ArtworkStatus unknown

New England Scenery

0 likesNot savedShare from mobile app
oil paint (paint)46 × 57 Cm

Views

0

Likes

0

Saves

Not saved

Shares

0

About the artwork
Artist supplied description.

Although Thomas Cole is best known for his scenes of the American wilderness, he also rendered pastoral vistas of cultivated landscapes. This work depicts New Hampshire’s White Mountains, an area that Cole traveled to and painted on numerous occasions, as did other 19th-century landscape artists. The prominent church spire at middle distance emphasizes the role of religion in agrarian society and the glow of the low sun expresses a sense of optimism for a rural America. The painting conveys an ideal that was increasingly far from reality, however, as the United States was then being transformed by rapid urbanization and the Industrial Revolution.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions46 × 57 Cm
Tags
landscapes
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
07
Feb
note

Thomas Cole, from 1839

Thomas Cole, from 1839
Sat
07
Feb
note

Samuel Nickerson, Chicago, 1876

Samuel Nickerson, Chicago, 1876
Sat
07
Feb
exhibition

Boston Athenaeum, Fourteenth Exhibition of Paintings, Jun–?, 1840, cat. 35, as “Sunrise. A New England Scene.”

Boston Athenaeum, Fourteenth Exhibition of Paintings, Jun–?, 1840, cat. 35, as “Sunrise. A New England Scene.”
Sat
07
Feb
note

W....

W.F. Ladd, New York, around 1841
Sat
07
Feb
exhibition

New York City, Apollo Association, Granite Building, Eighth Exhibition, Oct. 5–Dec. ?, 1841, cat. 46, as “Landscape—New England Scenery.”

New York City, Apollo Association, Granite Building, Eighth Exhibition, Oct. 5–Dec. ?, 1841, cat. 46, as “Landscape—New England Scenery.”
Sat
07
Feb
note

Charles Baker, New York, by 1853

Charles Baker, New York, by 1853
Sat
07
Feb
exhibition

Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960...

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Sat
07
Feb
exhibition

Milwaukee Art Institute, Nineteenth Century American Masters, Feb. 20–Mar. 28, 1948, cat. 12.

Milwaukee Art Institute, Nineteenth Century American Masters, Feb. 20–Mar. 28, 1948, cat. 12.
Sat
07
Feb
exhibition

Hartford, Conn., Wadsworth Atheneum, Thomas Cole 1801–1848: One Hundred Years Later, Nov. 12, 1948–Jan. 2, 1949, cat. 155, as Niagara Falls; New York City, Whitney Museum of American Art, Jan. 8–30, 1949.

Hartford, Conn., Wadsworth Atheneum, Thomas Cole 1801–1848: One Hundred Years Later, Nov. 12, 1948–Jan. 2, 1949, cat. 155, as Niagara Falls; New York City, Whitney Museum of American Art, Jan. 8–30, 1949.
Sat
07
Feb
exhibition

Hudson River Exhibition, Feb. 15–Mar. 25, 1945.

Hudson River Exhibition, Feb. 15–Mar. 25, 1945.
Sat
07
Feb
exhibition

Chicago, George Williams College (formerly Y.M.C.A. College), Nov. 19, 1931–Nov. 7, 1940, extended loan, as “Landscape.”

Chicago, George Williams College (formerly Y.M.C.A. College), Nov. 19, 1931–Nov. 7, 1940, extended loan, as “Landscape.”
Sat
07
Feb
exhibition

Chicago, Industrial Service Center, Y.W.C.A., Sept. 19, 1924–June 3, 1927, extended loan, as “Ideal Mountains.”

Chicago, Industrial Service Center, Y.W.C.A., Sept. 19, 1924–June 3, 1927, extended loan,as “Ideal Mountains.”
Sat
07
Feb
note

given to the Art Institute of Chicago, 1900.

given to the Art Institute of Chicago, 1900.
Sat
07
Feb
exhibition

New York City, Gallery of the American Art–Union, The Washington Exhibition in Aid of the New York Gallery of the Fine Arts, Mar–May 1, 1853, cat. 110.

New York City, Gallery of the American Art–Union, The Washington Exhibition in Aid of the New York Gallery of the Fine Arts, Mar–May 1, 1853, cat. 110.
Sat
07
Feb
note

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 116–17, fig. 22.
Thu
07
Feb
exhibition

Washington, DC, Corcoran Gallery of Art, Niagara: Two Centuries of Changing Attitudes, 1697–1901, Sept. 21–Nov. 24, 1985; Buffalo, Knox Art Gallery, July 13–Sept. 1, 1985, Corcoran Gallery of Art, New–York Historical Society...

Washington, DC, Corcoran Gallery of Art, Niagara: Two Centuries of Changing Attitudes, 1697–1901, Sept. 21–Nov. 24, 1985; Buffalo, Knox Art Gallery, July 13–Sept. 1, 1985, Corcoran Gallery of Art, New–York Historical Society, Jan. 22–Apr. 27, 1986.
Wed
07
Feb
exhibition

Arts Club of Chicago, The American Landscape, Nov. 14–Dec. 29, 1973, cat. 4.

Arts Club of Chicago, The American Landscape, Nov. 14–Dec. 29, 1973, cat. 4.
Mon
07
Feb
exhibition

Chicago, Art–Hall, Exposition Building, The Inter–State Industrial Exposition, Sept. 7–Oct. 9, 1876, cat. 361, as “Landscape.”

Chicago, Art–Hall, Exposition Building, The Inter–State Industrial Exposition, Sept. 7–Oct. 9, 1876, cat. 361, as “Landscape.”
© Artist-Unknown. All rights reserved.