Madonna of Humility

Francesca Pasut, in The Alana Collection: Newark, Delaware, USA, Italian Paintings from the 13th to 15th Century, Miklós Boskovits et al., vol. 1 (Florence, 2009), pp. 154, 156, n. 4, as Olivuccio di Ciccarello.

Alessandro Marchi, “Olivuccio di Ciccarello,” in Pittori a Camerino nel Quattrocento, Andrea De Marchi, ed., (Milan, 2002), pp. 104, 120, 132–33, no. 6, ill, as Olivuccio di Ciccarello.

Dorothy C. Shorr, The Christ Child in Devotional Images in Italy during the XIV Century (New York, 1954), pp. 61, 65, fig. 9.

Pietro Toesca, Il trecento (Turin, 1951), p. 751 n. 276.

Luigi Coletti, “Sulla Mostra della Pittura Bolognese del Trecento: Con una Coda Polemica,” Emporium 112 (1950), pp. 252–54.

William Suida, “Some Bolognese Trecento Paintings in America,” Critica d’arte 9, 1 (1950), p. 58, fig. 62.

“The Magnificent Worcester Gift,” Art Institute of Chicago Bulletin 42 (1948), p. 5, ill.

Luigi Coletti, I primitivi: I padani, vol. 3 (Novara, 1947), pp. XXXIV–XXXVI, LXXIII, pl. 66.

given to the Art Institute, 1947.

“The Christmas Story in Art,” Art Institute of Chicago Bulletin 32, 7 (1938), p. 105.

Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture, and Drawings (Chicago, 1938), pp. viii, 6, no. 2, pl. II.

The Art Institute of Chicago, The Christmas Story in Art, 1938–39 (no cat.).

Millard Meiss, “The Madonna of Humility,” Art Bulletin 18 (1936), p. 441, n. 23; reprinted in Millard Meiss, Painting in Florence and Siena after the Black Death (Princeton, 1951), p. 137 n. 20.

The Art Institute of Chicago, A Century of Progress, 1933, no. 86, as Jacobello di Bonomo (?).

Lionello Venturi, Pitture italiane in America (Milan, 1931), pl. CIV.

William Suida, review of Pitture italiane in America by L. Venturi, in Belvedere 10 (1931), p. 191, pl. 104.

The University of Chicago, The Renaissance Society, Anniversary Bulletin (Autumn – Winter 1930), cover ill.

Daniel Catton Rich, “Two Trecento Venetian Panels,” Art Institute of Chicago Bulletin 24, 7 (1930), pp. 88–89, cover ill.

The University of Chicago, The Renaissance Society, Catalogue of a Loan Exhibition of Religious Art from the Fourth Century to the Present Time (1930), no. 33.

The University of Chicago, The Renaissance Society, Religious Art from the Fourth Century to the Present Time, 1930, no. 33, as Jacobello di Bonomo.

“Famous Art Works Exhibited in Clubhouse,” Art in the Union League Club of Chicago: Union League Club Bulletin (January 1929), p. 7, ill.

Pantheon 3 (1929), pp. 102, ill, 104.

Art News 27, 10 (December 8, 1928), p. 1, ill.

Count Ambroz-Migazzy, Sarvar, Hungary [according to Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture, and Drawings, 1938]. E. and A. Silberman Galleries, New York [according to receipt dated November 21, 1928, in curatorial files]

Chicago, The Union League Club, 1928 (no cat.).

Sold by Silberman to Charles H. Worcester, Chicago, 1928, [according to receipt dated November 21, 1928, in curatorial files]

Mojír S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, (Prague, 1998), pp. 132, 212, no. Fd49, as Genoese(?) and Camarinese (Carlo da Camerino(?)).

Carl Brandon Strehlke, book review of “Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection,” Burlington Magazine 136 (1994), pp. 625–26, ill, as Carlo da Camerino.

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 34–37, ill.

Isle. Hecht, “Madonna of Humility,” Art Institute of Chicago Bulletin 70 (1976), pp. 10–13, fig. 2.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 216, 346, 571.

Ferdinando Bologna, I Pittori alla Corte Angioina di Napoli, 1266–1414, e un Riesame dell’arte nell’età Fidericiana (Rome, 1969), pp. 348–349, pl. VIII-19, fig. 18.

Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 516, fig. 380.