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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 110 × 100 Cm |
| Tags | womencandleholdercandlesfiguresFranceheaddresseshorsemenCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note
Thomas B. Cole, “About the Cover: Pardon in Brittany,” Journal of the American Medical Association 306, 17
Thomas B. Cole, “About the Cover: Pardon in Brittany,” Journal of the American Medical Association 306, 17 (2011), p. 1836, cover ill.
Tue
24
Feb
note
Selina Baring Maclennan, Gaston La Touche: A Painter of the Belle Époque Dreams
Selina Baring Maclennan, Gaston La Touche: A Painter of the Belle Époque Dreams (Woodbridge, Suffolk: Antique Collectors Club, 2009), pp. 137–39, 206, pl. 113.
Tue
24
Feb
exhibition
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 282.
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 282.
Tue
24
Feb
note
bequeathed to the Art Institute, 1933.
bequeathed to the Art Institute, 1933.
Tue
24
Feb
note
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 185.
Tue
24
Feb
note
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 161.
Tue
24
Feb
note
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 210, no. 2130.
Tue
24
Feb
note
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 197, no. 2092.
Tue
24
Feb
note
on intermittent loan to the Art Institute from 1913 [see Art Institute of Chicago 1913]
on intermittent loan to the Art Institute from 1913 [see Art Institute of Chicago 1913]
Tue
24
Feb
exhibition
Art Institute of Chicago, Exhibition of Works by the Members of the “Société des peintres et des sculpteurs”, January 4–26, 1912, cat. 87.
Art Institute of Chicago, Exhibition of Works by the Members of the “Société des peintres et des sculpteurs”, January 4–26, 1912, cat. 87.
Tue
24
Feb
note
Victor Harris, New York, by January 1912 [lent to Art Institute of Chicago 1912]....
Victor Harris, New York, by January 1912 [lent to Art Institute of Chicago 1912]. Martin A. Ryerson (died 1932), Chicago, by April 18, 1912 [according to a receipt in the Ryerson Papers, Art Institute Archives]
Sun
24
Feb
note
Stuart Preston, “Old Wine into New Bottles: Reflections on Post-Impressionism,” Apollo 111, 215
Stuart Preston, “Old Wine into New Bottles: Reflections on Post-Impressionism,” Apollo 111, 215 (1980), p. 52.
Sat
24
Feb
exhibition
London, Royal Academy of Arts, Post-Impressionism: Cross-Currents in European Painting, November 17, 1979–March 16, 1980, cat. 112; traveled to Washington D.C., National Gallery of Art, May 25–September 1, 1980.
London, Royal Academy of Arts, Post-Impressionism: Cross-Currents in European Painting, November 17, 1979–March 16, 1980, cat. 112; traveled to Washington D.C., National Gallery of Art, May 25–September 1, 1980.
Fri
24
Feb
note
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 255.
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