Breton Bather

The Art Institute of Chicago, "Gauguin: Artist as Alchemist", June 25 - September 10, 2017, pp. 22, 71n17, 166, 171, cat. 96, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.

André Cariou, Gauguin et l’école de Pont-Aven (Hazan, 2015), p. 42, fig. 42.

Heather Lemonedes, Belinda Thomson, and Agnieszka Juszczak, Paul Gauguin: Paris, 1889, with contributions by Chris Stolwijk and Moyna Stanton, exh. cat. (Hatje Cantz, 2009), p. 127, fig. 52 (ill.).

New York, The Metropolitan Museum of Art and The Art Institute of Chicago, "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," 2006-2007, pp. 63, 65, 367, cat. 101, fig. 63; Metropolitan Museum of Art, September 13, 2006-January 7, 2007, and The Art Institute of Chicago, February 17-May 13, 2007.

Douglas W. Druick, Ann Dumas, Gloria Groom, Anne Roquebert, and Gary Tinterow, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, ed. Rebecca A. Rabinow, exh. cat. (Metropolitan Museum of Art, New York/Yale University Press, 2006), pp. 63, 65, 367, cat. 101, fig. 63.

André Cariou, ed., L’aventure de Pont-Aven et Gauguin, exh. cat. (Skira, 2003), p. 80, fig. 31.

Britt Salvesen, Gauguin, in association with Douglas W. Druick and Peter Kort Zegers, Artists in Focus (Art Institute of Chicago/Abrams, 2001), pp. 76, 107, no. 5 (ill.).

Daniel Wildenstein, Gauguin: Premier itinéraire d’un sauvage: Catalogue de l’oeuvre peint (1873–1888), with Sylvie Crussard and Martine Heudron, vol. 2 (Skira, 2001), p. 312 (ill.), under cat. 241.

Vojtěch Jirat-Wasiutyeński and H. Travers Newton, Jr., Technique and Meaning in the Paintings of Paul Gauguin (Cambridge University Press, 2000), pp. 76; 148, fig. 74; 150.

The Art Institute of Chicago, "Gauguin: Paintings, Drawings, Prints, Sculpture," February 12-March 29, 1959, p. 63, cat. 74; traveled to the Metropolitan Museum of Art, New York, April 23-May 31, 1959.

Merete Bodelsen, “The Missing Link in Gauguin’s Cloisonism,” Gazette des beaux-arts 53 (May–June 1959), p. 338.

Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 63, cat. 74.

Merete Bodelsen, “Gauguin’s Bathing Girl,” Burlington Magazine 674, no. 101 (May 1959), pp. 186–88, fig. 40.

The Art Institute of Chicago, "Carl O. Schniewind: Memorial Exhibition," January 22–March 3, 1958, cat. 10.

John Rewald, Gauguin Drawings, Bittner Art Book (T. Yoseloff, 1958), p. 24, pl. 13 (ill.).

New York, Wildenstein and Company, "Gauguin," April 5-May 5, 1956, p. 20, cat. 55 as Baigneuse bretonne.

Robert Goldwater and Carl O. Schniewind, Gauguin: Loan Exhibition for the Benefit of the Citizens’ Committee for Children of New York City, Inc., exh. cat. (Wildenstein & Co., 1956), p. 20, cat. 55.

given to the Art Institute, 1946.

New York, The Museum of Modern Art, "Modern Drawings," February 16-May 10, 1944, p. 91, cat. by Monroe Wheeler.

Monroe Wheeler and John Rewald, Modern Drawings, exh. cat. (Museum of Modern Art, New York, 1944), p. 91, no cat. no.

Maurice Malingue, Gauguin (Documents d’Art, 1943), pp. 129 (ill.), 156.

Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), p. 208, no. 2 (ill.).

John Rewald, Gauguin, ed. André Gloeckner (French and European Publications, 1938), pp. 67 (ill.), 166.27

Chicago, Arts Club, "Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago," November 4-25, 1938, cat. 52, as The Bathers Brittany.

Daniel Catton Rich, Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago, exh. cat. (Arts Club of Chicago, 1938), cat. 52.

Belinda Thomson, Gauguin (Thames & Hudson, 1997), p. 46, fig. 34.

Anna Maria Damigella, Paul Gauguin: La vita e l’opera (Mondadori, 1997), p. 82 (ill.).

Vojtěch Jirat-Wasiutyeński, “Decorative Fragments: Paul Gauguin’s Presentation of HisOwn Drawings,” Historic Framing and Presentation of Watercolours, Drawings and Prints (Institute of Paper Conservation, 1997), pp. 53–55, fig. 2.

Jean-Pierre Zingg, Les éventails de Paul Gauguin (Avant & Après, 1996), p. 34, fig. 2.

Ziva Amishai-Maisels, Paul Gauguin: E l’avanguardia russa, exh. cat. (Artificio, 1995), p. 180 (ill.).

Douglas Druick and Peter Zegers, Paul Gauguin: Pages from the Pacific, exh. cat. (Auckland City Art Gallery, 1995), p. 26, fig. 50.

André Cariou, Les peintres de Pont-Aven (Ouest-France, 1994), p. 49 (ill.).

Belinda Thomson, ed., Gauguin by Himself (Bullfinch, 1993), pp. 80, 304, fig. 54.

Alan Bowness, Gauguin (Phaidon, 1992), p. 52, fig. 15.

Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), pp. 84–85, cat. 35 (ill.).

Washington, D.C., National Gallery of Art, "The Art of Paul Gauguin," pp. 84-85, cat. 35 (ill.); traveled to The Art Institute of Chicago, September 17-December 11, 1988.

1893–1980), Chicago, by 1938 [Arts Club of Chicago, 1938]

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University ofChicago Press, 1979), pp. 56–57, no. 3E2.

Barbara Hope Steinberg, Understanding Gauguin (A&W Visual Library, 1976), p. 19 (ill.).

Society of the Four Arts, Drawings from the Art Institute of Chicago, exh cat. (Society of the Four Arts, 1974), n.pag., cat. 20.

Palm Beach, Fla., Society of Four Arts, "Drawings from The Art Institute of Chicago," January 5–27, 1974, cat. 20.

Ronald Pickvance, The Drawings of Gauguin (P. Hamlyn, 1970), p. 22, pl. 16 (ill.).

René Huyghe, Gauguin (Flammarion, 1967), p. 23 (ill.).

Merete Bodelsen, Gauguin’s Ceramics: A Study in the Development of His Art (Faber & Faber, 1964), n.pag., fig. 69.

Georges Wildenstein, Gauguin, with Raymond Cogniat and Daniel Wildenstein, vol. 1, Catalogue (Beaux-Arts, 1964), p. 79, under cat. 215.

Merete Bodelsen, review of Paul Gauguin: Water-Colours, Pastels, and Drawings in Colour by Jean Leymarie, Burlington Magazine 105, no. 723 (June 1963), p. 285.

New York, Wildenstein and Company, "Master Drawings from the Art Institute of Chicago," October 17-November 30, 1963, n.p., cat. 114 (ill.).

Art Institute of Chicago, Master Drawings from the Art Institute of Chicago: An Exhibition Held at Wildenstein, exh. cat. (Art Institute of Chicago, 1963), n. pag., cat. 114, pl. XLII.

Ira Moskowitz, Great Drawings of All Time, vol. 3 (Shorewood, 1962), n.pag., no. 822 (ill.).