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The Movings

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oil paint (paint)92 × 73 Cm

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About the artwork
Artist supplied description.

This slickly painted street scene uses the housing crisis of post-Revolutionary Paris, which forced poor people to move frequently in search of affordable homes, as a metaphor for other “movings” in life, particularly the transition from life to death. At center, a carriage loaded with furniture transports a young woman with her baby while, to their right, a black hearse moves towards the ethereal Roman church in the distance. The artist crossing the scene, easel in hand, just behind the horse may allude to the transient nature of such work, which often included travel between Rome and Paris.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions92 × 73 Cm
Tags
movementbirdbuildingbuildingscarriagecatschairchairschildrencitiescitydeathdogsfigurefiguresfurniturehorsehousehousinglabormanmenpeoplepovertytabletableswagonswealthwomanwoman with childrenwomenyouth
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
19
Jan
note

Arthur Dinaux, “Boilly,” in Archives Historiques et Littéraires du Nord de la France et du Midi de la Belgique 6

Arthur Dinaux, “Boilly,” in Archives Historiques et Littéraires du Nord de la France et du Midi de la Belgique 6 (Valenciennes, 1847), p. 203
Mon
19
Jan
note

In the possession of Louis-Léopold Boilly

In the possession of Louis-Léopold Boilly
Mon
19
Jan
exhibition

Paris, Salon, Explication des ouvrages de peinture, sculpture, architecture et gravure, des artistes vivans, exposés au Musée Royal des Arts, 1822, cat. 121.

Paris, Salon, Explication des ouvrages de peinture, sculpture, architecture et gravure, des artistes vivans, exposés au Musée Royal des Arts, 1822, cat. 121.
Mon
19
Jan
note

Henry Harrisse, L.–L. Boilly, peintre, dessinateur et lithographe: Sa vie et son oeuvre, 1761–1845

Henry Harrisse, L.–L. Boilly, peintre, dessinateur et lithographe: Sa vie et son oeuvre, 1761–1845 (Paris, 1898), p. 84, no. 46; also cited pp. 39, 98.
Mon
19
Jan
note

his sale, Paris, April 13–14, 1829, lot 4

his sale, Paris, April 13–14, 1829, lot 4
Mon
19
Jan
note

L’Observateur et Arlequin aux Salons, n. d. [1822], p. 19.

L’Observateur et Arlequin aux Salons, n. d. [1822], p. 19.
Mon
19
Jan
note

Sam Ramos and Kristen French, "More Crucial than Ever: Civic Wellness at the Art Institute of Chicago," Journal of Museum Education

Sam Ramos and Kristen French, "More Crucial than Ever: Civic Wellness at the Art Institute of Chicago," Journal of Museum Education (Jan. 2025): 5 fig. 3.
Mon
19
Jan
note

sold to James-Alexandre, comte de Pourtalès-Gorgier (died 1855), Paris [Harrisse 1898]

sold to James-Alexandre, comte de Pourtalès-Gorgier (died 1855), Paris [Harrisse 1898]
Mon
19
Jan
exhibition

Lille, France, Palais des Beaux-Arts de Lille, Louis-Léopold Boilly, November 4, 2011- February 6, 2012. cat. 144.

Lille, France, Palais des Beaux-Arts de Lille, Louis-Léopold Boilly, November 4, 2011- February 6, 2012. cat. 144.
Mon
19
Jan
note

Étienne Bréton and Pascal Zuber, “ Boilly au Salon,” Boilly: 1791-1845. Exh. cat.

Étienne Bréton and Pascal Zuber, “ Boilly au Salon,” Boilly: 1791-1845. Exh. cat. (Palais des Beaux Arts de Lille, 2011), p. 63. p. 67, p. 216, cat. 144.
Mon
19
Jan
exhibition

Minneapolis, Institute of Art, Crossing the Channel: British and French Painting in the Age of Romanticism, June 8–September 7, 2003, cat. 87; traveled to New York, Metropolitan Museum of Art, October 7, 2003–January 4, 2004.

