The Fisherman's Family

Paris, Durand-Ruel Galleries, Exposition de tableaux, esquisses et dessins de Puvis de Chavannes, June–July, 1899, no. 11.

Bernheim-Jeune, Paris

Aimée Brown Price, Pierre Puvis de Chavannes (New Haven: Yale University Press, 2010), vol. 1, pl. 168; vol. 2, pp. 304–05, cat. 327.

Anne Baldassari, “From Puvis de Chavannes to Picasso, ‘To Turn Abstraction into the Forge of Signs’,” in Serge Lemoine, ed., Toward Modern Art: From Puvis Chavannes to Matisse and Picasso, exh. cat. (Venice: Palazzo Grassi, 2002), pp. 146, 148, 150, figs. 1, 7.

Toledo Museum of Art, The Spirit of Modern France: An Essay on Painting in Society, 1745–1956, November–December 1946, cat. 36; travelled to Art Gallery of Toronto, January–February, 1947.

Arts Club of Chicago, Origins of Modern Art, April 2–30, 1940, cat. 37.

Springfield, Massachusetts, Springfield Museum of Fine Arts, From David to Cezanne: Paintings and Drawings, February 9–March 10, 1935, cat. 32.

Art Institute of Chicago, Century of Progress, June 1–November 1, 1934, cat. 199E.

Art Institute of Chicago, Century of Progress, June 1–November 1, 1933, cat. 273.

Hartford, Connecticut, Wadsworth Atheneum, An Exhibition of Literature and Poetry in Painting since 1850, January 24–February 14, 1933, cat. 55.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), pp. 51 (ill.), 53, 167.

Frank Jewett Mather, Jr., Modern Painting (New York: Henry Holt and Company, 1927), frontispiece.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), pp. 55 (ill.), 57, 149, no. 346.

L. C., “Studies for the Childhood of St. Genevieve, Puvis de Chavannes,” Bulletin of the Art Institute of Chicago 18, 1 (1924), pp. 117, 119, 120 (ill.).

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 38, no. 346.

Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 38, no. 346.

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 37, no. 346.

Art Institute of Chicago, Forty-First Annual Report (Chicago: Art Institute of Chicago, 1919), p. 50 (ill.).

Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 142, no. 346.

given to the Art Institute, 1915.

“Notes,” Bulletin of the Art Institute of Chicago 9, 5 (1915), p. 71, cover ill.

“Accessions to the Museum,” Bulletin of the Art Institute of Chicago 9, 6 (1915), p. 90.

London, Grosvenor House, Bernheim-Jeune, Art français: Exposition d’art décoratif contemporain, 1800–1885, 1914, cat. 60.

T. Martin Wood, “The Grosvenor House Exhibition of French Art,” The Studio 54, 213 (1914), pp. 10 (ill.), 11.

sold to Martin A. Ryerson, Chicago, February 25, 1914 [see receipt of sale, copy in curatorial file]

“Les grandes ventes: La première vacation de la collection Aynard,” Gil Blas (December 2, 1913), p. 3.

“Paris Letter: Paris, Dec. 10, 1913,” American Art News 12, 2 (1913), p. 8.

his estate sale, Galerie Georges Petit, Paris, December 1, 1913, no. 12 for 40,000 francs to Bernheim-Jeune [price and buyer according to Gil Blas 1913]

“Puvis de Chavannes: Pictures in Private Possession,” in Masters in Art, vol. 3 (Boston: Bates & Build Company, 1903), p. 419.

Richard R. Brettell, French Salon Artists, 1800–1900 (New York: H. N. Abrams, 1987), pp. 113, 115 (ill.), 119.

Aimée Brown Price, Pierre Puvis de Chavannes, exh. cat. (Amsterdam: Van Gogh Museum, 1994), pp. 18, 47, fig. 24.

Jules Laforgue, “Pierre Puvis de Chavannes (1886),” in Henri Dorra, ed., Symbolist Art Theories (Berkeley: University of California Press, 1994), p. 41, fig. 8.

Namiko Sasaki, “Puvis de Chavannes: The Role He Took On,” in Judith A. Barter, et. al. Masterworks of Modern Art from The Art Institute of Chicago, exh. cat. (Nagaoka, Niigata Prefectural Museum of Modern Art, 1994), p. 192; English translation, p. 205.

Nagaoka, Niigata Prefectural Museum of Modern Art, Masterworks of Modern Art from The Art Institute of Chicago, April 20–May 29, 1994, cat. 12; traveled to Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; and Yokohama Museum of Art, August 6–September 25, 1994.

William H. Robinson, “Puvis de Chavannes’s ‘Summer’ and the Symbolist Avant-Garde,” Bulletin of the Cleveland Museum of Art 78, 1 (1991), p. 16, fig. 17.

Musée historique des Tissus, Edouard Aynard: le fondateur du musée, exh. cat. (Lyon: Musée historique des Tissus, 1990), pp. 39–40.

Tokyo, Seibu Museum of Art, Shikago Bijutsukan Insho-ha ten (The Impressionist Tradition: Masterpieces from the Art Institute of Chicago), October 18–December 17, 1985, no. 50; Fukuoka Art Museum, January 5–February 2, 1986; Kyoto Municipal Museum of Art, March 4–April 13, 1986.

Brian Petrie, “Puvis de Chavannes in Paris,” Burlington Magazine 119, 887 (1977), pp. 137, 140, fig. 93.

Dirk Kocks, “Paris: Grand Palais: Ausstellung: Pierre Puvis de Chavannes oder der humanistische Traum von Arkadien,” Pantheon 35, 2 (1977), p. 165 (ill.).

Paris, Grand Palais, Puvis de Chavannes: 1824–1898, November 26, 1976–February 14, 1977, cat. 108; travelled to Ottawa, National Gallery of Canada, March 25–May 8, 1977.

Harold Joachim, Dessins français de l’Art Institute de Chicago de Watteau à Picasso, exh. cat. (Paris: Musée du Louvre, 1976), under no. 49.

Aimée Brown Price, “Puvis de Chavannes: A Study of the Easel Paintings and A Catalogue of the Painted Works,” (Ph.D. diss., Yale University, 1972), pp. 554–55.

Toronto, Art Gallery of Ontario, The Sacred and Profane in Symbolist Art, November 1–26, 1969, no cat. no.

John H. Neff, “Puvis de Chavannes: Three Easel Paintings,” Art Institute of Chicago Museum Studies 4 (1969), pp. 68, 73–75, 77, 83 ns. 24, 26, 29, 32; fig. 8.

Miami Art Center, The Artist and the Sea, March 21–April 18, 1969, cat. 31.

Minneapolis Institute of Arts, The Nabis and Their Circle, November 14–December 30, 1962, no cat. no.

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 362.

“Art,” Chicago Daily Tribune (November 6, 1898), p. 33.