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oil paint (paint)33 × 41 Cm
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About the artwork
Artist supplied description.
Hans Memling probably worked with Rogier van der Weyden in Brussels before settling in Bruges in 1465. Van der Weyden was well known for his exquisite devotional diptychs, and Memling was influenced by his work, though he made his paired paintings more realistic by setting the figures in a measurable domestic space. The portrait of the unidentified patron and the image of the Virgin and Child were separated many years ago; they were reunited at the Art Institute of Chicago in 1953. Unfortunately, Portrait of a Man in Prayer is in very poor condition; much better preserved is the image Saint Anthony of Padua, presumably the sitter’s patron saint, on the reverse of the portrait. The saint was painted in subdued tones of gray, in imitation of stone, a convention often used on the backs of Netherlandish altarpieces. Anthony of Padua, an important early follower of Saint Francis, was more popular in Italy, Spain and Portugal than in the Low Countries, hence the diptych may have been made for a member of the large foreign community in Bruges.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 33 × 41 Cm |
| Tags | Century of ProgresswindowVirgin MaryVirgin and child/Madonna and childsonsriverreligious scenesreligious figuresreligiousreligionmother and childmothermirrorlandscapeJesusinteriorfruitChristianityChristian subjectschildrenbabiesapplesworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note
Helen Comstock, “A Memling Diptych Reunited,” Connoisseur
Helen Comstock, “A Memling Diptych Reunited,” Connoisseur
Sat
14
Feb
exhibition
Madrid, Exposición histórico-Europea, 1892–93.5
Madrid, Exposición histórico-Europea, 1892–93.5
Sat
14
Feb
note
Martha Wolff, “An Image of Compassion: Dieric Bouts’s ‘Sorrowing Madonna,’”
Martha Wolff, “An Image of Compassion: Dieric Bouts’s ‘Sorrowing Madonna,’”
Sat
14
Feb
note
Alfred M. Frankfurter, “Paintings by Hans Memling in American Collections,”
Alfred M. Frankfurter, “Paintings by Hans Memling in American Collections,”
Sat
14
Feb
note
Jacques Vilain, “L’Autoportrait caché dans la peinture flamande du XVe siècle,”
Jacques Vilain, “L’Autoportrait caché dans la peinture flamande du XVe siècle,”
Sat
14
Feb
note
Henri Hymans, “Notes sur quelques oeuvres d’art conservées
Henri Hymans, “Notes sur quelques oeuvres d’art conservées
Sat
14
Feb
note
Maximiliaan P. J. Martens, “De opdrachtgevers van Hans Memling,” in
Maximiliaan P. J. Martens, “De opdrachtgevers van Hans Memling,” in
Sat
14
Feb
note
Helen Parker, The Christmas Story: Illustrated from the Collections of the Art
Helen Parker, The Christmas Story: Illustrated from the Collections of the Art
Sat
14
Feb
note
Vida Joyce Hull, “Hans Memling’s Paintings for the Hospital of Saint John in
Vida Joyce Hull, “Hans Memling’s Paintings for the Hospital of Saint John in
Sat
14
Feb
note
en Espagne,” Gazette des Beaux-Arts, 3rd ser., 12
en Espagne,” Gazette des Beaux-Arts, 3rd ser., 12 (1894), pp. 159–60.
Sat
14
Feb
note
Hélène Verougstraete and Roger van Schoute, “Cadres et supports chez Memling,” in Memling Studies, p. 272, fig. 1.
Hélène Verougstraete and Roger van Schoute, “Cadres et supports chez Memling,” in Memling Studies, p. 272, fig. 1.
Sat
14
Feb
exhibition
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
Sat
14
Feb
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 250-59, ill.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 250-59, ill.
Sat
14
Feb
note
Andrea Pearson, Envisioning Gender in Burgundian Devotional Art, 1350–1530: Experience, Authority, Resistance, Aldershot and Burlington, Vt., 2005, p. 197, no. 15.
Andrea Pearson, Envisioning Gender in Burgundian Devotional Art, 1350–1530: Experience, Authority, Resistance, Aldershot and Burlington, Vt., 2005, p. 197, no. 15.
Sat
14
Feb
note
Till-Holger Borchert, Lorne Campbell, Paula Nuttall, et al., Memling and the Art of Portraiture, exh. cat., Madrid, Museo Thyssen-Bornemisza, 2005, pp. 52, 57, 70–72, 142, 175, figs. 57–58, pl. 27.
Till-Holger Borchert, Lorne Campbell, Paula Nuttall, et al., Memling and the Art of Portraiture, exh. cat., Madrid, Museo Thyssen-Bornemisza, 2005, pp. 52, 57, 70–72, 142, 175, figs. 57–58, pl. 27.
Sat
14
Feb
note
Laura D. Gelfand, “Devotion, Imitation, and Social Aspirations: Fifteenth-Century Bruges and a Memling School Madonna and Child,” Cleveland Studies in the History of Art 5
Laura D. Gelfand, “Devotion, Imitation, and Social Aspirations: Fifteenth-Century Bruges and a Memling School Madonna and Child,” Cleveland Studies in the History of Art 5 (2000), p. 13.
