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Christ on the Living Cross

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oil paint (paint)28 × 48 Cm

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Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions28 × 48 Cm
Tags
crucifixionswomenVirgin Maryreligious scenesreligious figuresreligiousreligionnight scenesnightMourningmenkingsJesusdeathcrossChristianityChristian subjectsbiblicalangelsscrolls (motifs)handsstaffsswordsweaponschaliceheaddressescrownsdevil/satan/lucifer/beezelbub/mephistophelesCentury of Progressworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
note

Eduard Firmenich-Richartz, “Wilhelm von Herle und Hermann Wynrich von Wesel: Eine Studie zur Geschichte der altkölnisch-en Malerschule,” Zeitschrift für christliche Kunst 8

Eduard Firmenich-Richartz, “Wilhelm von Herle und Hermann Wynrich von Wesel: Eine Studie zur Geschichte der altkölnisch-en Malerschule,” Zeitschrift für christliche Kunst 8 (1895), cols. 302–03.
Tue
27
Jan
exhibition

Nijmegen, Netherlands, Museum Het Valkhof, Mary of Guelders and her Prayer Book, October 12, 2018-January 7, 2019, cat. 81.

Nijmegen, Netherlands, Museum Het Valkhof, Mary of Guelders and her Prayer Book, October 12, 2018-January 7, 2019, cat. 81.
Tue
27
Jan
note

Johan Oosterman, Mary of Guelders and her prayer book, exh. cat.

Johan Oosterman, Mary of Guelders and her prayer book, exh. cat. (Museum Het Valkhof, 2018), 222-223. Obj. 81.
Tue
27
Jan
note

Susan Frances Jones, “Jan van Eyck and Spain,” Boletín de Museo del Prado 32, 50

Susan Frances Jones, “Jan van Eyck and Spain,” Boletín de Museo del Prado 32, 50 (2014), pp. 44, 48 n. 56.
Tue
27
Jan
note

Felipe Pereda, “‘Eyes that they should not see, and ears that they should not hear’: Literal Sense and Spiritual Vision in the ‘Fountain of Life’” in Fiction sacrée: Spiritualité et esthétique durant le premier âge moderne, ed. Ralph Dekoni...

Felipe Pereda, “‘Eyes that they should not see, and ears that they should not hear’: Literal Sense and Spiritual Vision in the ‘Fountain of Life’” in Fiction sacrée: Spiritualité et esthétique durant le premier âge moderne, ed. Ralph Dekoninck, Agnès Guiderdoni, Emilie Granjon, Peeters, Leuven and Walpole, Massachusetts, 2013, pp. 121-22, fig. 3.
Tue
27
Jan
note

Till-Holger Borchert, "Medieval Art in Cologne"

Till-Holger Borchert, "Medieval Art in Cologne" (review of Glanz und Größe des Mittelalters: Kölner Meisterwerke aus den großen Sammlungen der Welt) in Burlington Magazine, 154 (2012), p. 219.
Tue
27
Jan
exhibition

Cologne, Museum Schnütgen, Glanz und Größe des Mittelalters: Kölner Meisterwerke aus den großen Sammlungen der Welt, November 4, 2011-Febuary 26, 2012, no. 204.

Cologne, Museum Schnütgen, Glanz und Größe des Mittelalters: Kölner Meisterwerke aus den großen Sammlungen der Welt, November 4, 2011-Febuary 26, 2012, no. 204.
Tue
27
Jan
note

Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 391-96, ill.

Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 391-96, ill.
Tue
27
Jan
note

Martha Wolff, in Art Institute of Chicago, Museum Studies 30, 2

Martha Wolff, in Art Institute of Chicago, Museum Studies 30, 2 (2004), pp. 76–77, no. 51 (ill.).
Tue
27
Jan
note

Eva Fitz, Die mittelalterlichen Glasmalereien im Halberstädter Dom, Corpus vitrearum medii aevi, Berlin, 2003, pp. 364–65, fig. 219.

Eva Fitz, Die mittelalterlichen Glasmalereien im Halberstädter Dom, Corpus vitrearum medii aevi, Berlin, 2003, pp. 364–65, fig. 219.
Tue
27
Jan
note

Dusan Buran, Studien zur Wandmalerei um 1400 in der Slowakei: Die Pfarrkirche St. Jakob in Leutschau und die Pfarrkirche St. Franziskus Seraphicus in Poniky, Weimar, 2002, pp. 145–47.

