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paper (fiber product)31 × 20 Cm
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About the artwork
Artist supplied description.
Although foreign to Europe, camels and other non-native animals were sometimes displayed as curiosities on the continent. Cornelis Saftleven recorded one such rare encounter, capturing the animal’s fur by using a combination of black, brown, and ocher chalk, in some areas (the head and haunches) wetting the media to create denser passages in contrast to the dryer, more disperse use of chalk elsewhere. The addition of ink wash added further shading to suggest the volumes of the camel’s body.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 31 × 20 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
03
Feb
note
by descent to Geoffrey Gathorne-Hardy
by descent to Geoffrey Gathorne-Hardy
Tue
03
Feb
note
John Malcolm
John Malcolm
Tue
03
Feb
note
by descent to Robert Gathorne-Hardy
by descent to Robert Gathorne-Hardy
Tue
03
Feb
note
by descent to Alfred Gathorne-Hardy
by descent to Alfred Gathorne-Hardy
Tue
03
Feb
exhibition
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 18-19, 20-21 (ill.), 45n6, 314, 335 (ill.), cat. 1, cat. by Victoria Sancho Lobis, et. al.
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 18-19, 20-21 (ill.), 45n6, 314, 335 (ill.), cat. 1, cat. by Victoria Sancho Lobis, et. al.
Tue
03
Feb
note
Shelley Perlove and George S. Keyes
Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (University of Notre Dame Press, 2014), pp. 115, 178, no 71, 179 (ill.).
Tue
03
Feb
note
A.E. Gathorne- Hardy, Descriptive catalogue of drawings by the old masters in the possession of the Hon. A. E. Gathorne-Hardy, 77 Cadogan Square
A.E. Gathorne- Hardy, Descriptive catalogue of drawings by the old masters in the possession of the Hon. A. E. Gathorne-Hardy, 77 Cadogan Square (Ballantyne Press, 1902), no. 85.
Mon
03
Feb
exhibition
Art Institute of Chicago, From Pontormo to Seurat: Drawings Recently Acquired by the Art Institute of Chicago, Sept. 10, 1991–Jan. 5, 1992, n.p., cat. 15; also New York, Frick Collection, Apr. 23–July 7, 1991.
Art Institute of Chicago, From Pontormo to Seurat: Drawings Recently Acquired by the Art Institute of Chicago, Sept. 10, 1991–Jan. 5, 1992, n.p., cat. 15; also New York, Frick Collection, Apr. 23–July 7, 1991.
Fri
03
Feb
exhibition
Art Institute of Chicago, New Acquisitions: Old Master Drawings, Dec. 2, 1989–June 8, 1990, no cat.
Art Institute of Chicago, New Acquisitions: Old Master Drawings, Dec. 2, 1989–June 8, 1990, no cat.
Fri
03
Feb
note
sold by Lexbourne Ltd....
sold by Lexbourne Ltd., London, to the Art Institute of Chicago, 1989.
Fri
03
Feb
note
Wolfgang Schulz, Cornelis Saftleven 1607–1681: Leben und Werke
Wolfgang Schulz, Cornelis Saftleven 1607–1681: Leben und Werke (Berlin: Walter de Gruyter, 1978), p. 150, cat. 375.
Tue
03
Feb
note
sold, Sotheby-Mak van Waay, Amsterdam, May 3, 1976, lot 6....
sold, Sotheby-Mak van Waay, Amsterdam, May 3, 1976, lot 6. British Rail Pension Fund
Wed
03
Feb
exhibition
London, P&D Colnaghi, Loan Exhibition of Drawings by Old Masters from the Collection of Mr. Geoffrey Gathorne-Hardy, Oct. 12–Nov. 5 1971, cat. 49, pl. XXX, also Ashmolean Museum, Oxford, Nov. 20–Jan. 2 1972.
London, P&D Colnaghi, Loan Exhibition of Drawings by Old Masters from the Collection of Mr. Geoffrey Gathorne-Hardy, Oct. 12–Nov. 5 1971, cat. 49, pl. XXX, also Ashmolean Museum, Oxford, Nov. 20–Jan. 2 1972.
© Artist-Unknown. All rights reserved.
