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oil paint (paint)57 × 33 Cm
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About the artwork
Artist supplied description.
This narrow panel was probably part of a predella, the supporting lower portion of an altarpiece, which no doubt featured other scenes from the Passion of Christ. It is most likely an early work by Hans Maler, who worked in Ulm in southwestern Germany before settling in the Tyrol. He is now known chiefly for portraits painted in the later part of his career for members of the imperial family and other prominent sitters. His earlier religious paintings are a variant on the expressive, patterned style and vivid characterization of an accomplished group of painters working in Ulm and nearby Memmingen, notably Bartholomäus Zeitblom and Bernhard Strigel.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 57 × 33 Cm |
| Tags | Christian subjectsbiblicalChristianitycrossJesusmenpeoplereligionreligiousreligious figuresreligious scenessoldiersviolenceVirgin MarywomenCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
07
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 382-85, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 382-85, ill.
Sat
07
Feb
note
Ernst Buchner, review of Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, 1950, in Zeitschrift für Kunst 4
Ernst Buchner, review of Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, 1950, in Zeitschrift für Kunst 4 (1950), p. 319.
Sat
07
Feb
note
given to the Art Institute, 1947.
given to the Art Institute, 1947.
Sat
07
Feb
note
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, pp. 40–41, no. 40, pl. 28.
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, pp. 40–41, no. 40, pl. 28.
Sat
07
Feb
note
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, pp. 63–64, no. 262.
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, pp. 63–64, no. 262.
Sat
07
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 24.
Art Institute of Chicago, A Century of Progress, 1933, no. 24.
Sat
07
Feb
note
Otto Benesch, “Beiträge zur oberschwäbischen Bild-nismalerei,” Jahrbuch der preussischen Kunstsammlung 54
Otto Benesch, “Beiträge zur oberschwäbischen Bild-nismalerei,” Jahrbuch der preussischen Kunstsammlung 54 (1933), p. 245.
Sat
07
Feb
note
on loan to the Art Institute from 1930
on loan to the Art Institute from 1930
Sat
07
Feb
note
Fritz Saxl, “Die Karlsruher Kreuztragung des Meisters HH
Fritz Saxl, “Die Karlsruher Kreuztragung des Meisters HH (Hans Holbein d. J.?),” Belvedere 9 (1930), pp. 205–08, 210, fig. 118.
Sat
07
Feb
note
Bulletin of the Art Institute of Chicago 24
Bulletin of the Art Institute of Chicago 24 (1930), p. 82 (ill.).
Sat
07
Feb
note
sold to Charles Worcester, Chicago, 1928 [letter from Drey to Worcester, Nov....
sold to Charles Worcester, Chicago, 1928 [letter from Drey to Worcester, Nov. 26, 1928, Art Institute Archives]
Sat
07
Feb
exhibition
Art Institute of Chicago, Loan Exhibition of Old Masters, 1928–29 (no cat.).
Art Institute of Chicago, Loan Exhibition of Old Masters, 1928–29 (no cat.).
Sat
07
Feb
note
Galerie St....
Galerie St. Lucas, Vienna, 1926 [Baldass 1926/27]. A. S. Drey, Munich, by 1928
Sat
07
Feb
note
Ludwig Baldass, “Beiträge zur Hausbuchmeisterfrage,” Oberrheinische Kunst 2
Ludwig Baldass, “Beiträge zur Hausbuchmeisterfrage,” Oberrheinische Kunst 2 (1926–27), pp. 185–86, pl. 89.
Sat
07
Feb
note
Private collection, France [according to Baldass 1926/27]
Private collection, France [according to Baldass 1926/27]
Wed
07
Feb
note
Michael Roth, “Kunstwerk des Monats: Ulmer Mu-seum; April 1996,” brochure, n.pag.
Michael Roth, “Kunstwerk des Monats: Ulmer Mu-seum; April 1996,” brochure, n.pag. (ill.).
Sat
07
Feb
note
John Maxon, The Art Institute of Chicago, London, 1970, pp. 252
John Maxon, The Art Institute of Chicago, London, 1970, pp. 252 (ill.), 283.
Mon
07
Feb
note
Alfred Stange, “Hans Maler: Neue Funde und Forschungen,” Jahrbuch der Staatlichen Kunstsam-mlungen in Baden-Württemberg 3
Alfred Stange, “Hans Maler: Neue Funde und Forschungen,” Jahrbuch der Staatlichen Kunstsam-mlungen in Baden-Württemberg 3 (1966), p. 83.
Tue
07
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 266–67.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 266–67.
Sun
07
Feb
note
Heinz von Mackowitz, Der Maler Hans von Schwaz, Innsbruck, 1960, pp. 62, 74.
Heinz von Mackowitz, Der Maler Hans von Schwaz, Innsbruck, 1960, pp. 62, 74.
© Artist-Unknown. All rights reserved.