Sat
14
Feb
note
Heinrich Schwarz, “The Mirror of the Artist and the Mirror of the Devout: Observations on Some Paintings, Drawings and Prints of the Fifteenth Century,” in Studies in the History of Art Dedicated to William E. Suida on His Eightieth Birthda...
Heinrich Schwarz, “The Mirror of the Artist and the Mirror of the Devout: Observations on Some Paintings, Drawings and Prints of the Fifteenth Century,” in Studies in the History of Art Dedicated to William E. Suida on His Eightieth Birthday, London, 1959, pp. 99–100.
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note
134
134 (1954), p. 73 (ill.).
Sat
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Feb
note
Leo van Puyvelde, La Peinture flamande au siècle des Van Eyck, Paris and New York, 1953, p. 266.
Leo van Puyvelde, La Peinture flamande au siècle des Van Eyck, Paris and New York, 1953, p. 266.
Sat
14
Feb
note
Charles Fabens Kelley, “Chicago: Record Years,” Art News 51, 4
Charles Fabens Kelley, “Chicago: Record Years,” Art News 51, 4 (1952), p. 107.
Sat
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Feb
note
Heinrich Schwarz, “The Mirror in Art,” Art Quarterly 15
Heinrich Schwarz, “The Mirror in Art,” Art Quarterly 15 (1952), p. 100.
Wed
14
Feb
note
Paul Mitchell and Lynn Roberts, “Frame,” in Dictionary of Art, vol. 11, 1996, pp. 439–40.
Paul Mitchell and Lynn Roberts, “Frame,” in Dictionary of Art, vol. 11, 1996, pp. 439–40.
Mon
14
Feb
note
Charles H. Duncan, “Mirrors and Reflections in Early Netherlandish Painting,” M.A. thesis, School of the Art Institute of Chicago, 1994, pp. 57–64.
Charles H. Duncan, “Mirrors and Reflections in Early Netherlandish Painting,” M.A. thesis, School of the Art Institute of Chicago, 1994, pp. 57–64.
Mon
14
Feb
note
Barbara M. Thiemann, Hans Memling: Ein Beiträg zum Verständnis seiner Gestaltungsprinzipien, Frankfurt-am-Main, 1994, pp. 153–54.
Barbara M. Thiemann, Hans Memling: Ein Beiträg zum Verständnis seiner Gestaltungsprinzipien, Frankfurt-am-Main, 1994, pp. 153–54.
Mon
14
Feb
note
Laura Deborah Gelfand, “Fifteenth-Century Netherlandish Devotional Portrait Diptychs: Origins and Function,” Ph.D. diss., Case Western Reserve University, 1994, pp. 107–11.
Laura Deborah Gelfand, “Fifteenth-Century Netherlandish Devotional Portrait Diptychs: Origins and Function,” Ph.D. diss., Case Western Reserve University, 1994, pp. 107–11.
Mon
14
Feb
note
Barbara G. Lane, “The Question of Memling’s Training,” in Memling Studies: Proceedings of the International Colloquium
Barbara G. Lane, “The Question of Memling’s Training,” in Memling Studies: Proceedings of the International Colloquium (Bruges, 10–12 November, 1994), ed. Hélène Verougstraete, Roger van Schoute, and Maurits Smeyers, Leuven, 1997, pp. 53–70, fig. 6.
Mon
14
Feb
note
Dirk de Vos, Hans Memling: The Complete Works, Antwerp and Ghent, 1994, pp. 220–21, 380, no. 55.
Dirk de Vos, Hans Memling: The Complete Works, Antwerp and Ghent, 1994, pp. 220–21, 380, no. 55.
Mon
14
Feb
note
Hans Memling: Essays, ed. Dirk de Vos, Bruges, 1994, p. 27 n. 112.
Hans Memling: Essays, ed. Dirk de Vos, Bruges, 1994, p. 27 n. 112.
Fri
14
Feb
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992 , p. 352, nos. 344a–b.
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992 , p. 352, nos. 344a–b.
Wed
14
Feb
note
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert, Berlin, 1990, pp. 69 n. 391, 164, 259, no. 236, pl. 148.
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert, Berlin, 1990, pp. 69 n. 391, 164, 259, no. 236, pl. 148.
Tue
14
Feb
note
Colin Eisler, Early Netherlandish Painting: 'The Thyssen-Bornemisza Collection, London, 1989, p. 111, fig. 6.
Colin Eisler, Early Netherlandish Painting: 'The Thyssen-Bornemisza Collection, London, 1989, p. 111, fig. 6.
Tue
14
Feb
note
AIC Museum Studies 15
AIC Museum Studies 15 (1989), pp. 116–17.
Tue
14
Feb
note
Edwin Buijsen, “The Iconography of St. Antony of Padua in Flemish Art up to the Counter-Reformation,” Santo 29
Edwin Buijsen, “The Iconography of St. Antony of Padua in Flemish Art up to the Counter-Reformation,” Santo 29 (1989), pp. 6–7, fig. 4.
