The Descent from the Cross

Federico Zeri, “Two Contributions to Lombard Quattrocento Painting,” Burlington Magazine 97 (1955), p. 77 n 4.

C. Baroni and S. Samek Ludovici, La pittura lombarda del quattrocento (Messina and Florence, 1952), pp. 235, 238-39.

Martin Davies, National Gallery Catalogues: The Earlier Italian Schools (London, 1951), p. 102, under no. 3336; rev. ed. 1961, p. 132, under no. 3336

Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago, 1948), p. 25.

Roberto Longhi, “Le arti,” in J. De Blasi, ed. Romanità e Germanesimo (Florence, 1941), ill. opp. p. 305; reprinted in Opere complete di Roberto Longhi, vol. 9 (Florence, 1979), pl. 39b.

Bernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 105.

Art Institute of Chicago, A Century of Progress, 1934, no. 25.

Art Institute of Chicago, A Century of Progress, 1933, no. 83.

bequeathed to the Art Institute, 1933.

Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 121.

sold by Kleinberger to Martin A. Ryerson (d. 1932), Chicago, 1927

“Ryerson Makes Princely Bequest to The Art Institute of Chicago,” Art Digest 6, 20 (1932), p. 3, ill.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 179, nos. 803.27, 804.27.

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.

Lionello Venturi, Pitture italiane in America, 1931, pls. CCCXXV–CCCXXVI.

Mario Salmi, “Bernardino Butinone ― I,” Dedalo 10 (1929), pp. 347, 351.

E. S. Siple, “Art in America: The Art Institute of Chicago − The Ryerson Collection,” Burlington Magazine 51 (1927), pp. 240-241, pl. I.

on loan to the Art Institute from 1927

New York, Lotos Club, 1927, no cat.

Count de Malherbe, Paris, by 1921 [Kleinberger stock card, Department of European Paintings, Metropolitan Museum of Art]

sold to Kleinberger, Paris and New York, in 1921 [according to Kleinberger stock card cited above]

D. C. Rich, “Three Paintings of the Quattrocentro,” Bulletin of The Art Institute of Chicago 21 (1921), pp. 86-88, ill.

Andrea Bacchi in Pittura Lombarda 1450–1650, ed. Alessandro Morandotti, exh. cat., Campagnia di Belle Arti (Milan, 1994), pp. 16–25, fig. 12.

Francesco Rossi, “Bernardino Butinone. La Critica,” in J. Shell, F. Rossi and P. De Vecchi, Butinone e Zenale [extract from I Pittori Bergamaschi] (Bergamo, 1994), pp. 174, 180, 184–5, 189, 218–219, no. 5, ill., pp. 206, 258.

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1993) , pp. 53-58, ill.

Christie’s, New York, Important and Fine Old Master Paintings, May 19, 1993, under no. 30.

Mauro Natale in Mina Gregori, ed., Pittura tra Adda e Serio: Lodi, Treviglio, Caravaggio, Crema (Milan, 1987), p. 165.

A[ngelo] O[ttolini], “Butinone, Bernardino” in Federico Zeri, ed., La pittura in Italia: Il quattrocento (Milan, 1987), p. 594.

Hugh Brigstocke, Italian and Spanish Paintings in the National Gallery of Scotland (Edinburgh, 1978), pp. 25-26.

John Maxon, The Art Institute of Chicago, rev. ed., London, 1977, p. 30.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 38, 275, 295, 571.

Bernard Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools (London, 1968), vol. 1, p. 69, vol. 3, pl. 1945.

Elvira Cassa Salvi, Butinone e Zenale (Maestri del colore 230) (Milan, 1966), n. p.

Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 517.