The Continence of Scipio

Probably Emile Gavet, Paris [according to Registrar’s records]

Cristelle L. Baskins, “(In)famous Men: The Continence of Scipio and Formations of Masculinity in Fifteenth-Century Tuscan Domestic Painting,” Studies in Iconography 23 (2002): 114, 133–34, fig. 4.

Bernard Berenson, Pitture italiane del Rinascimento (Milan: U. Hoepli, 1936), 283.

bequeathed to the Art Institute, 1933.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: The Art Institute, 1932), 183, no. 2884.24.

Martin A. Ryerson (d. 1932), Chicago, by 1912 [according to a letter from Frank Jewett Mather, Jr., to Martin A. Ryerson of November 22,1912, Ryerson papers, Archives, The Art Institute of Chicago]

Bernard Berenson, Italian Pictures of the Renaissance (Oxford: Clarendon Press, 1932), 3246.

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.

Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to The Art Institute of Chicago, unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 18-19.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: The Art Institute, 1925), 160, no. 2069.

on loan to the Art Institute from 1924

Ellen Callmann, "William Blundell Spence and the Transformation of Renaissance Cassoni," Burlington Magazine 141 (1999): 347.

Jennifer Nevile, “The Performance of Fifteenth-Century Italian Balli: Evidence from the Pythagorean Ratios,” Performance Practice Review 6 (1993): 120, ill.

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection (Chicago: The Art Insitutute in association with Princeton University Press, 1993), 10-12, ill.

Jennifer Klein Morrison, “Apollonio di Giovanni’s Aeneid Cassoni and the Virgil Commentators,” Yale University Art Gallery Bulletin (1992): 31, fig. 6.

Ellen Callmann, “Roman Virtue and Renaissance Marriage,” The Register of the Spencer Museum of Art, The University of Kansas 6, no. 8-9 (1991/1992): 34, 36 n. 22, fig. 19.

Ellen Callmann, “The Growing Threat to Marital Bliss as Seen in Fifteenth-Century Florentine Paintings,” Studies in Iconography 5 (1979): 84, 90 n. 22.

Ellen Callmann, Apollonio di Giovanni (Oxford: Clarendon Press, 1974), 42, 73, no. 50, pls. 201, 203.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, MA: Harvard University Press, 1972), 12, 571.

Barbara Bernhard, “A Cassone Puzzle Reconstructed,” Art Institute of Chicago Museum Studies 5 (1970): 23 – 30, figs. 1, 1a. 1b.

Bernard Berenson, Italian Pictures of the Renaissance: Florentine School, vol. 1 (London: Phaidon, 1963), 18.

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: The Art Insitute, 1961), 225.