0 likesNot savedShare from mobile app
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 85 × 115 Cm |
| Tags | portraits: male subjectwealthportraitsportraitmanluxuryblack (color)Century of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
26
Jan
note
Max J. Friedländer, in Ausstellung von Kunstwerken des Mittelalters und Renaissance aus Berliner Privatbesitz, ed. Wilhelm Bode, Berlin, 1899, p. 26.
Max J. Friedländer, in Ausstellung von Kunstwerken des Mittelalters und Renaissance aus Berliner Privatbesitz, ed. Wilhelm Bode, Berlin, 1899, p. 26.
Mon
26
Jan
exhibition
Berlin, Kunstgeschichtlicher Gesellschaft, Kunstwerken des Mittelalters
Berlin, Kunstgeschichtlicher Gesellschaft, Kunstwerken des Mittelalters
Mon
26
Jan
note
p. 191.
p. 191.
Mon
26
Jan
exhibition
und der Renaissance aus Berliner Privatbesitz, 1898.
und der Renaissance aus Berliner Privatbesitz, 1898.
Mon
26
Jan
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 264-67, ill.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 264-67, ill.
Mon
26
Jan
exhibition
Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Seventh Anniversary Exhibition of German, Flemish, and Dutch Painting, 1940–41, no. 43.
Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Seventh Anniversary Exhibition of German, Flemish, and Dutch Painting, 1940–41, no. 43.
Mon
26
Jan
note
Simone Bergmans, “Le Triptyque de Viglius d’Aytta de François Pourbus,” Revue belge 9
Simone Bergmans, “Le Triptyque de Viglius d’Aytta de François Pourbus,” Revue belge 9 (1939), p. 219.
Mon
26
Jan
note
Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 174, no. 389, pl. 73; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 104, no. 389, pl. 189.
Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 174, no. 389, pl. 73; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 104, no. 389, pl. 189.
Mon
26
Jan
note
The Art Institute of Chicago, A Brief Illustrated Guide to the Collections, 1935, p. 23.
The Art Institute of Chicago, A Brief Illustrated Guide to the Collections, 1935, p. 23.
Mon
26
Jan
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 127.
Art Institute of Chicago, A Century of Progress, 1934, no. 127.
Mon
26
Jan
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 53.
Art Institute of Chicago, A Century of Progress, 1933, no. 53.
Mon
26
Jan
note
“A Moro Noble Comes to Abide in Chicago,” Art Digest 6, 12
“A Moro Noble Comes to Abide in Chicago,” Art Digest 6, 12 (1932), p. 10 (ill.).
Mon
26
Jan
note
D[aniel] C[atton] Rich, “A Portrait by Antonio Moro,” Bulletin of the Art Institute of Chicago 26
D[aniel] C[atton] Rich, “A Portrait by Antonio Moro,” Bulletin of the Art Institute of Chicago 26 (1932), pp. 14–15 (cover ill.).
Mon
26
Jan
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, pp. 14
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, pp. 14 (ill.), 164.
Mon
26
Jan
note
sold to the Art Institute, 1931.
sold to the Art Institute, 1931.
Mon
26
Jan
note
Art Institute of Chicago Annual Report, 1930, p. 18
Art Institute of Chicago Annual Report, 1930, p. 18 (ill.).
Mon
26
Jan
note
photograph annotated by Max J....
photograph annotated by Max J. Friedländer, R.K.D., The Hague, suggests that von der Heydt sold the picture in 1919]. Duveen, 1920.3 Kleinberger, Paris and New York, by 1927 [Friedländer 1936]
Mon
26
Jan
note
Karl von der Heydt, Berlin, by 1898 and probably until 1919 [lent by him to the Berlin 1898 and Düsseldorf 1904
Karl von der Heydt, Berlin, by 1898 and probably until 1919 [lent by him to the Berlin 1898 and Düsseldorf 1904
Mon
26
Jan
note
Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, p. 164.
Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, p. 164.
Mon
26
Jan
exhibition
Düsseldorf, Kunsthistorische Ausstellung, 1904, no. 208.
Düsseldorf, Kunsthistorische Ausstellung, 1904, no. 208.
Fri
26
Jan
note
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, p. 589.
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, p. 589.
Thu
26
Jan
note
Simone Bergmans, “Deux Oeuvres retrouvées de François Pourbus l’Ancien,” Revue belge d’archéologie et d’histoire de l’art 36
Simone Bergmans, “Deux Oeuvres retrouvées de François Pourbus l’Ancien,” Revue belge d’archéologie et d’histoire de l’art 36 (1967), p. 11.
Tue
26
Jan
note
Paul Philippot, “Le Portrait à Anvers dans la seconde moitié du XVI siècle,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 14
Paul Philippot, “Le Portrait à Anvers dans la seconde moitié du XVI siècle,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 14 (1965),
Thu
26
Jan
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 338–39.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 338–39.
© Artist-Unknown. All rights reserved.