Minneapolis, Institute of Art, Crossing the Channel: British and French Painting in the Age of Romanticism, June 8–September 7, 2003, cat. 87; traveled to New York, Metropolitan Museum of Art, October 7, 2003–January 4, 2004.
Mon
19
Jan
note

André Mabille de Poncheville, Boilly

André Mabille de Poncheville, Boilly (Paris: Librarie Plon, 1931), p. 156.
Mon
19
Jan
note

E. Jonas, Collections léguées à la ville de Paris par Ernest Cognacq

E. Jonas, Collections léguées à la ville de Paris par Ernest Cognacq (Paris, 1930), p. 11, under cat. 8.
Mon
19
Jan
note

Seymour de Ricci, Musée Cognacq-Jay

Seymour de Ricci, Musée Cognacq-Jay (Paris, 1929), p. 12, under cat. 8.
Mon
19
Jan
note

Paul Marmottan, Le Peintre Louis Boilly

Paul Marmottan, Le Peintre Louis Boilly (1761–1845) (Paris, 1913), pp. 156–57.
Mon
19
Jan
note

sold to Sauvage [see Hippolyte Mireur, Dictionnaire des ventes d'art faites en France et à l'étranger pendant les XVIIIme et XIXme siècles, Paris, 1911-1912]....

sold to Sauvage [see Hippolyte Mireur, Dictionnaire des ventes d'art faites en France et à l'étranger pendant les XVIIIme et XIXme siècles, Paris, 1911-1912]. Comtesse de Gramont d’Aster (1855–1905), Paris by 1898 [according to Harrisse 1898]. Pierre Thomas, comte de Pange (1875–1946), Paris. Private collection in U.S.A. [New York 1982]
Mon
19
Jan
note

Richard R. Brettell, French Salon Artists 1800–1900

Richard R. Brettell, French Salon Artists 1800–1900 (The Art Institute of Chicago, 1987), pp. 10 (ill.), 11, 13 (ill.), 117.
Mon
19
Jan
note

E.–J. Delécluze, “Beaux–Arts: Exposition Salon de 1822

E.–J. Delécluze, “Beaux–Arts: Exposition Salon de 1822 (9e article),” Le Moniteur universel 2, no. 162 (June 11, 1822), p. 824.
Sun
19
Jan
note

Ewa Lajer-Burcharth, “The Exceptional Woman,” Art Bulletin 79

Ewa Lajer-Burcharth, “The Exceptional Woman,” Art Bulletin 79 (December 1997), pp.
Fri
19
Jan
note

Mark Swartz, “The Movings: Louis–Leopold Boilly at the Art Institute fo Chicago: You Are What You Own,” Chicago Reader

Mark Swartz, “The Movings: Louis–Leopold Boilly at the Art Institute fo Chicago: You Are What You Own,” Chicago Reader (October 4, 1996), pp. 50–51 (ill.).
Thu
19
Jan
note

Kimbell Art Museum, Calendar: Guide to Upcoming Exhibitions, Program and Services

Kimbell Art Museum, Calendar: Guide to Upcoming Exhibitions, Program and Services (September 1995–January 1996), pp. 13–14 (ill.).
Thu
19
Jan
exhibition

Ft. Worth, Texas, Kimbell Art Museum, The Art of Louis-Leopold Boilly: Modern Life in Napoleonic France, November 4, 1995–January 12, 1996; Washington DC, National Gallery of Art, February 4–April 28, 1996.

Ft. Worth, Texas, Kimbell Art Museum, The Art of Louis-Leopold Boilly: Modern Life in Napoleonic France, November 4, 1995–January 12, 1996; Washington DC, National Gallery of Art, February 4–April 28, 1996.
Thu
19
Jan
note

Susan L. Siegfried, The Art of Louis–Léopold Boilly: Modern Life in Napoleonic France

Susan L. Siegfried, The Art of Louis–Léopold Boilly: Modern Life in Napoleonic France (New Haven and London, 1995), pp. 9–16, 10 (ill.),12 (det. ill.), 27, 63.
Tue
19
Jan
note

Cara Dufour Denison, French Master Drawings: From the Pierpont Morgan Library, exh. cat.