Sun
14
Feb
note
Marion Grams-Thieme, Lebendige Steine: Studien zur niederländischen Grisaillemalerei des 15. und frühen 16. Jahrhunderts, Cologne, 1988, pp. 234–36.
Marion Grams-Thieme, Lebendige Steine: Studien zur niederländischen Grisaillemalerei des 15. und frühen 16. Jahrhunderts, Cologne, 1988, pp. 234–36.
Sat
14
Feb
note
Larry Silver, “The ‘Gothic’ Gossaert: Native and Traditional Elements in a Mabuse Madonna,” Pantheon 45
Larry Silver, “The ‘Gothic’ Gossaert: Native and Traditional Elements in a Mabuse Madonna,” Pantheon 45 (1987), pp. 62–63, fig. 14.
Tue
14
Feb
note
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Montclair, N.J., 1984, p. 181, pl. 137.
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Montclair, N.J., 1984, p. 181, pl. 137.
Tue
14
Feb
note
Ingrid Verhoeven, “De chronologie der portretten van Hans Memling,” M.A. thesis, Licentieverhandeling, Vrije Universiteit Brussel, 1984–85, pp. 115–18, figs. 61–62.
Ingrid Verhoeven, “De chronologie der portretten van Hans Memling,” M.A. thesis, Licentieverhandeling, Vrije Universiteit Brussel, 1984–85, pp. 115–18, figs. 61–62.
Mon
14
Feb
note
Susanne Bäumler, “Studien zum Adorationsdiptychon: Entstehung, Frühgeschichte und Entwicklung eines privaten Andachtsbildes mit Adorantendarstellung,” Ph.D. diss., Ludwig-Maximilians-Universität, Munich, 1983, pp. 52, 75, 169–71, cat. 12.
Susanne Bäumler, “Studien zum Adorationsdiptychon: Entstehung, Frühgeschichte und Entwicklung eines privaten Andachtsbildes mit Adorantendarstellung,” Ph.D. diss., Ludwig-Maximilians-Universität, Munich, 1983, pp. 52, 75, 169–71, cat. 12.
Wed
14
Feb
note
Bruges,” Ph.D. diss., Bryn Mawr College, 1979
Bruges,” Ph.D. diss., Bryn Mawr College, 1979 (New York, 1981), p. 219.
Wed
14
Feb
note
John D. Morse, Old Master Paintings in North America, New York, 1979, p. 198.
John D. Morse, Old Master Paintings in North America, New York, 1979, p. 198.
Tue
14
Feb
note
The Art Institute of Chicago, 100 Masterpieces, 1978, pp. 44–45, no. 8.
The Art Institute of Chicago, 100 Masterpieces, 1978, pp. 44–45, no. 8.
Mon
14
Feb
note
Jan Bia_ostocki, “Man and Mirror in Painting: Reality and Transience,” in Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, ed. Irving Lavin and John Plummer, vol. 1, New York, 1977, p. 65.
Jan Bia_ostocki, “Man and Mirror in Painting: Reality and Transience,” in Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, ed. Irving Lavin and John Plummer, vol. 1, New York, 1977, p. 65.
Mon
14
Feb
note
Jane B. Friedman, “An Iconological Examination of the Half-Length Devotional Portrait Diptych in the Netherlands, 1460–1530,” Ph.D. diss., University of California, Los Angeles, 1977, pp. 106–07, 113–15, fig. 25.
Jane B. Friedman, “An Iconological Examination of the Half-Length Devotional Portrait Diptych in the Netherlands, 1460–1530,” Ph.D. diss., University of California, Los Angeles, 1977, pp. 106–07, 113–15, fig. 25.
Sat
14
Feb
note
John Maxon, The Art Institute of Chicago, London, 1970, pp. 28–29
John Maxon, The Art Institute of Chicago, London, 1970, pp. 28–29 (ill.), 283.
Sat
14
Feb
note
Revue de l’art, no. 8
Revue de l’art, no. 8 (1970), pp. 53, 55 n. 12.
Fri
14
Feb
note
Maria Corti and Giorgio T. Faggin, L’opera completa di Memling, Milan, 1969, no. 28a–c.
Maria Corti and Giorgio T. Faggin, L’opera completa di Memling, Milan, 1969, no. 28a–c.
Mon
14
Feb
note
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), pp. 198–99, fig. 24 (1933.1050).
Sun
14
Feb
note
Sixten Ringbom, Icon to Narrative: The Rise of the Dramatic Close-up in Fifteenth-Century Devotional Painting, Åbo, 1965
Sixten Ringbom, Icon to Narrative: The Rise of the Dramatic Close-up in Fifteenth-Century Devotional Painting, Åbo, 1965 (repr., Doornspijk, 1984), p. 46; 2nd ed., 1984, p. 46 n. 36.
Thu
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Feb
note
Roger van Schoute, La Chapelle royale de Grenade, Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 6, Brussels, 1963, p. 75.
Roger van Schoute, La Chapelle royale de Grenade, Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 6, Brussels, 1963, p. 75.
Tue
14
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 144–45
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 144–45 (ill.), 309–10.
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