ArtworkStatus unknown

Springtime and Love

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oil paint (paint)184 × 94 Cm

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About the artwork
Artist supplied description.

This vibrant scene of children playing on a sun-drenched hilltop was part of a series by Francesco Michetti inspired by the people, landscape, festivals and other events in Abruzzo, Italy. Two figures on the right play tambourines, quintessential instruments of southern Italian folk music. With its rounded shape encircled by metal jingles, the tambourine represented for local audiences the sun and its rays spreading light and heat throughout the region. In the foreground a spaniel dog with a large, glassy eye stares out at the viewer like a reproachful commentator on his human companions’ unbridled folly.

Springtime and Love was shown at the Exposition Universelle in Paris in 1878 and in 1893 at the Chicago World’s Fair (also known as the Columbian Exposition). It entered the museum’s permanent collection eight years later.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions184 × 94 Cm
Tags
childrenmusicmusical instrumentstreesseasonsdogdogsanimalsboysgirlsleisurerockssleepbabiesflowersflorawateroceanboatssky
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
31
Jan
note

“A Talk about Pictures,” A Delsartean Scrap-Book

“A Talk about Pictures,” A Delsartean Scrap-Book (New York: United States Book Company, 1891), p. 211.
Sat
31
Jan
note

Art Institute of Chicago, Catalogue of Objects in the Museum

Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 69, no. 76.
Sat
31
Jan
note

“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898

“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 143, no. 76.
Sat
31
Jan
note

Philip Gilbert Hamerton, “Continental Painting,” Atlas Series no. 21: Modern Schools of Art

Philip Gilbert Hamerton, “Continental Painting,” Atlas Series no. 21: Modern Schools of Art (1880), pp. 66–67.
Sat
31
Jan
note

Lucy Monroe, “Chicago Letter,” The Critic 20, 594

Lucy Monroe, “Chicago Letter,” The Critic 20, 594 (1893), p. 30.
Sat
31
Jan
note

“Technique,” Art Loan Record 1, 21

“Technique,” Art Loan Record 1, 21 (1883), p. 163.
Sat
31
Jan
note

World’s Columbian Exposition 1893: Revised Catalogue: Department of Fine Arts with Index of Exhibitors, exh. cat.

World’s Columbian Exposition 1893: Revised Catalogue: Department of Fine Arts with Index of Exhibitors, exh. cat. (Chicago: W. B. Conkey Company, 1893), p. 147, cat. 3013.
Sat
31
Jan
exhibition

Detroit Institute of Arts, Detroit Art Loan Exhibition, 1883, cat. 2639.

Detroit Institute of Arts, Detroit Art Loan Exhibition, 1883, cat. 2639.
Sat
31
Jan
note

Lucy B. Monroe, “Art in Chicago,” The New England Magazine 6, 4

Lucy B. Monroe, “Art in Chicago,” The New England Magazine 6, 4 (1892), p. 427.
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31
Jan
note

Art Institute of Chicago, Catalogue of Objects in the Museum

Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 76, no. 76.
Sat
31
Jan
note

on loan to the Art Institute from 1890

on loan to the Art Institute from 1890
Sat
31
Jan
note

“The New Pictures,” Art Loan Record 1, 19

“The New Pictures,” Art Loan Record 1, 19 (1883), p. 148; reprinted Art Loan Record 1, 20 (1883), p. 160
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31
Jan
note

John Moses and Paul Selby, The White City: The Historical, Biographical and Philanthropical Record of Illinois

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31
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Bessie, “The Last Words of Bessie,” Art Loan Record 1, 24

Bessie, “The Last Words of Bessie,” Art Loan Record 1, 24 (1883), p. 189.
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31
Jan
note

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Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 58, no. 76.
Sat
31
Jan
exhibition

Philadelphia, Stevens’ Galleries, A Great Collection of Paintings belonging to Mr. Charles F. Haseltine, January 1886, cat. 231.

Philadelphia, Stevens’ Galleries, A Great Collection of Paintings belonging to Mr. Charles F. Haseltine, January 1886, cat. 231.
Sat
31
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note

Ernest Knaufft, “Art at the Columbian Exposition,” The Review of Reviews 7, 41

Ernest Knaufft, “Art at the Columbian Exposition,” The Review of Reviews 7, 41 (1893), p. 552.
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Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: VII. – The Munger Collection,” Brush and Pencil 3, 2

Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: VII. – The Munger Collection,” Brush and Pencil 3, 2 (1898), pp. 70, 73.
Sat
31
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“The New Pictures,” Art Loan Record 1, 21

“The New Pictures,” Art Loan Record 1, 21 (1883), p. 168.
Sat
31
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William A. Coffin, “The Columbian Exposition. V – Fine Arts: The French Pictures and the Loan Collection,” The Nation 57, 1470

William A. Coffin, “The Columbian Exposition. V – Fine Arts: The French Pictures and the Loan Collection,” The Nation 57, 1470 (1893), p. 152.
Sat
31
Jan
note

Javier Barón, Fortuny

Javier Barón, Fortuny (1838-1874), exh. cat. (Museo Nacional del Prado, 2017), p. 74; 75, fig. 4.
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31
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Marc Simpson, “Bladders and Blue Shadows: “Neapolitan Children Bathing,” in Sarah Cash, Sargent and the Sea, exh. cat.

