The Rock of Hautepierre

Frankfurt, Schirn Kunsthalle, Courbet - A Dream of Modern Art, October 1, 2010-January 30, 2011.

Laurence Des Cars, Gustave Courbet, Exh. cat. (The Metropolitan Museum of Art, 2008), p. 262, cat. 106.

Pairs, Musée d'Orsay, Gustave Courbet, October 8, 2007- January 28, 2008. New York City, The Metropolitain Museum of Art, February 25- May 18, 2008, Montpellier, Musée Fabre, June 13- September 28, 2008, cat. 106.

Los Angeles, J. Paul Getty Museum, Courbet and the Modern Landscape, February 21–May 14, 2006; Houston, Museum of Fine Arts, June 18-September 10, 2006; Baltimore, Walters Art Museum, October 15, 2006-January 7, 2007, cat. 3.

Mary Morton, Courbet and the Modern Landscape, Exh. cat. (The J. Paul Getty Museum, 2006), p. 56, ill. 60. cat. 3.

Valérie Bajou, Courbet, (Paris, 2003), p. 227.

Die Weltkunst 9 (1935), p. 3.

sold Galerie Paul Graupe, Berlin, Mar. 23, 1935, no. 20 [price given in Die Weltkunst 1935]. German private collection [according to Alexander, Graf Strasoldo of Lempertz, Cologne, letter of 21 September 1998 in curatorial file]

"Les ventes," Bulletin de l’art ancien et moderne, no. 814 (May 1935), p. 216.

Karl Scheffler, "Die Sammlung Max Silberberg," Kunst und Künstler 30 (1931), p. 6.

Alice Landsberger, "Eine grosse deutsche Privatsammlung. Die Sammlung Silberberg in Breslau," Die Dame, no. 16 (May, 1930), p. 15.

Charles Léger, Courbet (Paris, 1929), pl. 6.

Adolf Rothermundt, Dresden-Blasewitz, before 1923 [according to Scheffler 1923 and 1935 Graupe sale cat. cited below]. Max Silberberg, Breslau, by 1923 to 1935 [according to 18 July 1967 letter from Fritz Nathan to Charles Cunningham in curatorial file, and Scheffler 1923]

Karl Scheffler, "Breslauer Kunstleben," Kunst und Künstler 21 (1923), p. 129–30 (ill.).

Richard R. Brettell, French Salon Artists, 1800–1900 (Chicago and New York, 1988), pp. 78, 81 (ill.), 117.

Michael Fried, Courbet's Realism (Chicago, 1990), pp. 242–46, fig. 98.

Pierre Courthion, L’opera completa di Courbet (Milan, 1985), p. 76, no. 83, pl. 6.

John D. Morse, Old Master Paintings in North America (New York, 1979), p. 70.

Art Institute of Chicago, The Art Institute of Chicago: One Hundred Masterpieces (Chicago, 1978), pp. 84–85 (ill.).

Robert Fernier, La vie et l’oeuvre de Gustave Courbet: catalogue raisonné (Paris, 1978), p. 52, no. 89, pl. 89.

Williamstown, Massachusetts, Sterling and Francine Clark Art Institute [as exchange loan] February–May 1975.

John Maxon, The Art Institute of Chicago (New York, 1971), pp. 73–74 (ill.).

"La Chronique des Arts," Gazette des Beaux-Arts, 6th ser., 70 (1967), p. 3.

sold to the Art Institute, 1967.

Art Institute of Chicago Annual Report 1966–67 (Chicago, 1967), pp. 2–3 (ill.), 6, 27.

A. Mardersteig, "Ergebnisse von Winterauktionen," Die Kunst und das schöne Heim 63, no. 6 (1965), p. 6.

"Lempertz Auktion," Pantheon 23 (1965), p. 3.

sold by Galerie Nathan to Paul Rosenberg Gallery and Co., New York, June 4, 1965 [copy of invoice in curatorial file]

"International Saleroom," Connoisseur 158, no. 637 (1965), p.188 (ill.).

sold Lempertz, Cologne, Nov. 11-14, 1964, no. 289, to Galerie Nathan, Zurich [Nathan letter cited above]

"Auctions, Auktionen, Ventes. Deutschland, Spitzenpreise und ungewöhnlich hohes Gesamtniveau," Die Weltkunst 34 (1964), p. 941 (ill.).

"Spitzenpreise und ungewöhnlich hohes Gesamtniveau," Die Weltkunst 34 (1964), p. 1108.