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oil paint (paint)151 × 175 Cm
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About the artwork
Artist supplied description.
According to Roman history, the rape of the virtuous matron Lucretia by Tarquin, son of the king of Rome, incited the people to overthrow the monarchy and establish a republic around 510 BCE. Lucretia was hailed as a hero for subsequently committing suicide in an attempt to avoid any perceived dishonor to her family. With his characteristic expressive distortions of anatomy and space and vibrant treatment of light, Tintoretto depicted one of the most violent moments of the story. As Tarquin and Lucretia struggle, a pillow flies through the air, her pearl necklace breaks apart, and the fabric and carved post of the bed’s canopy collapses around them.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 151 × 175 Cm |
| Tags | violencewomanweaponstextilesculptureRomanpillowspearlsnudesmenmanjewelryinteriorhistorical figuresfabricbedroomsbed |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
04
Feb
note
Possibly Antonio Tronsarelli, Rome (died 1601) ["Un quadro grande in tela colorito a olio di Tarquinio quando Viola Lucretia di mano del Tentoretto (sic)"
Possibly Antonio Tronsarelli, Rome (died 1601) ["Un quadro grande in tela colorito a olio di Tarquinio quando Viola Lucretia di mano del Tentoretto (sic)"
Wed
04
Feb
note
Robert Echols and Frederick Ilchman, Tintoretto: 1519-1594, exh. cat.
Robert Echols and Frederick Ilchman, Tintoretto: 1519-1594, exh. cat. (Fondazione Musei Civici di Venezia, Marsilio, 2018), pp. 194-195, 259.
Wed
04
Feb
exhibition
Venice, Fondazione Musei Civici di Venezia, Jacopo Tintoretto and the 500th anniversary of his birth, September 1 - December 30 2018, fig. 177; Washington D.C., National Gallery of Art, March 3 - June 30, 2019.
Venice, Fondazione Musei Civici di Venezia, Jacopo Tintoretto and the 500th anniversary of his birth, September 1 - December 30 2018, fig. 177; Washington D.C., National Gallery of Art, March 3 - June 30, 2019.
Wed
04
Feb
exhibition
Boston, MA, Museum of Fine Arts, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, March 15, 2009-August 16, 2009, cat. 46; Paris, Musee du Louvre, Sept 14, 2009-January 4, 2010.
Boston, MA, Museum of Fine Arts, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, March 15, 2009-August 16, 2009, cat. 46; Paris, Musee du Louvre, Sept 14, 2009-January 4, 2010.
Wed
04
Feb
note
Peter Schjeldahl, "Venetian Brass: Tintoretto's fitful brilliance," New Yorker, February 12, 2007, p. 87
Peter Schjeldahl, "Venetian Brass: Tintoretto's fitful brilliance," New Yorker, February 12, 2007, p. 87 (ill.).
Wed
04
Feb
exhibition
Madrid, Museo Nacional del Prado, Jacopo Tintoretto (1518-1594), January 1-April 1, 2007, cat. 42.
Madrid, Museo Nacional del Prado, Jacopo Tintoretto (1518-1594), January 1-April 1, 2007, cat. 42.
Wed
04
Feb
note
Georges Didi-Huberman, Ninfa Moderna. Essai sur le drapé tombé
Georges Didi-Huberman, Ninfa Moderna. Essai sur le drapé tombé (Paris, 2002), p. 21, figs. 12 and 13 a and b.
Wed
04
Feb
note
Garry Wills, Venice: Lion City. The Religion of Empire
Garry Wills, Venice: Lion City. The Religion of Empire (New UYork, London, Toronto, Sydney and Singapore, 2001), p. 168, fig. 50.
Wed
04
Feb
note
Elizabeth Rodini, “The Language of Stones” in Renaissance Jewelry in the Alsdorf Collection. Art Institute of Chicago Museum Studies 25, 2
Elizabeth Rodini, “The Language of Stones” in Renaissance Jewelry in the Alsdorf Collection. Art Institute of Chicago Museum Studies 25, 2 (2000), pp. 22-23, fig. 9.
Wed
04
Feb
note
Bernard Berenson, Italian Pictures of the Renaissance: Venetian School
Bernard Berenson, Italian Pictures of the Renaissance: Venetian School (London, 1957), vol. 1, p. 171, vol. 2, pl. 1291.
Wed
04
Feb
exhibition
Cleveland Museum of Art, "Venetian Tradition, 1956, no. 49.
Cleveland Museum of Art,"Venetian Tradition, 1956, no. 49.
Wed
04
Feb
exhibition
New York, E. and A. Silberman Galleries, An Exhibition of Paintings . . . for the Benefit of the Research Fund of Art and Archeology, The Spanish Institute, Inc., 1955, no. 16.