Marc Simpson, “Bladders and Blue Shadows: “Neapolitan Children Bathing,” in Sarah Cash, Sargent and the Sea, exh. cat. (Washington D.C.: Corcoran Gallery of Art 2009), pp. 139, 140, fig. 176.
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Kirsten M. Jensen, “The American Salon: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873–1890,” vol. 2

Kirsten M. Jensen, “The American Salon: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873–1890,” vol. 2 (Ph.D. diss., The City University of New York, 2007), p. 422.
Sat
31
Jan
note

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection

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Sat
31
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The Delphian Society, Delphian Text, pt. 4

The Delphian Society, Delphian Text, pt. 4 (Chicago: The Delphian Society, 1930), pp. 11, 17 (ill.), 62.
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31
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note

“Michetti, Francesco Paolo,” in Thieme-Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 24

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Sat
31
Jan
note

Michele Biancale, “Le serpi e gli storpi di F. P. Michetti: saggio di un’interpretazione dell’arte Michettiana,” Bollettino d’Arte del Ministero della Pubblica Istruzione, ser. 2, 6, 7

Michele Biancale, “Le serpi e gli storpi di F. P. Michetti: saggio di un’interpretazione dell’arte Michettiana,” Bollettino d’Arte del Ministero della Pubblica Istruzione, ser. 2, 6, 7 (1927), pp. 485, 500 (ill.), fig. 19.
Sat
31
Jan
note

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), pp. 4 (ill.), 146, no. 157.
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31
Jan
note

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 26, no. 157.
Sat
31
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Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings

Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 26, no. 157.
Sat
31
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note

“Chicago Notes: S. D. Childs,” Geyer’s Stationer 73, 1839

“Chicago Notes: S. D. Childs,” Geyer’s Stationer 73, 1839 (1922), p. 27.
Sat
31
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“Chicago Art Institute Color Prints,” Social Progress 4, 2

“Chicago Art Institute Color Prints,” Social Progress 4, 2 (1920), no pag. no; reprinted Social Progress 4, 12 (1920); Social Progress 5, 2 (1921).
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31
Jan
note

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 26, no. 157.
Sat
31
Jan
note

“Give Help to Belgium,” American Artisan and Hardware Record 74, 23

“Give Help to Belgium,” American Artisan and Hardware Record 74, 23 (1917), p. 15.
Sat
31
Jan
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Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 121, no. 157.
Sat
31
Jan
note

Charles Field Haseltine (died 1915), Philadelphia, by 1883 [lent to Chicago 1883]....

Charles Field Haseltine (died 1915), Philadelphia, by 1883 [lent to Chicago 1883]. Albert A. Munger (died 1898), Chicago, by 1890 [this and the following according to Monroe 1892]
Sat
31
Jan
note

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Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 121, no. 157.
Sat
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Jan
note

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 117, no. 157.
Sat
31
Jan
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Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 174, no. 157.
Sat
31
Jan
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Art Institute of Chicago, The Collections Illustrated, with a Historical Sketch and Description of the Museum

Art Institute of Chicago, The Collections Illustrated, with a Historical Sketch and Description of the Museum (Chicago: Art Institute of Chicago, 1910), p. 23.
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Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 183, no. 157.
Sat
31
Jan
note

William M. R. French, “The Field of Art: The Chicago Art Institute Collection of Paintings,” Scribner’s Magazine 40, 2

William M. R. French, “The Field of Art: The Chicago Art Institute Collection of Paintings,” Scribner’s Magazine 40, 2 (1906), pp. 383–84.
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31
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“The Inaugural Loan Exhibition: Albright Art Gallery,” Academy Notes 1, 1

“The Inaugural Loan Exhibition: Albright Art Gallery,” Academy Notes 1, 1 (1906), p. 18.
Sat
31
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Buffalo, New York, Buffalo Fine Arts Academy, Albright Art Gallery, The Inaugural Loan Exhibition, May 31–July 1, 1905, cat. 44.

Buffalo, New York, Buffalo Fine Arts Academy, Albright Art Gallery, The Inaugural Loan Exhibition, May 31–July 1, 1905, cat. 44.
Sat
31
Jan
note

Florence N. Levy, “Art in America,” Burlington Magazine 7, 29

Florence N. Levy, “Art in America,” Burlington Magazine 7, 29 (1905), p. 399.
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Jan
note

Anna Maria Damigella in Silvia Cassani and Paola Rivazio, Francesco Paolo Michetti: dipiniti, pastelli, disegni, exh. cat.

Anna Maria Damigella in Silvia Cassani and Paola Rivazio, Francesco Paolo Michetti: dipiniti, pastelli, disegni, exh. cat. (Rome: Palazzo di Venezia, 1999), p. 198, under no. 23.
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31
Jan
note

Marc Simpson, Uncanny Spectacle: The Public Career of the Young John Singer Sargent, exh. cat.

Marc Simpson, Uncanny Spectacle: The Public Career of the Young John Singer Sargent, exh. cat. (Williamstown, Massachusetts: Sterling and Francine Clark Institute, 1997), p. 90, under no. 8.
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31
Jan
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Art Institute of Chicago, Art at the Time of the Centennial, June 19–August 8, 1976, no cat.

Art Institute of Chicago, Art at the Time of the Centennial, June 19–August 8, 1976, no cat.
Mon
31
Jan
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A. M. Comanducci, Dizionario illustrato: dei pittori Disegnatori e incisori italiani, moderni e contemporanei, 4th ed., vol. 3

A. M. Comanducci, Dizionario illustrato: dei pittori Disegnatori e incisori italiani, moderni e contemporanei, 4th ed., vol. 3 (Milano: Luigi Patuzzi Editore, 1972), p. 2014.
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Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 311.
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