Virgin and Child with Saints John the Baptist and Anthony Abbot

sold by the trustees of the ex-Emperor of Germany to the Van Diemen Galleries, Berlin [see letter referenced above]

sold by Van Diemen to Agnew, London and New York [see letter referenced above]

Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, vol. 1 (London, 1957), p. 130.

Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings (Chicago, 1938), pp. 18–19, no. 14, pl. XII.

Bernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 361.

Art Institute of Chicago, A Brief Illustrated Guide to the Collections (Chicago, 1935), p. 21.

Giuseppe Fiocco, Paolo Veronese (Rome, 1934), p. 127.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 6, 175, ill.

Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 420.

Daniel Catton Rich, “An Unpublished Veronese in Chicago,” Pantheon 7 (1931), p. 20.

Daniel Catton Rich, “Chicago Given Worcester Art,” Art News 28 (1930), pp. 3, 9, ill.

Daniel Catton Rich, “The Mr. and Mrs. Charles H. Worcester Gift,” Bulletin of The Art Institute of Chicago 24 (1930), p. 30.

given to the Art Institute, 1929.

R. Cortissoz, “Some Old Masters Recently in New York,” Scribner’s Magazine 83 (1928), pp. 370, 373, ill.

Possibly Hohenzollern Collection, Berlin [according to a letter from Colin Agnew to Robert Harshe dated January 9, 1928, in curatorial files

Frank Jewett Mather, Jr., “Some Old Masters of Venice,” The Arts 13 (1928), pp. 22–24, ill.

Daniel Catton Rich, “A Painting by Veronese,” Bulletin of The Art Institute of Chicago 22 (1928), pp. 30–31, cover ill.

sold by Agnew to Charles H. Worcester, Chicago, 1927 [according to registrar’s records it was presumably owned by Agnew at the time of New York 1927]

“Notable Works of Art Now on the Market,” Burlington Magazine 50 (1927), advertising supplement, pl. 4, n. p.

Charles H. Worcester, 1927, Chicago

“Venetian Art Exhibition at Agnew Galleries,” Art News 26 (1927), pp. 1, 3.

on loan to the Art Institute from 1927

New York, Thomas Agnew and Sons, Paintings by Old Masters of the Venetian School, November 1–December 31, 1927, no. 21.

Agnew stated that the painting was included in Friedländer’s catalogue of the Hohenzollern Collection, Gemälde alter Meister in Besitze seiner Majestät der deutschen Kaisers und Königs von Preussen, ed. P. Seidel (Berlin, Leipzig, Vienna, and Stuttgart, 1906), but the volume contains no reference to the painting]

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 289–91, ill.

Richard Cocke, Veronese’s Drawings: with a Catalogue Raisonné (Ithaca, 1984), p. 342, under no. 165 n. 8.

John D. Morse, Old Master Paintings in North America (New York, 1979), p. 294.

Detlev von Hadeln, Paolo Veronese, ed. Gunter Schweikhart (Florence, 1978), p. 122, no. 52.

Terisio Pignatti, Veronese (Venice, 1976), vol. 1, p. 175, no. A47; vol. 2, fig. 760.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 39, 336, 570.

Guido Piovene and Remigio Marini, L’opera completa del Veronese, Classici dell’arte 20 (Milan, 1968), p. 132, no. 322.

Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 517.