New York, E. and A. Silberman Galleries, An Exhibition of Paintings . . . for the Benefit of the Research Fund of Art and Archeology, The Spanish Institute, Inc., 1955, no. 16.
Wed
04
Feb
note
Frederick A. Sweet, "La pittura italiana all'Art Institute di Chicago," Le vie del mondo: Rivista mensile del Touring Club Italiano 15
Frederick A. Sweet, "La pittura italiana all'Art Institute di Chicago," Le vie del mondo: Rivista mensile del Touring Club Italiano 15 (1953), pp. 698–99 (ill.).
Wed
04
Feb
note
Daniel Catton Rich, "The Windy City, Storm Center of Many Contemporary Art Movements," Art Digest 26, 3
Daniel Catton Rich, "The Windy City, Storm Center of Many Contemporary Art Movements," Art Digest 26, 3 (1951), p. 29 (ill.).
Wed
04
Feb
exhibition
Philadelphia Museum of Art, Masterpieces of Painting, 1950–51, no. 24.
Philadelphia Museum of Art, Masterpieces of Painting, 1950–51, no. 24.
Wed
04
Feb
note
Rodolfo Pallucchini, La giovinezza del Tintoretto
Rodolfo Pallucchini, La giovinezza del Tintoretto (Milan, 1950), p. 151.
Wed
04
Feb
note
Frederick A. Sweet, "Tintoretto and El Greco," Art Institute of Chicago Bulletin 44
Frederick A. Sweet, "Tintoretto and El Greco," Art Institute of Chicago Bulletin 44 (1950), pp. 22–23 (detail ill., cover ill.).
Wed
04
Feb
note
Hans Tietze, Tintoretto: The Paintings and Drawings
Hans Tietze, Tintoretto: The Paintings and Drawings (London, 1948), p. 357, fig. 285.
Wed
04
Feb
note
Erich von der Bercken, Die Gemälde des Jacopo Tintoretto
Erich von der Bercken, Die Gemälde des Jacopo Tintoretto (Munich, 1942), p. 119, no. 265, figs. 12–14.
Wed
04
Feb
note
Pictures on Exhibit 12, no. 4
Pictures on Exhibit 12, no. 4 (1940), pp. 37–38.
Wed
04
Feb
exhibition
Cleveland Museum of Art, Masterpieces of Art from the New York and San Francisco World's Fairs, February 7– March 7, 1940, no. 63; Minneapolis Institute of Arts, 28 May–23 June, 1940, no. 37; Los Angeles County Museum of Art...
Cleveland Museum of Art, Masterpieces of Art from the New York and San Francisco World's Fairs, February 7– March 7, 1940, no. 63; Minneapolis Institute of Arts, 28 May–23 June, 1940, no. 37; Los Angeles County Museum of Art, July 15– September 15, 1940, no. 4.
Wed
04
Feb
exhibition
San Francisco, California Palace of the Legion of Honor and the M. H. de Young Memorial Museum, "Seven Centuries of Painting, " 1939–40, no. Y-19.
San Francisco, California Palace of the Legion of Honor and the M. H. de Young Memorial Museum, "Seven Centuries of Painting," 1939–40, no. Y-19.
Wed
04
Feb
exhibition
New York, M. Knoedler and Co., Classics of the Nude, 1939, no. 10.
New York, M. Knoedler and Co., Classics of the Nude, 1939, no. 10.
Wed
04
Feb
exhibition
New York World's Fair, Masterpieces of Art: European Paintings and Sculpture, 1300–1800, 1939, no. 378.
New York World's Fair, Masterpieces of Art: European Paintings and Sculpture, 1300–1800, 1939, no. 378.
Wed
04
Feb
note
"Found in France: The New Veronese, Vivarini, and Tintoretto," Illustrated London News
"Found in France: The New Veronese, Vivarini, and Tintoretto," Illustrated London News (4 December 1937), p. 1015.
Wed
04
Feb
note
Alfred M. Frankfurter, "The Classic Nude: 1460–1905," Art News 37, no. 29
Alfred M. Frankfurter, "The Classic Nude: 1460–1905," Art News 37, no. 29 (1939), cover ill.
Thu
04
Feb
exhibition
The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.
The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.
Wed
04
Feb
note
see Matteo Lafranconi, "Antonio Tronsarelli: A Roman collector of the late sixteenth century," Burlington Magazine 140 (1998), p....
see Matteo Lafranconi, "Antonio Tronsarelli: A Roman collector of the late sixteenth century," Burlington Magazine 140 (1998), p. 545, no. (5)]. Private collection, France [according to Illustrated London News, 4 December 1937]. Robert Lebel, Paris, by 1937 [Illustrated London News, 4 December 1937]. Richard Goetz, Paris and New York, by 1939 [1939 Knoedler exh. cat.]. Sold by E. and A. Silberman Galleries, New York, to the Art Institute, 1949.
