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oil paint (paint)92 × 60 Cm
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About the artwork
Artist supplied description.
This view of the harbor of Les Andelys, a village on the Seine River near Giverny, France, is part of Paul Signac’s first series of works painted in dots and dashes of contrasting colors. The technique, called pointillism, was originated by Signac’s friend Georges Seurat. Signac would prove to be the most ardent proponent of this style, which he made his own through particular attention to geometric form. Here, for example, a triangular patch of blue creates a curve in the river, while an expanse of trapezoids in the background defines the cultivated hill.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 92 × 60 Cm |
| Tags | weather/seasonsboatstownsfarmingwaterlandscapes |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
03
Mar
exhibition
Paris, Théâtre Libre d’Antoine, Sep. 1887, no cat.
Paris, Théâtre Libre d’Antoine, Sep. 1887, no cat.
Tue
03
Mar
note
Gabrielle Vienne, P. Signac, exh. cat.
Gabrielle Vienne, P. Signac, exh. cat. (Paris : Editions des musees nationaux), 12 cat. 8.
Tue
03
Mar
note
Société des Artistes Indépendants, Catalogue des œuvres exposées, exh. cat.
Société des Artistes Indépendants, Catalogue des œuvres exposées, exh. cat. (1887), 23 cat. 452.
Tue
03
Mar
note
Robert L. Herbert, Seurat and the Making of ‘La Grande Jatte,’ exh. cat.,
Robert L. Herbert, Seurat and the Making of ‘La Grande Jatte,’ exh. cat., (), 134, 140 cat. 118 as Hillside from Downstream, Andeleys, 277.
Tue
03
Mar
note
J.K. Huysmans, “Chronique d’art: Les Indépendants,” La Revue indépendante
J.K. Huysmans, “Chronique d’art: Les Indépendants,” La Revue indépendante (April 1887): 55.
Tue
03
Mar
exhibition
Fort Worth, TX, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 52.
Fort Worth, TX, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 52.
Tue
03
Mar
note
The Age of Impressionism at the Art Institute of Chicago, exh. cat.
The Age of Impressionism at the Art Institute of Chicago, exh. cat. (New Haven and London: Yale University Press, 2008), 114-15 (ill.), cat. 52.
Tue
03
Mar
note
Richard R. Brettell and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum vol. 1
Richard R. Brettell and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum vol. 1 (New Haven: Yale University Press, 2006), 449-50 fig. 119a.
Tue
03
Mar
exhibition
Art Institute of Chicago, Seurat and the Making of ‘La Grande Jatte, ’ June 16-Sep. 19, 2004, cat. 118 as Hillside from Downstream, Andeleys.
Art Institute of Chicago, Seurat and the Making of ‘La Grande Jatte,’ June 16-Sep. 19, 2004, cat. 118 as Hillside from Downstream, Andeleys.
Tue
03
Mar
note
Francoise Cachin and Marina Ferreti-Bocquillon, P. Signac, exh. cat.
Francoise Cachin and Marina Ferreti-Bocquillon, P. Signac, exh. cat. (Martigny, Switzerland: Fondation Pierre Gianadda, 2003), 32-33 cat. 6 (ill.).
Tue
03
Mar
exhibition
Martigny, Fondation Pierre Gianadda, Paul Signac, June 18-Nov. 23, 2003, cat. 6.
Martigny, Fondation Pierre Gianadda, Paul Signac, June 18-Nov. 23, 2003, cat. 6.
Tue
03
Mar
exhibition
Paris, Galeries nationales du Grand Palais, Signac, 1863-1935, Feb. 27-May 28, 2001, cat. 22 as Hillside from Downstream, Andeleys; Amsterdam, Van Gogh Museum, June 15-Sep. 9, 2001; New York, Metropolitan Museum of Art, Oct. 9-Dec. 30...
Paris, Galeries nationales du Grand Palais, Signac, 1863-1935, Feb. 27-May 28, 2001, cat. 22 as Hillside from Downstream, Andeleys; Amsterdam, Van Gogh Museum, June 15-Sep. 9, 2001; New York, Metropolitan Museum of Art, Oct. 9-Dec. 30, 2001.
Tue
03
Mar
note
Impressionism and Post-Impressionism in the Art Institute of Chicago
Impressionism and Post-Impressionism in the Art Institute of Chicago (New York: Hudson Hills Press, 2000), 122 (ill.).
Tue
03
Mar
note
Françoise Cachin, Signac: Catalogue raisonné de l’œuvre peint
Françoise Cachin, Signac: Catalogue raisonné de l’œuvre peint (Paris: Gallimard, 2000), 93 (ill.), 176, no. 125 (ill.).
Tue
03
Mar
exhibition
Marseille, Musée Cantini, Les Impressionnistes français: De Cézanne à Renoir, July 1955, cat. 40.
Marseille, Musée Cantini, Les Impressionnistes français: De Cézanne à Renoir, July 1955, cat. 40.
Tue
03
Mar
note
Les impressionnistes français de Cézanne à Renoir, exh. cat.
Les impressionnistes français de Cézanne à Renoir, exh. cat. (Marseille: Musée Cantini, 1955), 25 cat. 40.
