Splashing Figure (Study for "The Large Bathers")

Williamstown, MA, Sterling and Francine Clark Art Instititute, "Renoir: The Body, The Senses", June 7 - September 19, 2019. Traveled to Fort Worth TX, The Kimbell Art Museum, Fort Worth, October 27, 2019 - January 26, 2020, cat. 27 (ill.), pp. 44, 63, 92, 105, 177, cat. by Esther Bell and George T. M. Shackelford.

“Cat. 19: Splashing Figure (Study for “The Large Bathers”),” in Renoir Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/renoir/reader/paintingsanddrawings/section/138973.

Art Institute of Chicago, "Undressed: The Fashion of Privacy," June 22–Sept. 29, 2013, no cat.

Christopher Lloyd, Impressionism: Pastels, Watercolors, Drawings, exh. cat. (Milwaukee Art Museum, 2011), pp. 50–51, fig. 17.

Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins, et aquarelles, vol. 2, 1882–1894 (Bernheim-Jeune, 2009), p. 515, no. 1517 (ill.).

François Daulte, Pierre-Auguste Renoir: Water-colours, Pastels, and Drawings in Colour, trans. Robert Allen (Faber & Faber, 1959), no. 7 (ill.).

Art Institute of Chicago Quarterly 49, 2 (Apr. 1955), p. 29.

Paris, Musée de l’Orangerie, "De David à Toulouse-Lautrec: Chefs-d’oeuvre des collections americaines," 1955, cat. 87 (ill.).

Graham Reynolds, Nineteenth-Century Drawings (Pleiades, 1949), no. 11 (ill.).

bequeathed by Kate L. Brewster to the Art Institute of Chicago, 1949.

John Rewald, Renoir Drawings (H. Bittner, 1946), p. 20, no. 41 (ill.).

Michel Drucker, Renoir (Pierre Tisné, 1944), pl. 4, no. 2.

Chicago, home of Mr. and Mrs. Walter Brewster, "Special View for the Benefit of Chicago Public School Art Society of the Collection of Mr. and Mrs. Walter S. Brewster," Jan. 20–22, 1933, cat. 24.

C. J. Bulliet, Apples and Madonnas: Emotional Expression in Modern Art (Covici Friede, 1930) (ill.).

sold to Walter S. Brewster (1872–1954) and Kate L. Brewster (c. 1879–1947), Lake Forest, Ill., Mar. 19, 1926 [invoice]

Chicago, Arts Club, "A Loan Exhibition of Some Modern Paintings," Dec. 21, 1926–Jan 21, 1927, cat. 13.

Ambroise Vollard (1866–1939), Paris [Dauberville and Dauberville, 2009]. Sold by Adrien Hébrard (1833–1914), Paris, to Bernheim-Jeune & Cie., Paris, May 29, 1925 [Dauberville and Dauberville, 2009]

Julius Meier-Graefe, Renoir (H. Floury, 1912), p. 193 (ill.).

Susan Rayfield, First Impressions: Pierre-Auguste Renoir (Abrams, 1998), p. 69 (ill.)

Douglas W. Druick, Renoir, Artists in Focus (Art Institute of Chicago/Abrams, 1997) pp. 61, 64, 98, no. 17 (ill.), 111.

Barbara Ehrlich White, Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges (Knopf, 1996), p. 228 (ill.).

Anne Distel, Renoir: A Sensuous Vision (Thames & Hudson, 1995), p. 95 (ill.).

Christopher Riopelle, “Renoir: The Great Bathers,” Philadelphia Museum of Art Bulletin 86 (Fall 1990), pp. 27–28, fig. 29.

Horst Keller, Auguste Renoir (Bruckmann München, 1987), p. 127, no. 102 (ill.).

Mosaic: Survey of the Art Institute of Chicago (May–June 1987), p. 7 (ill.).

Richard R. Brettell, French Impressionists (Art Institute of Chicago, 1987), pp. 84–85, 119 (ill.).

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), p. 91, no. 5D9.

Tokyo, Isetan Museum of Art, "Auguste Renoir," Sept. 22–Nov. 6, 1979, cat. 90 (ill.); Kyoto Municipal Museum of Art, Nov. 10–Dec. 9, 1979.

Anthea Callen, Renoir (Oresko, 1978), p. 88, no. 71 (ill.).

Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, "Französische Zeichnungen aus dem Art Institute of Chicago," Feb. 10–Apr. 10, 1977, cat. 61 (ill.).

Paris, Musée du Louvre, "Dessins français de l’Art Institute de Chicago de Watteau à Picasso," Oct.15, 1976–Jan. 17, 1977, cat. 68 (ill.).

Mike Samuels and Nancy Samuels, Seeing with the Mind’s Eye: The History, Techniques, and Uses of Visualization (Random House, 1975) (ill.).

John Maxon, The Art Institute of Chicago (Thames & Hudson, 1970), pp. 159–60 (ill.).

Maurice Sérullaz and Arlette Sérullaz, L’ottocento francese (Fratelli Fabbri, 1970), pp. 73, no. 28 (ill.) and 91.

New York, Wildenstein and Company, "Master Drawings from the Art Institute of Chicago," Oct. 17–Nov. 30, 1963, cat. 113 (ill.).