Warrior Saint

Josep Gudiol and Santiago Alcolea i Blanch, Pintura gótica catalana, Barcelona,

Judith Berg Sobré in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago (Chicago, 2008), pp. 50-54, ill.

Juan Antonio Gaya Nuño, La pintura española fuera de España, Madrid, 1958, pp. 42, 334, no. 2962.

Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, Leipzig, 1950, p. 148.

Chandler Rathfon Post, A History of Spanish Painting, vol. 9, Cambridge, Mass. 1947, p. 868.

Chandler Rathfon Post, A History of Spanish Painting, vol. 7, Cambridge, Mass., 1938, pp. 487–90, 587, fig. 177.

Mrs. ChaunceyMcCormick, in a division of their joint property, 1937 [registrar’s records]

Art Institute of Chicago, A Century of Progress, 1934, no. 81.

Ernst Ku_hnel, “Maurische Teppiche aus Alcaraz,” Pantheon 6 (1930), p. 420, fig. 5.

Possibly the town of Banyoles, north of Girona [Trapier 1930, p. li].. Charles Deering, Marycel, Sitges, near Barcelona, and Chicago, by 1921 [placed on loan at the Art Institute in 1921

Elizabeth du Gué Trapier, Catalogue of Paintings (14th and 15th Centuries) in the Collection of the Hispanic Society of America, New York, 1930, pp. li–lii n. 18.

given to his daughters Mrs. Chauncey McCormick and Mrs. Richard E. Danielson, 1924

loan agreement, Nov. 18, 1921, Art Institute Archives]

1986, p. 198, cat. 646, fig. 987.

Ruth Matilda Anderson, Hispanic Costume, 1480–1530, New York, 1979, pp. 91, 99, figs. 232, 250.

Sarah B. Sherrill, “The Islamic Tradition in Spanish Rug Weaving: Twelfth through Seventeenth Centuries,” Antiques 105 (1974), pp. 536, 545, fig. 7.

José Camón Aznar, Pintura medieval española, Summa artis 22, Madrid, 1966, p. 413.

given to the Art Institute, 1962.