ArtworkStatus unknown

Triptych of the Virgin and Child with Saints

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tempera241 × 8 × 155 Cm

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About the artwork
Artist supplied description.

In this triptych, Mary, crowned as the queen of heaven, is surrounded by female saints in an enclosed garden (called a hortus conclusus) evoking paradise. Singled out on the right wing is Saint Ursula, thought to have been a British princess who set out on a pilgrimage to Rome, only to be martyred along with her throng of companions, depicted here at a miniature scale. Saint Agnes, another martyr of the early Christian era, is on the left wing. The gold framing arches refer to the combination of gilded sculpture and painting that was a common feature of German altarpieces in this period. The emphasis on youthful, female saints suggests that this was a devotional triptych for a community of nuns.

Artwork metadata
Structured fields synced from connected systems.
Mediumtempera
Dimensions241 × 8 × 155 Cm
Tags
Century of Progresswoman with childrenwomanwomenSaint MargaretChristian subjectsChristianitygardensaintsVirgin and child/Madonna and childVirgin Maryworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note

Mary Mathews Gedo, “Camille Ascendant; Camille Redux,” Monet and His Muse: Camille Monet in the Artists Life, Chicago: The University of Chicago Press, 2010. p. 158, fig. 10.4.

Mary Mathews Gedo, “Camille Ascendant; Camille Redux,” Monet and His Muse: Camille Monet in the Artists Life, Chicago: The University of Chicago Press, 2010. p. 158, fig. 10.4.
Sat
14
Feb
note

Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 414-19, ill.

Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 414-19, ill.
Sat
14
Feb
note

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 76, no. 335, pl. 66.

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 76, no. 335, pl. 66.
Sat
14
Feb
note

J. Ringler, “Scheel

J. Ringler, “Scheel (Schel, Schöll), Sebas-tian,” in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, Leipzig, vol. 29, 1935, p. 597.
Sat
14
Feb
exhibition

Art Institute of Chicago, A Century of Progress, June 1 - November 1, 1934, cat. 20, as Sebastian Schel.

Art Institute of Chicago, A Century of Progress, June 1 - November 1, 1934, cat. 20, as Sebastian Schel.
Sat
14
Feb
exhibition

Art Institute of Chicago, A Century of Progress, June 1 - November 1, 1933, cat. 32, as Sebastian Schel.

Art Institute of Chicago, A Century of Progress, June 1 - November 1, 1933, cat. 32, as Sebastian Schel.
Sat
14
Feb
note

bequeathed to the AIC, 1933.

bequeathed to the AIC, 1933.
Sat
14
Feb
note

sold to Martin A....

sold to Martin A. Ryerson (d. 1932), Chicago, 1913
Sat
14
Feb
note

Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 129–31.

Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 129–31.
Sat
14
Feb
note

“Loan Collections,” Bulletin of the Art Institute of Chicago 7

“Loan Collections,” Bulletin of the Art Institute of Chicago 7 (1914), p. 38.
Sat
14
Feb
note

Julius Böhler, Munich, by 1913 [according to registrar’s records]

Julius Böhler, Munich, by 1913 [according to registrar’s records]
Tue
14
Feb
note

Gisela Mayr, “Sebastian Schel

Gisela Mayr, “Sebastian Schel (um 1480–1554): Leben und Werk,” Ph.D. diss., Universität Innsbruck, 1967, pp. 152–54. Maxon 1970, pp. 253 (ill.), 286.
Tue
14
Feb
note

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 176.

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 176.
© Artist-Unknown. All rights reserved.