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Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 24 × 32 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
02
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note
given to the Art Institute, 1949.
given to the Art Institute, 1949.
Mon
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Alfred Stieglitz (1864–1946), New York, around 1908 or 1910 [according to McCauley 2001]
Alfred Stieglitz (1864–1946), New York, around 1908 or 1910 [according to McCauley 2001]
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02
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Camera Work
Camera Work (1911).
Mon
02
Feb
exhibition
New York, Photo-Secession Gallery, January 2-21, 1908.
New York, Photo-Secession Gallery, January 2-21, 1908.
Mon
02
Feb
note
Anne McCauley, "Auguste Rodin, 1908 and 1910: The Eternal Feminine," in Modern Art in America: Alfred Stieglitz and His New York Galleries
Anne McCauley, "Auguste Rodin, 1908 and 1910: The Eternal Feminine," in Modern Art in America: Alfred Stieglitz and His New York Galleries (Washington, D.C., 2001), p. 77 and 494.
Fri
02
Feb
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Marius de Zayas, edited by Francis M. Naumann, How, When, and Why Modern Art Came to New York
Marius de Zayas, edited by Francis M. Naumann, How, When, and Why Modern Art Came to New York (Cambridge, Mass., 1996), pp. 3 and 245, fig. 6.
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02
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Stieglitz Estate (Georgia O'Keefe (1887–1986), executor)
Stieglitz Estate (Georgia O'Keefe (1887–1986), executor)
Sat
02
Feb
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Marius de Zayas and Francis M. Naumann, “How, When, and Why Modern Art Came to New York, Arts Magazine, 54:8
Marius de Zayas and Francis M. Naumann, “How, When, and Why Modern Art Came to New York, Arts Magazine, 54:8 (April 1980), p. 98, fig. 4.
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