Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Mathias Neven, Cologne, by 1852 [according to Merlo 1852]

Joh[ann] Jac[ob] Merlo, Die Meister der altkölnischen Maler-schule, Cologne, 1852, p. 159.

H[ubert] Janitschek, Geschichte der deutschen Malerei, Berlin, 1890, p. 522. Eduard Firmenich-Richartz, Bartholomaeus Bruyn und seine Schule, Leipzig, 1891, pp. 108–09.

Consul Eduard Weber, Hamburg

G[ustav] Parthey, Deutscher Bildersaal: Verzeichniss der in Deutschland vorhandenen Oelbilder ver-storbener Maler aller Schulen, vol. 1, Berlin, 1863, p. 211, no. 14.

Johann Jacob Merlo, Kölnische Künstler in alter und neuer Zeit, ed. Eduard Firmenich-Richartz and Hermann Keussen, Düsseldorf, 1895, col. 136, no. 58.

J. von Pflugk-Harttung, “Berichte und Mittheilungen aus Sammlungen und Museen, über staatliche Kunstpflege und Restaura-tionen, neue Funde,” Repertorium für Kunstwissenschaft 8 (1885), p. 82.

Glanz und Größe des Mittelalters, ed. Dagmar Täube and Miriam Verena Fleck, Exh. cat. (Hirmer, 2012), p. 5, 467, 468, (ill.).

Colonge, Museum Schnütgen, Glanz und Größe des Mittelalters: Kölner Meisterwerke aus dewn großen der Welt, Nov. 4, 2011–Feb. 26, 2012, cat. 220.

Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 333-337, ill.

Annekatrein Löw, Bartholomäus Bruyn: Die Sammlung im Städtischen Museum Wesel, Wesel, 2002, p. 55.

Cologne, Wallraf-Richartz-Museum, Barthel Bruyn, 1493–1555: Gesamtverzeichnis seiner Bildnisse und Altarwerke, Cologne, 1955, p. 45, no. 145.

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 26, no. 18, pl. 5.

Daniel Catton Rich, “German Art in Chicago,” American-Ger-man Review 1, 4 (1935), pp. 36 (ill.), 38.

Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1934, cat. 6.

Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat. 6.

bequeathed to the AIC, 1933.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 179, no. 454.13.

Martin A. Ryerson (d. 1932), Chicago, 1913

Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 126–28.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, p. 159, no. 2011.

The Art Institute of Chicago, Handbook of Paintings, 1923, p. 70.

Karl Schaefer, Geschichte der Kölner Malerschule, Lübeck, 1923, p. 33, pl. 117.

The Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, May 1922, p. 70.

The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, vol. 2, August 1920, p. 61.

The Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum, 1914, p. 209, no. 2102.

“Loan Collections,” Bulletin of the Art Institute of Chicago 7 (1914), p. 38.

Gabriel Mourey, “La Collection Marczell de Nemes,” Les Arts, no. 138 (June 1913), p. 4 (ill.).

on loan to the AIC from 1913

sold, Galerie Manzi-Joyant, Paris, June 17–18, 1913, no. 23, to Kleinberger, Paris, as agent for Ryerson [Kleinberger stock card, European Paintings Department, Metropolitan Museum of Art, New York

and invoice, June 20, 1913, in Ryerson Papers, Art Institute Archives]

Düsseldorf, Städtische Kunsthalle, Sammlung des königl. Rates Marczell von Nemes, Budapest, 1912, cat. 25.

sold, Lepke, Berlin, Feb. 20–22, 1912, no. 64. Marczell de Nemes, Budapest

[Eduard] Firmenich-Richartz, “Bruyn, Bartholomaeus I,” in Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, ed. Ulrich Thieme and Felix Becker, vol. 5, 1911, p. 156.

Mela Escherich, Die Schule von Köln, Strasbourg, 1907, p. 131.

Ludwig Scheibler, “Die kunsthistorische Ausstellung zu Düsseldorf, 1904: Die altnieder-ländischen und altdeutschen Gemälde,” Repertorium für Kunst-wissenschaft 27 (1904), p. 561, no. 70.

Düsseldorf, Städtische Kunsthalle, Kunsthistorische Ausstellung, May 1–Oct. 23, 1904, cat. 68.

Carl Aldenhoven, Geschichte der Kölner Maler-schule, Lübeck, 1902, pp. 323–24, pl. 117.

Herbert Rode, Die mittelalter-lichen Glasmalereien des Kölner Domes, Berlin, 1974, pp. 35, 185, fig. 67.

Horst-Joh[anne]s Tüm-mers, Die Altarbilder des älteren Bartholomäus Bruyn, Cologne, 1964, pp. 53–54, 154 (ill.), no. A17.

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 61–62.