0 likesNot savedShare from mobile app
Artwork metadata
Structured fields synced from connected systems.
| Medium | panel (wood) |
| Dimensions | 28 × 40 Cm |
| Tags | portraits: male subjectGermanyflowersgreen (color)hatjewelryluxurymanportraitportraitswealth |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
07
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2006, pp. 329-330, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2006, pp. 329-330, ill.
Sat
07
Feb
note
Gerd Brinkus and Claudine Pachnicke, eds., Leonhart Fuchs
Gerd Brinkus and Claudine Pachnicke, eds., Leonhart Fuchs (1501–1566): Mediziner und Botaniker, exh. cat., Stadtmuseum Tübingen, 2001, p. 138 (ill.).
Sat
07
Feb
note
R. Rau, “Zur Lebensgeschichte des Dr. Leonhard Fuchs und seiner Familie,” Tübinger Blätter 38
R. Rau, “Zur Lebensgeschichte des Dr. Leonhard Fuchs und seiner Familie,” Tübinger Blätter 38 (1951), p. 45 (ill.).
Sat
07
Feb
note
Werner Fleischhauer, “Ein Jugendbildnis von Leonhard Fuchs,” Heimatkundliche Blätter für den Kreis Tübingen
Werner Fleischhauer, “Ein Jugendbildnis von Leonhard Fuchs,” Heimatkundliche Blätter für den Kreis Tübingen (Oct. 1950), n.pag. (ill.).
Sat
07
Feb
note
given to the AIC, 1947.
given to the AIC, 1947.
Sat
07
Feb
note
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, p. 41, no. 37.
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, p. 41, no. 37.
Sat
07
Feb
note
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 65, no. 270.
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 65, no. 270.
Sat
07
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1931, p. 192, no. 1098.28.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1931, p. 192, no. 1098.28.
Sat
07
Feb
note
Frank E. Washburn Freund, “Ausstellung altdeutscher Malerei in den F. Kleinberger Galleries zu New York,” Belvedere 8
Frank E. Washburn Freund, “Ausstellung altdeutscher Malerei in den F. Kleinberger Galleries zu New York,” Belvedere 8 (1929), p. 285.
Sat
07
Feb
note
sold to Charles H....
sold to Charles H. Worcester, Chicago, 1928 [lent by him to New York 1928]
Sat
07
Feb
note
“Early German Exhibition at Kleinberger’s,” Art News 27, 6
“Early German Exhibition at Kleinberger’s,” Art News 27, 6 (1928), p. 5.
Sat
07
Feb
exhibition
New York, Kleinberger, Loan Exhibition of German Primitives for the Benefit of the American Red Cross, 1928, no. 43, as Hans Maler zu Schwaz, Portrait of a Courtier of the Welser Family.
New York, Kleinberger, Loan Exhibition of German Primitives for the Benefit of the American Red Cross, 1928, no. 43, as Hans Maler zu Schwaz, Portrait of a Courtier of the Welser Family.
Sat
07
Feb
note
Baron Eugen von Kohner, Budapest [information supplied by Heinemann in a note of November 27, 1928 in curatorial file]....
Baron Eugen von Kohner, Budapest [information supplied by Heinemann in a note of November 27, 1928 in curatorial file].Galerie Heinemann, Mu-nich, by 1928
Sat
07
Feb
exhibition
Art Institute of Chicago, Loan Exhibition of Old Masters, 1928–29, as Hans Maler zu Schwaz (no cat.).
Art Institute of Chicago, Loan Exhibition of Old Masters, 1928–29, as Hans Maler zu Schwaz (no cat.).
Sun
07
Feb
note
Frederick G. Meyer, Emily Emmart Trueblood, and John L. Heller, The Great Herbal of Leonhart Fuchs: “De historia stirpium commentarii in-signes, 1542,” vol. 1, Stanford, 1999, pp. 51, 821 n. 29, 829 n. 19, fig. 4, frontispiece.
Frederick G. Meyer, Emily Emmart Trueblood, and John L. Heller, The Great Herbal of Leonhart Fuchs: “De historia stirpium commentarii in-signes, 1542,” vol. 1, Stanford, 1999, pp. 51, 821 n. 29, 829 n. 19, fig. 4, frontispiece.
Wed
07
Feb
note
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert, Berlin, 1990, pp. 24, 88, 109, 112, 206, no. 107, figs. 489–90.
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert, Berlin, 1990, pp. 24, 88, 109, 112, 206, no. 107, figs. 489–90.
Fri
07
Feb
note
M[onika] Ko[pplin], in Die Renaissance im deutschen Süd-westen zwischen Reformation und Dreißigjährigem Krieg, exh. cat., Heidelberger Schloss, 1986, p. 181, under no. C 14.
M[onika] Ko[pplin], in Die Renaissance im deutschen Süd-westen zwischen Reformation und Dreißigjährigem Krieg, exh. cat., Heidelberger Schloss, 1986, p. 181, under no. C 14.
Sun
07
Feb
note
Werner Fleischhau-er, Renaissance im Herzogtum Württemberg, Stuttgart, 1971, p. 156.
Werner Fleischhau-er, Renaissance im Herzogtum Württemberg, Stuttgart, 1971, p. 156.
Wed
07
Feb
note
Werner Fleischhauer, “Ein unbekanntes Bild-nis der Tübinger Botaniker Fuchs—vermutlich von Jörg Ziegler,” Tübinger Forschungen 7
Werner Fleischhauer, “Ein unbekanntes Bild-nis der Tübinger Botaniker Fuchs—vermutlich von Jörg Ziegler,” Tübinger Forschungen 7 (Apr. 5, 1962), n.pag.
Tue
07
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 176.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 176.
© Artist-Unknown. All rights reserved.