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oil paint (paint)100 × 130 Cm
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About the artwork
Artist supplied description.
A native of Genoa, Bernardo Strozzi was largely a self-trained artist. His style was formed by absorbing the rich textures of Peter Paul Rubens and the dramatic lighting employed by followers of Caravaggio who passed through Genoa. Strozzi eventually settled in Venice in 1630 or 1631; this painting was probably commissioned there by a member of the Sagredo family to commemorate their saintly forebear Gerardo Sagredo, a Benedictine monk who became Bishop of Csanád, a region straddling present-day Hungary, Romania, and Serbia.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 100 × 130 Cm |
| Tags | saintsvestmentsreligionmanportraitsportraitChristianityChristian subjects |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
01
Feb
note
Possibly commissioned by Niccolò Sagredo (d....
Possibly commissioned by Niccolò Sagredo (d. 1685), 1633
Sun
01
Feb
exhibition
Manchester, Art Treasures Exhibition, 1857, no. 364, as Giovanni Lanfranco, A Bishop.
Manchester, Art Treasures Exhibition, 1857, no. 364, as Giovanni Lanfranco, A Bishop.
Sun
01
Feb
note
Art Institute of Chicago Quarterly
Art Institute of Chicago Quarterly (April 1959) p. 35, ill. p. 36.
Sun
01
Feb
note
Art Institute of Chicago, Annual Report
Art Institute of Chicago, Annual Report (Chicago, 1959), p. 10.
Sun
01
Feb
note
sold to Art Institute, 1958.
sold to Art Institute, 1958.
Sun
01
Feb
note
possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p....
possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p. 89]. Thomas Egerton, 2nd Earl of Wilton, England, by 1857 [lent to 1857 Manchester exhibition]. Mrs. H. Danninger, England. Antonio Morassi, by 1957
Sun
01
Feb
note
sold to Wildenstein, July 1957, New York
sold to Wildenstein, July 1957, New York
Sat
01
Feb
note
Cristiana Mazza, "La committenza artistica del futuro doge Nicoló Sagredo e l'inventario di Agostino Lama," Arte veneta 51
Cristiana Mazza, "La committenza artistica del futuro doge Nicoló Sagredo e l'inventario di Agostino Lama," Arte veneta 51 (1997), pp. 90.
Thu
01
Feb
note
Homan Potterton, Venetian Seventeenth Century Painting, catalogue for exhibition at the National Gallery, London, 5 September - 30 November 1979, p. 32.
Homan Potterton, Venetian Seventeenth Century Painting, catalogue for exhibition at the National Gallery, London, 5 September - 30 November 1979, p. 32.
Tue
01
Feb
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (London and New York, 1977), p. 287, ill. p. 258.
Tue
01
Feb
note
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 193, 457, 571.
Mon
01
Feb
note
Franco Sborgi, "Il ritratto a Genova nel Seicento e nel Settecento," in La Pittura a Genova e in Liguria, vol. 2,
Franco Sborgi, "Il ritratto a Genova nel Seicento e nel Settecento," in La Pittura a Genova e in Liguria, vol. 2, (1971), p. 316.
Sun
01
Feb
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (London and New York, 1970), p. 286, ill. p. 258.
Wed
01
Feb
note
Michael Milkovich, Bernardo Strozzi: Paintings and Drawings, Catalogue for exhibition at University Art Gallery, State University of New York at Binghamton, 8 October - 5 November 1967, ill. p. 96.
Michael Milkovich, Bernardo Strozzi: Paintings and Drawings, Catalogue for exhibition at University Art Gallery, State University of New York at Binghamton, 8 October - 5 November 1967, ill. p. 96.
Wed
01
Feb
note
Carlo Donzelli and Giuseppe Maria Pilo, I Pittori del Seicento Veneto
Carlo Donzelli and Giuseppe Maria Pilo, I Pittori del Seicento Veneto (Florence, 1967), p. 384.
Tue
01
Feb
note
Anna Maria Matteucci, I Maestri del Colore: Bernardo Strozzi
Anna Maria Matteucci, I Maestri del Colore: Bernardo Strozzi (Milan, 1966), pp. 10, fig. 2, ill. X.
Tue
01
Feb
note
Louisa Mortari, Bernardo Strozzi
Louisa Mortari, Bernardo Strozzi (Rome, 1966), pp. 48, 98, 148, fig. 236.
Tue
01
Feb
note
Rodolfo Pallucchini, "L'Art Institute di Chicago," L'Illustrazione del Medico
Rodolfo Pallucchini, "L'Art Institute di Chicago," L'Illustrazione del Medico (February 1966) pp. 11-12.
Thu
01
Feb
note
Anna Maria Matteucci, "Per Bernardo Strozzi," Arte Antica e Moderna 19
Anna Maria Matteucci, "Per Bernardo Strozzi," Arte Antica e Moderna 19 (1962), p. 293, ill. no. 100a.
Wed
01
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) pp. 441-442, ill. p. 50.
Wed
01
Feb
note
Hans Huth, "Italianische Kunstwerke im Art Institute von Chicago, USA," Miscellanea Bibliothecae Hertzianae
Hans Huth, "Italianische Kunstwerke im Art Institute von Chicago, USA," Miscellanea Bibliothecae Hertzianae (1961), p. 518.
© Artist-Unknown. All rights reserved.