Fri
04
Feb
note
Sergio Marinelli, " Aspetti della teatralità nell' opera di Jacopo Tintoretto" in Jacopo Tintoretto nel quarto centenario della morta. Atti del Convegno Internazionale di Studi
Sergio Marinelli, " Aspetti della teatralità nell' opera di Jacopo Tintoretto" in Jacopo Tintoretto nel quarto centenario della morta. Atti del Convegno Internazionale di Studi (Venezia, 24-26 novembre 1994), ed. Paola Rossi and Lionello Puppi (Venice, 1996), p. 265, fig. 8.
Thu
04
Feb
note
Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago
Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago (Chicago, 1993), pp. 243-46. ill.
Tue
04
Feb
note
Daniel Arasse, Le détail: Pour une histoire rapprochée de la peinture
Daniel Arasse, Le détail: Pour une histoire rapprochée de la peinture (Paris, 1992), fig. 166.
Sun
04
Feb
note
Philipp Fehl, "Mourning for Lucretia: Titian, Tintoretto and Veronese" in Nuovi studi su Paolo Veronese, ed. Massimo Gemin
Philipp Fehl, "Mourning for Lucretia: Titian, Tintoretto and Veronese" in Nuovi studi su Paolo Veronese, ed. Massimo Gemin (Venice, 1990), pp. 279-80, 284 n. 8.
Sat
04
Feb
note
Stefania Mason Rinaldi, Palma il Giovane: L'opera completa
Stefania Mason Rinaldi, Palma il Giovane: L'opera completa (Milan, 1984), pp. 46, 87, under no. 117.
Sat
04
Feb
note
Erasmus Weddigen, "Jacopo Tinteretto und die Musik," Artibus et Historiae 10
Erasmus Weddigen, "Jacopo Tinteretto und die Musik," Artibus et Historiae 10 (1984), pp. 99, 102–03, 188 n. 180, p. 119 nn. 185, 187.
Thu
04
Feb
note
Rodolfo Pallucchini and Paola Rossi, Tintoretto: Le opere sacre e profane
Rodolfo Pallucchini and Paola Rossi, Tintoretto: Le opere sacre e profane (Milan, 1982), vol. 1, pp. 105, 229, no. 450 (ill.).
Wed
04
Feb
note
Rodolfo Pallucchini, "Per la storia del Manierismo a Venezia" in Da Tiziano a El Greco: Per la storia del Manierismo a Venezia, exh. cat. Palazzo Ducale, Venice, 1981, p. 53.
Rodolfo Pallucchini, "Per la storia del Manierismo a Venezia" in Da Tiziano a El Greco: Per la storia del Manierismo a Venezia, exh. cat. Palazzo Ducale, Venice, 1981, p. 53.
Wed
04
Feb
note
John D. Morse, Old Master Paintings in North America
John D. Morse, Old Master Paintings in North America (New York, 1976), pp. 261–62.
Tue
04
Feb
note
Eddy de Jongh, "Pearls of Virtue and Pearls of Vice," Simiolus 8
Eddy de Jongh, "Pearls of Virtue and Pearls of Vice," Simiolus 8 (1975–76), p. 88, fig. 18.
Fri
04
Feb
note
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 199, 482, 571.
Wed
04
Feb
note
Carlo Bernari and Pierluigi de Vecchi, L'opera completa del Tintoretto, Classica dell' arte 36
Carlo Bernari and Pierluigi de Vecchi, L'opera completa del Tintoretto, Classica dell' arte 36 (Milan, 1970), pp. 100–01, no. 131a (ill.).
Sat
04
Feb
note
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Pictures in the Collection
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Pictures in the Collection (Chicago, 1961), pp. 449–50.
Sat
04
Feb
note
Hans Huth, "Italienische Kunstwerke im Art Institute von Chicago, USA," in Miscellanea Bibliothecae Hertzianae
Hans Huth, "Italienische Kunstwerke im Art Institute von Chicago, USA," in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 518.
Thu
04
Feb
note
R. Pedrazzi Tozzi, "La maturità di Domenico Tintoretto in alcune telle ritenute di Jacopo," Arte antica e moderna 12
R. Pedrazzi Tozzi, "La maturità di Domenico Tintoretto in alcune telle ritenute di Jacopo," Arte antica e moderna 12 (1960), p. 388.
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