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oil paint (paint)73 × 60 Cm
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About the artwork
Artist supplied description.
After a period of experimentation with the Neo-Impressionist style developed by Georges Seurat, Camille Pissarro returned to the loose, multidirectional brushstrokes that he had used in his earlier Impressionist works. He also revisited an Impressionist subject that his colleagues had all but abandoned by the 1890s—the modern city. This bustling scene, alive with the noise and movement of traffic and pedestrians, was the view from his window at the Hôtel Garnier in Paris, where he stayed for a few weeks early in 1893. The building at the left edge of the canvas is the Gare Saint-Lazare.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 73 × 60 Cm |
| Tags | urban lifewomenpeopleParismenlightshorseshorseFrancecity scenescitiescarriagebuildingsbuildinganimalstransportation |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
note
Galerie Durand-Ruel, Exposition Camille Pissarro: Tableaux, Aquarelles, Pastels, Gouaches: Catalogue, exh. cat.
Galerie Durand-Ruel, Exposition Camille Pissarro: Tableaux, Aquarelles, Pastels, Gouaches: Catalogue, exh. cat. (Durand-Ruel, 1894), p. 3, cat. 8.
Tue
27
Jan
exhibition
Paris, Galerie Durand-Ruel, Exposition Camille Pissarro: Tableaux, Aquarelles, Pastels, Gouaches, Mar. 3–21, 1894, cat. 8, as Cour du Havre.
Paris, Galerie Durand-Ruel, Exposition Camille Pissarro: Tableaux, Aquarelles, Pastels, Gouaches, Mar. 3–21, 1894, cat. 8, as Cour du Havre.
Tue
27
Jan
note
by descent to the Potter family, Chicago
by descent to the Potter family, Chicago
Tue
27
Jan
note
Galeries Durand-Ruel, Exposition d’oeuvres récentes de Camille Pissarro, exh. cat.
Galeries Durand-Ruel, Exposition d’oeuvres récentes de Camille Pissarro, exh. cat. (Durand-Ruel, 1893), cat. 40.
Tue
27
Jan
exhibition
Paris, Galerie Durand-Ruel, Exposition d’oeuvres récentes de Camille Pissarro, Mar. 15–30, 1893, cat. 40, as la Place du Havre, 1893.
Paris, Galerie Durand-Ruel, Exposition d’oeuvres récentes de Camille Pissarro, Mar. 15–30, 1893, cat. 40, as la Place du Havre, 1893.
Tue
27
Jan
note
“Cat. 13: The Place du Havre, Paris, 1893,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby
“Cat. 13: The Place du Havre, Paris, 1893,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
Tue
27
Jan
note
Joachim Pissarro, “Monet/Pissarro in the 1890s: Serial Racing,” in Richard R. Brettell, Joachim Pissarro, and Guillermo Solana, Pissarro, trans. Michael Agnew, exh. cat.
Joachim Pissarro, “Monet/Pissarro in the 1890s: Serial Racing,” in Richard R. Brettell, Joachim Pissarro, and Guillermo Solana, Pissarro, trans. Michael Agnew, exh. cat. (Museo Thyssen-Bornemisza, 2013), pp. 44, cat 62 (ill.); 45.
Tue
27
Jan
exhibition
Madrid, Museo Thyssen-Bornemisza, Pissarro, June 4–Sept. 15, 2013, cat. 62 (ill.); Barcelona, Obra Social ‘la Caixa, ’ CaixaForum, Oct. 15, 2013–Jan. 26, 2014.
Madrid, Museo Thyssen-Bornemisza, Pissarro, June 4–Sept. 15, 2013, cat. 62 (ill.); Barcelona, Obra Social ‘la Caixa,’ CaixaForum, Oct. 15, 2013–Jan. 26, 2014.
Tue
27
Jan
note
Richard R. Brettell, Joachim Pissarro, and Guillermo Solana, Pissarro, trans. Michael Agnew, exh. cat.
Richard R. Brettell, Joachim Pissarro, and Guillermo Solana, Pissarro, trans. Michael Agnew, exh. cat. (Museo Thyssen-Bornemisza, 2013), pp. 162–63, cat 62 (ill.).
Tue
27
Jan
note
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes (Découvertes Gallimard/Réunion des Musées Nationaux Arts, 2012), pp. 84 (ill.), 124.
Tue
27
Jan
exhibition
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 45 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 45 (ill.).
Tue
27
Jan
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 102–103, cat. 45 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 102–03, cat. 45 (ill.); and pp. 112–13, cat. 54 (ill.).
Tue
27
Jan
note
Eleanor Dwight, ed., The Letters of Pauline Palmer: A Great Lady of Chicago’s First Family
Eleanor Dwight, ed., The Letters of Pauline Palmer: A Great Lady of Chicago’s First Family (M. T. Train/Scala, 2005), pp. 294 (ill.), 302.
