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oil paint (paint)88 × 121 Cm
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About the artwork
Artist supplied description.
Antonis Mor, who worked in Spain and the Low Countries, was court painter to Spanish king Philip II. He used a seated three-quarter-length format for sitters who did not belong to the nobility, making them appear more approachable. The woman represented here (along with her husband, whose portrait is now in the North Carolina Museum of Art, Raleigh) probably belonged to the merchant elite of Antwerp. Her cap and braid-trimmed bodice were fashionable for Flemish women in the mid-16th century.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 88 × 121 Cm |
| Tags | portraits: female subjectchairdressesportraitwomanCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
29
Jan
exhibition
Manchester, Art Treasures of the United Kingdom, 1857, no. 503, as Queen Mary.
Manchester, Art Treasures of the United Kingdom, 1857, no. 503, as Queen Mary.
Thu
29
Jan
note
A[lfred] M. F[rankfurter], “The Harding Collection: A Document of American
A[lfred] M. F[rankfurter], “The Harding Collection: A Document of American
Thu
29
Jan
exhibition
Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum
Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum
Thu
29
Jan
note
Sir Richard Worsley, Bart....
Sir Richard Worsley, Bart. (d. 1805), Appuldurcombe, Isle of Wight, by 1804, as pendant to a Portrait of a Seated Man [Worsley 1804]
Thu
29
Jan
note
[Gustav Friedrich] Waagen, Galleries and Cabinets of Art in Great Britain, London, 1857, pp. 64–65.
[Gustav Friedrich] Waagen, Galleries and Cabinets of Art in Great Britain, London, 1857, pp. 64–65.
Thu
29
Jan
note
this transaction had Knoedler stock number 14555]
this transaction had Knoedler stock number 14555]
Thu
29
Jan
exhibition
San Francisco, California Palace of the Legion of Honor, M. H. de Young
San Francisco, California Palace of the Legion of Honor, M. H. de Young
Thu
29
Jan
note
(ill.).
(ill.).
Thu
29
Jan
exhibition
of Fine Arts, Seventh Anniversary Exhibition of German, Flemish
of Fine Arts, Seventh Anniversary Exhibition of German, Flemish
Thu
29
Jan
note
by descent to his niece Henrietta Anna Maria Charlotte Bridgeman, who in 1806 married Charles, 2nd Baron Yarborough (1781–1846
by descent to his niece Henrietta Anna Maria Charlotte Bridgeman, who in 1806 married Charles, 2nd Baron Yarborough (1781–1846
Thu
29
Jan
exhibition
London, British Institution, 1850, no. 12, as Queen Mary.
London, British Institution, 1850, no. 12, as Queen Mary.
Thu
29
Jan
note
W. Bürger [Théophile Thoré], Trésors d’art en Angleterre, Brussels and Ostend, 1860, p. 172.
W. Bürger [Théophile Thoré], Trésors d’art en Angleterre, Brussels and Ostend, 1860, p. 172.
Thu
29
Jan
exhibition
Memorial Museum, Seven Centuries of Painting: A Loan Exhibition
Memorial Museum, Seven Centuries of Painting: A Loan Exhibition
Thu
29
Jan
note
H. E. van Gelder, “Moro’s ‘Goudsmid,’” Nederlands kunsthistorisch jaarboek
H. E. van Gelder, “Moro’s ‘Goudsmid,’” Nederlands kunsthistorisch jaarboek
Thu
29
Jan
note
[Gustav Friedrich] Waagen, Treasures of Art in Great Britain, vol. 2, London, 1854, p. 87 n.
[Gustav Friedrich] Waagen, Treasures of Art in Great Britain, vol. 2, London, 1854, p. 87 n.
Thu
29
Jan
note
created Earl of Yarborough 1837), Brocklesby Park, Lincolnshire, and London [Waagen 1854 and 1857
created Earl of Yarborough 1837), Brocklesby Park, Lincolnshire, and London [Waagen 1854 and 1857
Thu
29
Jan
note
Koenraad Jonckheere, Willem Key
Koenraad Jonckheere, Willem Key (1516-1568). Portrait of a Humanist Painter, Turnhout, 2011, p. 96, under no. A34.
Thu
29
Jan
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 260-64, ill.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 260-64, ill.
Thu
29
Jan
note
Joanna Woodall, Anthonis Mor: Art and Authority, Zwolle, 2007, pp. 413-17, fig. 157.
Joanna Woodall, Anthonis Mor: Art and Authority, Zwolle, 2007, pp. 413-17, fig. 157.
Thu
29
Jan
note
Elizabeth Rodini, “The Language of Stones,” Art Institute of Chicago Museum Studies 25, 2
Elizabeth Rodini, “The Language of Stones,” Art Institute of Chicago Museum Studies 25, 2 (2000), fig. 4.
Thu
29
Jan
note
L. C. J. Frerichs, Antonio Moro, Amsterdam, 1947, pp. 48, 57.
L. C. J. Frerichs, Antonio Moro, Amsterdam, 1947, pp. 48, 57.
Thu
29
Jan
note
1
1 (1947), p. 51.
Thu
29
Jan
note
“Acquires Lady Who Might Have Been Queen,” Art Digest 16, 8
“Acquires Lady Who Might Have Been Queen,” Art Digest 16, 8 (1942), p. 12 (ill.).
