Peintre no. 390 (October 1969), pp. 14 (ill.), 16–17.
Fri
28
Jan
note

John Maxon, “Some Recent Acquisitions,” Apollo 84, 55

John Maxon, “Some Recent Acquisitions,” Apollo 84, 55 (1966), p, 216, fig. 1.
Thu
28
Jan
note

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, Supplement

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, Supplement (Chicago: Art Institute of Chicago, 1965), no page.
Mon
28
Jan
note

John Maxon, “Bazille,” Art Institute of Chicago Quarterly 57, 2

John Maxon, “Bazille,” Art Institute of Chicago Quarterly 57, 2 (1963), pp. 22–24 (ill.).
Mon
28
Jan
note

G. Wildenstein, “La Chronique des arts,” Gazette des Beaux-Arts, 61

G. Wildenstein, “La Chronique des arts,” Gazette des Beaux-Arts, 61 (1963); supplement no. 1129, p.40, no. 155, fig. 155.
Sun
28
Jan
note

purchased by the Art Institute through funds from the Mr....

purchased by the Art Institute through funds from the Mr. and Mrs. Frank H. Woods Endowment in memory of Mrs. Edward Harris Brewer, 1962.
Sat
28
Jan
note

Annual Report 1961–1962

Annual Report 1961–1962 (Chicago: The Art Institute of Chicago, 1962), p. 13.
Thu
28
Jan
note

by descent to his daughter, Mme Rachou-Bazille, Montpellier, by 1958 [lent by her to Montpellier 1958]....

by descent to his daughter, Mme Rachou-Bazille, Montpellier, by 1958 [lent by her to Montpellier 1958]. Sold Galerie Charpentier, Paris, June 17, 1960, lot 54 as Frédéric Bazille à la palette, 1865. Wildenstein and Co., New York, by 1962
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