Dusan Buran, Studien zur Wandmalerei um 1400 in der Slowakei: Die Pfarrkirche St. Jakob in Leutschau und die Pfarrkirche St. Franziskus Seraphicus in Poniky, Weimar, 2002, pp. 145–47.
Tue
27
Jan
note

Achim Timmermann, “The Avenging Crucifix: Some Observa-tions on the Iconography of the Living Cross,” Gesta 40

Achim Timmermann, “The Avenging Crucifix: Some Observa-tions on the Iconography of the Living Cross,” Gesta 40 (2001), p. 154, fig. 16.
Tue
27
Jan
note

Josua Bruyn, Van Eyck problemen: ‘De Levensbron,’ het werk van een leerling van Jan van Eyck, Utrecht, 1957, pp. 16–17, 24, fig. 4.

Josua Bruyn, Van Eyck problemen: ‘De Levensbron,’ het werk van een leerling van Jan van Eyck, Utrecht, 1957, pp. 16–17, 24, fig. 4.
Tue
27
Jan
note

Otto Pächt, review of Bruyn 1957, in Kunstchronik 12

Otto Pächt, review of Bruyn 1957, in Kunstchronik 12 (1959), p. 256.
Tue
27
Jan
note

Otto Pächt, “Panofsky’s ‘Early Netherland-ish Painting’—II,” Burlington Magazine 98

Otto Pächt, “Panofsky’s ‘Early Netherland-ish Painting’—II,” Burlington Magazine 98 (1956), p. 271, fig. 16.
Tue
27
Jan
note

Alfred Stange, Deutsche Malerei der Gotik, Berlin, vol. 3, 1938, p. 56.

Alfred Stange, Deutsche Malerei der Gotik, Berlin, vol. 3, 1938, p. 56.
Tue
27
Jan
note

Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, pp. 32–33, no. 28, pl. 20.

Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, pp. 32–33, no. 28, pl. 20.
Tue
27
Jan
note

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 23, no. 3.

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 23, no. 3.
Tue
27
Jan
note

given to the Art Institute, 1936.

given to the Art Institute, 1936.
Tue
27
Jan
exhibition

Art Institute of Chicago, A Century of Progress, 1933, no. 29.

Art Institute of Chicago, A Century of Progress, 1933, no. 29.
Tue
27
Jan
note

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192, no. 1096.28.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192, no. 1096.28.
Tue
27
Jan
exhibition

Renaissance Society, University of Chicago, Loan Exhibition of Religious Art from the Fourth Century to the Present Time, 1930, no. 32.

Renaissance Society, University of Chicago, Loan Exhibition of Religious Art from the Fourth Century to the Present Time, 1930, no. 32.
Tue
27
Jan
note

Frank E. Washburn Freund, “Ausstellung altdeutscher Malerei in den F. Kleinberger Galleries zu New York,” Belvedere 8

Frank E. Washburn Freund, “Ausstellung altdeutscher Malerei in den F. Kleinberger Galleries zu New York,” Belvedere 8 (1929), p. 285.
Tue
27
Jan
note

Hubert Wilm, “Sammler und Markt,” Der Cicerone 20

Hubert Wilm, “Sammler und Markt,” Der Cicerone 20 (1928), pp. 350–51 (ill.).
Tue
27
Jan
exhibition

New York, Kleinberger, Loan Exhibition of German Primitives for the Benefit of the American Red Cross, 1928, no. 4.

New York, Kleinberger, Loan Exhibition of German Primitives for the Benefit of the American Red Cross, 1928, no. 4.
Tue
27
Jan
note

sold to Charles H....

sold to Charles H. Worcester, Chicago, Sept. 18, 1928 [Copy of invoice in curatorial file]
Tue
27
Jan
exhibition

AIC, Loan Exhibition of Old Masters, 1928–29 (no cat.).

AIC, Loan Exhibition of Old Masters, 1928–29 (no cat.).
Tue
27
Jan
note

Possibly Georg Hammels, Aachen [Georg Hammels Aachen is inscribed three times on the reverse]....

Possibly Georg Hammels, Aachen [Georg Hammels Aachen is inscribed three times on the reverse]. Dr. Lersch, Aachen, by 1895 [according to Firmenich-Richartz 1895]. Prof. P. Stolz, Bad Kissingen, by 1927
Tue
27
Jan
note

sold to Galerie Heinemann, Munich, 5 February 1927 [according to Heinemann stockcard, copy in curatorial file]

sold to Galerie Heinemann, Munich, 5 February 1927 [according to Heinemann stockcard, copy in curatorial file]
Tue
27
Jan
note

Karl Schaefer, Geschichte der Kölner Maler-schule, Lübeck, 1923, p. 25, pl. 25.