Tue
27
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Tayl...
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 363, 364, 378, 388, 405, 406, 408, 409, 415.
Tue
27
Jan
note
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings...
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 240.
Tue
27
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Tayl...
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 640; 642, cat. 986 (ill.); 727.
Tue
27
Jan
note
Satoshi Hagishima, Toshi fukeiga o yomu: 19–seiki Yoroppa inshoha no toshi keikan
Satoshi Hagishima, Toshi fukeiga o yomu: 19–seiki Yoroppa inshoha no toshi keikan (Kyushu Daigaku Shuppankai, 2002), pp. 108; 109, fig. 3.17.
Tue
27
Jan
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 142 (ill.).
Tue
27
Jan
exhibition
University of Chicago, Lexington Hall, Mar. 4–15, 1957, no cat.
University of Chicago, Lexington Hall, Mar. 4–15, 1957, no cat.
Tue
27
Jan
exhibition
Park Forest (Ill.) Art Center, Mar. 25–Apr. 22, 1956, no cat.
Park Forest (Ill.) Art Center, Mar. 25–Apr. 22, 1956, no cat.
Tue
27
Jan
note
Ralph T. Coe, “Camille Pissarro in Paris: A Study of His Later Development,” Gazette des beaux-arts 6, 43
Ralph T. Coe, “Camille Pissarro in Paris: A Study of His Later Development,” Gazette des beaux-arts 6, 43 (Feb. 1954), pp. 95; 97, fig. 2; 101.
Tue
27
Jan
exhibition
Chicago, College of Jewish Studies, Loan Exhibition, Jan. 12–Feb. 2, 1953.
Chicago, College of Jewish Studies, Loan Exhibition, Jan. 12–Feb. 2, 1953.
Tue
27
Jan
exhibition
Montreal Museum of Fine Arts, So This Is Paris: Exhibition of Paintings (Voici Paris: Exposition de tableaux), Oct. 4–29, 1950, cat. 35.
Montreal Museum of Fine Arts, So This Is Paris: Exhibition of Paintings (Voici Paris: Exposition de tableaux), Oct. 4–29, 1950, cat. 35.
Tue
27
Jan
note
Montreal Museum of Fine Arts, So This Is Paris: Exhibition of Paintings
Montreal Museum of Fine Arts, So This Is Paris: Exhibition of Paintings (Voici Paris: Exposition de tableaux), exh. cat. (Montreal Museum of Fine Arts, 1950), cat. 35.
Wed
27
Jan
note
Charlotte Gere and Marina Vaizey, Great Woman Collectors
Charlotte Gere and Marina Vaizey, Great Woman Collectors (Philip Wilson/Abrams, 1999), p. 133.
Sat
27
Jan
note
Martha Ward, Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
Martha Ward, Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde (University of Chicago Press, 1996), pp. 257, fig. 11.9; 258.
Mon
27
Jan
note
Janine Bailly-Herzberg, Pissarro et Paris
Janine Bailly-Herzberg, Pissarro et Paris (Flammarion, 1992), pp. 18, 48–49 (ill.).
Mon
27
Jan
note
Richard R. Brettell, “Camille Pissarro and Urban View Painting: An Introduction,” in Richard R. Brettell and Joachim Pissarro, The Impressionists and the City: Pissarro’s Series Paintings, ed. MaryAnne Stevens, exh. cat.
Richard R. Brettell, “Camille Pissarro and Urban View Painting: An Introduction,” in Richard R. Brettell and Joachim Pissarro, The Impressionists and the City: Pissarro’s Series Paintings, ed. MaryAnne Stevens, exh. cat. (Royal Academy of Arts, 1992), pp. xxii–xxiii (detail).
Mon
27
Jan
exhibition
Dallas Museum of Art, The Impressionists and the City: Pissarro’s Series Paintings, November 15, 1992–January 31, 1993, cat. 38 (ill.); Philadelphia Museum of Art, March 7–June 6, 1993; London, Royal Academy of Arts, July 2–October 10...
Dallas Museum of Art, The Impressionists and the City: Pissarro’s Series Paintings, November 15, 1992–January 31, 1993, cat. 38 (ill.); Philadelphia Museum of Art, March 7–June 6, 1993; London, Royal Academy of Arts, July 2–October 10, 1993.
Mon
27
Jan
note
Richard R. Brettell and Joachim Pissarro, The Impressionists and the City: Pissarro’s Series Paintings, ed. MaryAnne Stevens, exh. cat.
Richard R. Brettell and Joachim Pissarro, The Impressionists and the City: Pissarro’s Series Paintings, ed. MaryAnne Stevens, exh. cat. (Royal Academy of Arts, 1992), p. 55, cat. 38 (ill.).