Cara Dufour Denison, French Master Drawings: From the Pierpont Morgan Library, exh. cat. (Musée du Louvre/Pierpont Morgan Library, 1993), pp. 212, under cat. 97, ill.
Fri
19
Jan
note

Susan L. Siegfried, “The Artist as Nomadic Capitalist: The Case of Louis–Léopold Boilly,” Art History 13, no. 4

Susan L. Siegfried, “The Artist as Nomadic Capitalist: The Case of Louis–Léopold Boilly,” Art History 13, no. 4 (December 1990), pp. 517–26, 518 (ill.), 535.
Thu
19
Jan
note

Annie Scottez-De Wambrechies and Sylvain Laveissière, eds., Boilly 1761/1845: Un Grand Peintre Française de la Révolution à la Restauration, exh. cat.

Annie Scottez-De Wambrechies and Sylvain Laveissière, eds., Boilly 1761/1845: Un Grand Peintre Française de la Révolution à la Restauration, exh. cat. (Musée des Beaux-Arts de Lille, 1989), pp. 128-9, under cat. 46, ill.
Sat
19
Jan
note

Carol S. Eliel," Form and Content in the Genre Works of Louis-Léopold Boilly," Ph. D. diss., New York University, 1985

Carol S. Eliel," Form and Content in the Genre Works of Louis-Léopold Boilly," Ph. D. diss., New York University, 1985 (Ann Arbor: Univeristy Microfilms, 1986), pp. 42-44, fig. 25.
Thu
19
Jan
note

Marianne Delafond, Louis Boilly 1761-1845, exh. cat.

Marianne Delafond, Louis Boilly 1761-1845, exh. cat. (Musée Marmottan, 1984), under cat. 36.
Thu
19
Jan
note

The Burlington Magazine 126, no. 976

The Burlington Magazine 126, no. 976 (July 1984), p. 463 (ill. 87).
Tue
19
Jan
note

Wildenstein and Co....

Wildenstein and Co., New York, by 1982
Tue
19
Jan
note

sold to the Art Institute, 1982.

sold to the Art Institute, 1982.
Tue
19
Jan
exhibition

New York, Wildenstein Gallery, Consulat–Empire–Restauration: Art In Early XIX Century France, April 21–May 28, 1982, pp. 74–75 (ill.), 87–88.

New York, Wildenstein Gallery, Consulat–Empire–Restauration: Art In Early XIX Century France, April 21–May 28, 1982, pp. 74–75 (ill.), 87–88.
Sat
19
Jan
note

Thérèse Burollet, Musée Cognacq-Jay: Peintures et Dessins

Thérèse Burollet, Musée Cognacq-Jay: Peintures et Dessins (Paris, 1980), pp. 40–42, citied under no. 9.
Fri
19
Jan
note

John Stephen Hallam, "The Genre Works of Louis-Leopold Boilly," Ph. D. diss., University of Washington, 1979

John Stephen Hallam, "The Genre Works of Louis-Leopold Boilly," Ph. D. diss., University of Washington, 1979 (Ann Arbor: Univeristy Microfilms, 1985), p.112.
Wed
19
Jan
note

Francis Russell, “Saleroom Discoveries,” Burlington Magazine 119, no. 887

Francis Russell, “Saleroom Discoveries,” Burlington Magazine 119, no. 887 (February 1977), p. 153 [author confuses the painting in the Musée Cognacq-Jay with the original version].
Sat
19
Jan
note

Heim Gallery, From Poussin to Puvis de Chavannes: A Loan Exhibition of French Drawings from the Collection of the Musée des Beaux Arts at Lille, exh. cat.

Heim Gallery, From Poussin to Puvis de Chavannes: A Loan Exhibition of French Drawings from the Collection of the Musée des Beaux Arts at Lille, exh. cat. (London, 1974), citied under no. 4.
Wed
19
Jan
note

André Vantoura and O. H. Gasnier, eds., Dessins français de Prud’hon à Daumier, Fribourg, 1966, n. p., cited under no. 11.

André Vantoura and O. H. Gasnier, eds., Dessins français de Prud’hon à Daumier, Fribourg, 1966, n. p., cited under no. 11.
Thu
19
Jan
note

Comte de Pourtalès-Gorgier Sale, Paris, March 21–April 4, 1865, lot 225

Comte de Pourtalès-Gorgier Sale, Paris, March 21–April 4, 1865, lot 225
© Artist-Unknown. All rights reserved.