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oil paint (paint)33 × 46 Cm
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About the artwork
Artist supplied description.
In the upper-left corner of this painting, just barely visible against the black background, a monogram reading FFF identifies the artist as Frans Floris, who operated a large and influential workshop in Antwerp. This panel served as a head study (possibly of Hercules), a technique Floris often used to work through expressions and characters for finished compositions. His practice anticipated the tronie—Dutch for “head”—studies popular in the 17th century among artists such as Rembrandt and Peter Paul Rubens.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 33 × 46 Cm |
| Tags | manHeraclesstudy |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
19
Jan
note
and conversation of Martha Wolff with Alfred Bader, May 24, 2001]
and conversation of Martha Wolff with Alfred Bader, May 24, 2001]
Sun
19
Jan
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America,
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, (Antwerp, 1992), p. 335, no. 236 (ill.).
Fri
19
Jan
note
bought by the Art Institute of Chicago with funds given by Alfred and Isabel Bader, 1990
bought by the Art Institute of Chicago with funds given by Alfred and Isabel Bader, 1990
Fri
19
Jan
note
Art Insitute of Chicago Annual Report 1990-91
Art Insitute of Chicago Annual Report 1990-91 (1991), 19, 43 (ill.).
Fri
19
Jan
note
sold, Christie’s, New York, May 31, 1990, lot 32
sold, Christie’s, New York, May 31, 1990, lot 32
Sun
19
Jan
note
Carl van de Velde, Frans Floris
Carl van de Velde, Frans Floris (1519/20–1570): Leven en Werken (Brussels, 1975), pp. 234–35, no. 87, fig. 36.
Fri
19
Jan
note
Giorgio T. Faggin, La pittura ad Anversa nel Cinquecento
Giorgio T. Faggin, La pittura ad Anversa nel Cinquecento (Florence, 1968), p. 49, fig. 125.
Sun
19
Jan
note
sold to Alfred Bader, Milwaukee, 1964
sold to Alfred Bader, Milwaukee, 1964
Thu
19
Jan
note
Hans Jüngeling, The Hague, by 1961 [according to van de Velde 1975, pp....
Hans Jüngeling, The Hague, by 1961 [according to van de Velde 1975, pp. 234–35
© Artist-Unknown. All rights reserved.