Fri
27
Jan
exhibition
Art Institute of Chicago, Tour de France: Paintings, Photographs, Prints, and Drawings from the Collection of the Art Institute of Chicago, Dec. 9, 1989–Mar. 4, 1990, no cat. no. (ill.).
Art Institute of Chicago, Tour de France: Paintings, Photographs, Prints, and Drawings from the Collection of the Art Institute of Chicago, Dec. 9, 1989–Mar. 4, 1990, no cat. no. (ill.).
Fri
27
Jan
note
Gloria Groom and J. Russell Harris, Tour de France: Paintings, Photographs, Prints, and Drawings from the Collection of the Art Institute of Chicago, exh. cat.
Gloria Groom and J. Russell Harris, Tour de France: Paintings, Photographs, Prints, and Drawings from the Collection of the Art Institute of Chicago, exh. cat. (Art Institute of Chicago, 1989), fig. 2.
Wed
27
Jan
note
Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. 3, 1891–1894
Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. 3, 1891–1894 (Valhermeil, 1988), pp. 312 (letter 872); 317 (letter 879); 315, n. 2.
Tue
27
Jan
note
Richard R. Brettell, French Impressionists
Richard R. Brettell, French Impressionists (Art Institute of Chicago/Abrams, 1987), pp. 110–111 (detail), 112, 113 (ill.), 118.
Mon
27
Jan
note
Kathleen Adler, “Camille Pissarro: City and Country in the 1890s,” in Christopher Lloyd, ed., Studies on Camille Pissarro
Kathleen Adler, “Camille Pissarro: City and Country in the 1890s,” in Christopher Lloyd, ed., Studies on Camille Pissarro (Routledge & Kegan Paul, 1986), p. 113, n. 1.
Sun
27
Jan
note
Sylvie Gache-Patin, “Le paysage urbain,” in Réunion des Musées Nationaux, L’impressionnisme et le paysage français, exh. cat.
Sylvie Gache-Patin, “Le paysage urbain,” in Réunion des Musées Nationaux, L’impressionnisme et le paysage français, exh. cat. (Réunion des Musées Nationaux, 1985), pp. 202–03, no. 73 (ill.); 204.
Sun
27
Jan
note
Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue,...
Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 123, cat. 62 (ill.); 160, cat. 62 (ill.).
Sun
27
Jan
exhibition
Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 62 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2...
Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 62 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.
Fri
27
Jan
note
Andrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat.
Andrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles County Museum of Art, 1984), p. 366.
Fri
27
Jan
note
Sylvie Gache-Patin, “The Urban Landscape,” in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat.
Sylvie Gache-Patin, “The Urban Landscape,” in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 128; 129, no. 34 (ill.).
Fri
27
Jan
exhibition
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 34 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris...
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 34 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, as L’impressionnisme et le paysage français, Feb. 4–Apr. 22, 1985, cat. 73 (ill.).
Wed
27
Jan
note
Christopher Lloyd, “Camille Pissarro: Towards a Reassessment,” Art International 25, 1–2
Christopher Lloyd, “Camille Pissarro: Towards a Reassessment,” Art International 25, 1–2 (Jan. 1982), p. 62 (ill.).
Tue
27
Jan
note
Christopher Lloyd, Camille Pissarro
Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), p. 122 (ill.).
Sun
27
Jan
exhibition
London, Hayward Gallery, Pissarro: Camille Pissarro 1830–1903, Oct. 30, 1980–Jan. 11, 1981, cat. 73 (ill.); Paris, Galeries Nationales du Grand Palais, Jan. 30–Apr. 27, 1981; Museum of Fine Arts, Boston, May 19–Aug. 9, 1981.
London, Hayward Gallery, Pissarro: Camille Pissarro 1830–1903, Oct. 30, 1980–Jan. 11, 1981, cat. 73 (ill.); Paris, Galeries Nationales du Grand Palais, Jan. 30–Apr. 27, 1981; Museum of Fine Arts, Boston, May 19–Aug. 9, 1981.
Sun
27
Jan
note
Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. cat.
Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. cat. (Musée Toulouse-Lautrec, 1980), pp. 16, no. 25 (ill.); 68.
Sun
27
Jan
exhibition
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 25 (ill.).
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 25 (ill.).
Sat
27
Jan
note
Art Institute of Chicago, “Lecturer’s Choice,” Bulletin of the Art Institute of Chicago 67, 4
Art Institute of Chicago, “Lecturer’s Choice,” Bulletin of the Art Institute of Chicago 67, 4 (July–Aug. 1973), p. 11.
Tue
27
Jan
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (Abrams, 1970), pp. 98 (ill.), 285.
Tue
27
Jan
note
Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32
Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), pp. 115 (ill.), 176–77.
Fri
27
Jan
note
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 359.
© Artist-Unknown. All rights reserved.