Tue
03
Mar
exhibition
Paris, Musée national d’art moderne, P. Signac, Oct. 25-Dec. 2, 1951, cat. 8
Paris, Musée national d’art moderne, P. Signac, Oct. 25-Dec. 2, 1951, cat. 8
Tue
03
Mar
note
Marina Ferreti-Bocquillon, et. al., Signac, 1863-1935, exh. cat.
Marina Ferreti-Bocquillon, et. al., Signac, 1863-1935, exh. cat. (London and New Haven: Yale University Press, 2001), 122-23 cat. 22 as Hillside from Downstream, Andeleys [French ed. (Paris: Cercle d'art, 2001), 162-163 cat. 22 (ill.)].
Fri
03
Mar
note
Gloria Groom, “Acquisitions in focus: The Art Institute of Chicago,” Apollo 142, no. 406
Gloria Groom, “Acquisitions in focus: The Art Institute of Chicago,” Apollo 142, no. 406 (1995): 59-61, fig. 1.
Thu
03
Mar
note
“New Acquisition,” News and Events The Art Institute of Chicago
“New Acquisition,” News and Events The Art Institute of Chicago (Jan.-Feb. 1994): 2 (ill.).
Wed
03
Mar
note
Hôtel Drouot, Paris, Importants Tableaux et Sculptures Modernes, June 21, 1993, cover ill., lot 28.
Hôtel Drouot, Paris, Importants Tableaux et Sculptures Modernes, June 21, 1993, cover ill., lot 28.
Wed
03
Mar
note
Given by the artist to Alexandre Charpentier (died 1909), Paris [according to Signac’s cahier d’opus no....
Given by the artist to Alexandre Charpentier (died 1909), Paris [according to Signac’s cahier d’opus no. 139 and G. Lévy and Signac’s pré-catalogue, p. 136 in Archives Signac, see Cachin 2000]. Valla, Paris, 1951 [this and the following according to Cachin 2000]. Jean Roubaud, Marseilles, 1960. Private collection, Switzerland, 1989. Sold Hôtel Drouot, Paris, June 21, 1993, lot 28 to the Art Institute.
Thu
03
Mar
note
Van Gogh a Paris, exh. cat.
Van Gogh a Paris, exh. cat. (Paris: Musée d’Orsay, 1988), 258 under no. 98, fig. b.
Thu
03
Mar
note
Jules Christophe, “Les évolutionnistes du pavillon de la Ville de Paris,” Journal des artistes, Apr. 24, 1887, 123.
Jules Christophe, “Les évolutionnistes du pavillon de la Ville de Paris,” Journal des artistes, Apr. 24, 1887, 123.
Thu
03
Mar
note
Marcel Fouquier, “L’Exposition des artistes indépendants,” Le XIXème siècle, Mar. 28, 1887, 2.
Marcel Fouquier, “L’Exposition des artistes indépendants,” Le XIXème siècle, Mar. 28, 1887, 2.
Thu
03
Mar
note
Gustave Kahn, “La Vie Artistique,” La Vie moderne, Apr. 9, 1887, 230.
Gustave Kahn, “La Vie Artistique,” La Vie moderne, Apr. 9, 1887, 230.
Thu
03
Mar
exhibition
Paris, Société des Artistes Indépendants, 3e Exposition, Mar. 26-May 3, 1887, cat. 452
Paris, Société des Artistes Indépendants, 3e Exposition, Mar. 26-May 3, 1887, cat. 452
Thu
03
Mar
note
Félix Fenéon, “L’Impressionisme,” L'Émancipation sociale, Apr. 3, 1887; reproduced in Joan Halperin, ed., Félix Fénéon: Oeuvres plus que complètes vol. 1-2
Félix Fenéon, “L’Impressionisme,” L'Émancipation sociale, Apr. 3, 1887; reproduced in Joan Halperin, ed., Félix Fénéon: Oeuvres plus que complètes vol. 1-2 (Geneve: Droz, 1970), 67.
Thu
03
Mar
note
Jean Le Fustec, “Exposition des artistes indépendants,” Journal des artistes, Apr. 10, 1887, 108.
Jean Le Fustec, “Exposition des artistes indépendants,” Journal des artistes, Apr. 10, 1887, 108.
Thu
03
Mar
note
[Paul Alexis] Trublot, “À minuit. Exposition des artistes indépendants,” Le Cri du peuple, Mar. 26, 1887, 3.
[Paul Alexis] Trublot, “À minuit. Exposition des artistes indépendants,” Le Cri du peuple, Mar. 26, 1887, 3.
Thu
03
Mar
note
Félix Fenéon, “Le Neo-Impressionisme,” L' Art Moderne, Brussels, May 1, 1887, 140; reproduced in Joan Halperin, ed., Félix Fénéon: Oeuvres plus que complètes vol. 1-2
Félix Fenéon, “Le Neo-Impressionisme,” L' Art Moderne, Brussels, May 1, 1887, 140; reproduced in Joan Halperin, ed., Félix Fénéon: Oeuvres plus que complètes vol. 1-2 (Geneve: Droz, 1970), 75-76.
© Artist-Unknown. All rights reserved.