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oil paint (paint)24 × 17 Cm
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About the artwork
Artist supplied description.
Sanford Robinson Gifford was a key figure of the Hudson River School, the group of landscape painters that flourished in the New York region in the mid-19th century. The Catskill Mountains were an important subject for Gifford, who made drawings and oil sketches like this one during excursions in the area; such works often served as source material for larger compositions produced later in his studio. Mist Rising at Sunset in the Catskills is a swift, freely rendered depiction of evanescent mist above a pond and brilliantly illuminated clouds amid a low sun. Two men attending a boat on the shore give the mountainous scene a sense of grandeur despite the painting’s small dimensions.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 24 × 17 Cm |
| Tags | landscapes |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
29
Jan
note
sold to Jamee J....
sold to Jamee J. and Marshall Field, Chicago
Thu
29
Jan
note
John F. Weir, <em>A Memorial Catalogue of the Paintings of Sanford Robinson Gifford, N.A.</em>,
John F. Weir, A Memorial Catalogue of the Paintings of Sanford Robinson Gifford, N.A., (New York: Metropolitan Museum of Art, 1881), 21, cat. 191.
Thu
29
Jan
exhibition
New York, Metropolitan Museum of Art, <em>Hudson River School Visions: The Landscapes of Sanford R. Gifford</em>, Oct. 7, 2003–Feb. 8, 2004, cat.; Fort Worth, Amon Carter Museum, Mar. 4–May 16, 2004; Washington, DC...
New York, Metropolitan Museum of Art, Hudson River School Visions: The Landscapes of Sanford R. Gifford, Oct. 7, 2003–Feb. 8, 2004, cat.; Fort Worth, Amon Carter Museum, Mar. 4–May 16, 2004; Washington, DC, National Gallery of Art, June 27–Sept. 26, 2004.
Thu
29
Jan
exhibition
London, Tate Gallery, American Sublime, Feb. 20–May 19, 2002; Munich, Haus der Kunst, June 13–Sept. 1, 2002, Minneapolis, Institute of Fine Arts, Sept. 22–Nov. 17, 2002.
London, Tate Gallery, American Sublime, Feb. 20–May 19, 2002; Munich, Haus der Kunst, June 13–Sept. 1, 2002, Minneapolis, Institute of Fine Arts, Sept. 22–Nov. 17, 2002.
Thu
29
Jan
note
Angela Miller, “Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the Civil War Era,” <em>Art Institute of Chicago Museum Studies</em> 27, no. 1
Angela Miller, “Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the Civil War Era,” Art Institute of Chicago Museum Studies 27, no. 1 (2001): 40–59, fig. 3 (ill.).
Thu
29
Jan
exhibition
Dallas Museum of Art, <em>'That Earlier, Wilder Image': Sketches by American Landscape Painters, 1830–1880</em>, June 14–Sept. 13, 1998, cat.; Washington, DC, Corcoran Gallery of Art, Oct. 11, 1998–Jan. 10, 1999; Williamstown, MA...
Dallas Museum of Art, 'That Earlier, Wilder Image': Sketches by American Landscape Painters, 1830–1880, June 14–Sept. 13, 1998, cat.; Washington, DC, Corcoran Gallery of Art, Oct. 11, 1998–Jan. 10, 1999; Williamstown, MA, Sterling and Francine Clark Art Institute, Feb. 6–May 9, 1999.
Fri
29
Jan
note
given by them to the Art Institute of Chicago, 1988.
given by them to the Art Institute of Chicago, 1988.
Wed
29
Jan
exhibition
New York, Alexander Gallery, <em>Sanford R. Gifford</em>, Mar. 20–Apr. 19, 1986, cat. 11, (ill.)
New York, Alexander Gallery, Sanford R. Gifford, Mar. 20–Apr. 19, 1986, cat. 11, (ill.)
Wed
29
Jan
note
Estate of the artist....
Estate of the artist. Alexander Gallery, New York, by 1986
© Artist-Unknown. All rights reserved.