Karl Schaefer, Geschichte der Kölner Maler-schule, Lübeck, 1923, p. 25, pl. 25.
Tue
27
Jan
note

Andreas Huppertz, Die altkölnische Malerschule, Munich, 1914, p. 21, fig. 27.

Andreas Huppertz, Die altkölnische Malerschule, Munich, 1914, p. 21, fig. 27.
Tue
27
Jan
note

Heinrich Bergner, Handbuch der kirchlichen Kunstaltertümer in Deutschland, Leipzig, 1905, p. 520.

Heinrich Bergner, Handbuch der kirchlichen Kunstaltertümer in Deutschland, Leipzig, 1905, p. 520.
Tue
27
Jan
note

Carl Aldenhoven, Geschichte der Kölner Malerschule, Lübeck, 1902, pp. 90–91, 384, pl. 25.

Carl Aldenhoven, Geschichte der Kölner Malerschule, Lübeck, 1902, pp. 90–91, 384, pl. 25.
Fri
27
Jan
note

Volker Herzner, Jan van Eyck und der Genter Altar, Worms, 1995, pp. 61–64, 67, 72–73, 79, 91, fig. 15.

Volker Herzner, Jan van Eyck und der Genter Altar, Worms, 1995, pp. 61–64, 67, 72–73, 79, 91, fig. 15.
Sun
27
Jan
note

Isolde Lübbeke, Early German Painting, 1350–1550: The Thyssen-Bornemisza Collection, London, 1991, p. 114, fig. 2.

Isolde Lübbeke, Early German Painting, 1350–1550: The Thyssen-Bornemisza Collection, London, 1991, p. 114, fig. 2.
Sat
27
Jan
note

Frank Günter Zehnder, Kata-log der altkölner Malerei, Kataloge des Wallraf-Richartz-Muse-ums 11, Cologne, 1990, p. 323, under no. 11.

Frank Günter Zehnder, Kata-log der altkölner Malerei, Kataloge des Wallraf-Richartz-Muse-ums 11, Cologne, 1990, p. 323, under no. 11.
Wed
27
Jan
note

Lothar Schultes, “Zur Herkunft und kunstgeschichtlichen Stellung des Znaimer Altar,” Österreichische Zeitschrift für Kunst und Denkmalpflege 42

Lothar Schultes, “Zur Herkunft und kunstgeschichtlichen Stellung des Znaimer Altar,” Österreichische Zeitschrift für Kunst und Denkmalpflege 42 (1988), p. 16.
Thu
27
Jan
note

Paolo Bensi and Maria Rosa Montiani Bensi, “L’iconografia della Croce Vivente in ambito emiliano e ferrarese,” Musei Ferraresi 13/14

Paolo Bensi and Maria Rosa Montiani Bensi, “L’iconografia della Croce Vivente in ambito emiliano e ferrarese,” Musei Ferraresi 13/14 (1983–84), pp. 166, 174.
Thu
27
Jan
note

Bertalan Kéry, Kaiser Sigismund: Ikonographie, Vienna, 1972, p. 72, pl. 48.

Bertalan Kéry, Kaiser Sigismund: Ikonographie, Vienna, 1972, p. 72, pl. 48.
Fri
27
Jan
note

Alfred Stange, Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol. 1, Munich, 1967, pp. 23–24, no. 31.

Alfred Stange, Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol. 1, Munich, 1967, pp. 23–24, no. 31.
Mon
27
Jan
note

Philippe Verdier, review of Füglister 1964, in Speculum 42

Philippe Verdier, review of Füglister 1964, in Speculum 42 (1967), p. 145.
Mon
27
Jan
note

Robert L. Füglister, Das lebende Kreuz: Ikonographisch-ikonologische Untersuchung der Herkunft und Entwicklung einer spätmittelalterlichen Bildidee und ihrer Verwurzelung im Wort, Einsiedeln, 1964, pp. 15, 20–23, 112, 123–24, 126–27, 170, n...

Robert L. Füglister, Das lebende Kreuz: Ikonographisch-ikonologische Untersuchung der Herkunft und Entwicklung einer spätmittelalterlichen Bildidee und ihrer Verwurzelung im Wort, Einsiedeln, 1964, pp. 15, 20–23, 112, 123–24, 126–27, 170, no. 2, pl. 2.
Mon
27
Jan
note

Reiner Haussherr, review of Füglister 1964, in Rheinische Vier-teljahrsblätter 29

Reiner Haussherr, review of Füglister 1964, in Rheinische Vier-teljahrsblätter 29 (1964), pp. 399–400.
Fri
27
Jan
note

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 175.

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 175.
© Artist-Unknown. All rights reserved.