Thu
29
Jan
note
Dorothy Odenheimer, “Portrait of a Lady by Antonio Moro,” Bulletin of the Art Institute of Chicago 36
Dorothy Odenheimer, “Portrait of a Lady by Antonio Moro,” Bulletin of the Art Institute of Chicago 36 (1942), pp. 2–3 (cover ill.).
Thu
29
Jan
exhibition
Art Institute of Chicago, Masterpiece of the Month, Apr. 1942 (no cat.).
Art Institute of Chicago, Masterpiece of the Month, Apr. 1942 (no cat.).
Thu
29
Jan
note
“Recent Important Acquisitions of American Collections,” Art Quarterly 5
“Recent Important Acquisitions of American Collections,” Art Quarterly 5 (1942), p. 98 (ill.).
Thu
29
Jan
note
sold, Parke-Bernet Galleries, New York, Mar....
sold, Parke-Bernet Galleries, New York, Mar. 1, 1941, no. 57, to Knoedler as agent for the Art Institute.
Thu
29
Jan
exhibition
and Dutch Painting, 1940–41, no. 42.
and Dutch Painting, 1940–41, no. 42.
Thu
29
Jan
exhibition
of Old and Modern Masters, 1939–40, no. L-29.
of Old and Modern Masters, 1939–40, no. L-29.
Thu
29
Jan
note
Elizabeth McCausland, “Exhibitions in New York,” Parnassus 11
Elizabeth McCausland, “Exhibitions in New York,” Parnassus 11 (1939), p. 23
Thu
29
Jan
exhibition
New York, Saint James O’Toole Galleries, Portraits of Masters of the XVI, XVII and XVIII Centuries, 1939, no. 6.
New York, Saint James O’Toole Galleries, Portraits of Masters of the XVI, XVII and XVIII Centuries, 1939, no. 6.
Thu
29
Jan
note
Taste,” Art News 37, 11
Taste,” Art News 37, 11 (1938), p. 22.
Thu
29
Jan
note
The Collection of the Late J. Horace Harding, New York, 1938, pp. 14–15
The Collection of the Late J. Horace Harding, New York, 1938, pp. 14–15 (ill.). “Old Masters of J. Horace Harding,” Art Digest 13, 5 (1938), p. 16.
Thu
29
Jan
note
estate of Mrs....
estate of Mrs. J. Horace Harding [With Knoedler from September to December 1937 (no. CA1151), and lent through Saint James O’Toole Galleries, New York, to the 1940–41 exhibition]
Thu
29
Jan
note
Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 176, no. 405, pl. 77; rev. English ed., Brussels and Leiden1975, p. 106, no. 405, pl. 196.
Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 176, no. 405, pl. 77; rev. English ed., Brussels and Leiden1975, p. 106, no. 405, pl. 196.
Thu
29
Jan
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 126.
Art Institute of Chicago, A Century of Progress, 1934, no. 126.
Thu
29
Jan
note
Helen Comstock, “The Connoisseur in America,” Connoisseur 93
Helen Comstock, “The Connoisseur in America,” Connoisseur 93 (1934), pp. 407, 409 (ill.).
Thu
29
Jan
note
Georges Marlier, Anthonis Mor van Dashorst
Georges Marlier, Anthonis Mor van Dashorst (Antonio Moro), Brussels, 1934, p. 103, no. 51.
Thu
29
Jan
note
sold to J....
sold to J. Horace Harding (d. 1929), New York, 1925 [Harding lent this portrait and its pendant to London 1927]
Thu
29
Jan
exhibition
London, Burlington House, Loan Exhibition of Flemish and Belgian Art, 1927, no. 226, cat. by Sir Martin Conway.
London, Burlington House, Loan Exhibition of Flemish and Belgian Art, 1927, no. 226, cat. by Sir Martin Conway.
Thu
29
Jan
note
Knoedler, New York, 1918 [notes cited above
Knoedler, New York, 1918 [notes cited above
Thu
29
Jan
note
Andrew W....
Andrew W. Mellon, Pittsburgh, July–Dec. 1918
Thu
29
Jan
note
by descent to Charles, 4th Earl of Yarborough....
by descent to Charles, 4th Earl of Yarborough. Robert Langton Douglas, London [according to undated notes, Katherine Moore, Knoedler, to Barry Hannegan, North Carolina Museum of Art, copy in curatorial file]. Knoedler, New York, Oct. 1916 [notes cited above [according to notes cited above, this transaction had Knoedler stock number 13970, which is and with other numbers in a photograph of the reverse taken before the removal of the cradle]
Thu
29
Jan
note
Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, pp. 134–35 n. 1
Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, pp. 134–35 n. 1 (ill. opp. p. 134).
Wed
29
Jan
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992 , p. 346, no. 309.
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992 , p. 346, no. 309.
Mon
29
Jan
note
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, pp. 59, 420–23, no. 12, fig. 57.
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, pp. 59, 420–23, no. 12, fig. 57.
Mon
29
Jan
note
for this descent, see Dictionary of National Biography, vol....
for this descent, see Dictionary of National Biography, vol. 21, Oxford, 1973, p. 952
Thu
29
Jan
note
and Burke’s Peerage, 105th ed....
and Burke’s Peerage, 105th ed., London, 1970, p. 2893]
Sat
29
Jan
note
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), p. 196.
Sun
29
Jan
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 339.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 339.
© Artist-Unknown. All rights reserved.