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Saint John the Baptist in Prison Visited by Two Disciples

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tempera40 × 68 Cm

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Artist supplied description.

This is one of six paintings illustrating scenes from the life of Saint John the Baptist, a prophet considered a forerunner of Jesus. They were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint. The first painting depicts John twice, leaving civilization—marked by ornate buildings and manicured agricultural fields—and entering the wilderness to become a hermit. In the next scene, John wears a hair shirt, symbolizing his ascetic life in the wilderness, as he announces that Jesus, at his right, is the savior prophesied as the agnus dei, the Lamb of God.

The following three panels depict John the Baptist’s imprisonment and execution at the hands of Herod, ruler of Galilee. According to one version of the story, Herod—seen in blue at the head of the table in the fourth panel from the left—was so taken by his stepdaughter Salome’s dancing that he reluctantly obliged when she requested John’s beheading (visualized gruesomely in the fifth panel). Giovanni di Paolo related the Baptist’s complex biography with expressive figures represented multiple times to indicate their movement through highly imaginative and stylized settings.

Artwork metadata
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Mediumtempera
Dimensions40 × 68 Cm
Tags
Saint John the BaptistbiblicalChristian subjectsChristianityDevotionItalyreligiousreligious figuresreligious scenessaintschainsanimalsleopardsmenprisonreligionCentury of Progressworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
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” Art Institute Archives]

” Art Institute Archives]
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Timothy Bryan Smith, “Alberto Aringheri and the Chapel of Saint John the Baptist: Patronage, Politics, and the Cult of Relics in Renaissance Siena”

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Regina Shoolman Slatkin, “François Boucher: St. John the Baptist. A Study in Religious Imagery,” The Minneapolis Institute of Arts Bulletin 62

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Millard Meiss, “A New Panel by Giovanni di Paolo from His Altarpiece of the Baptist,” Burlington Magazine 116, 851

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