ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    The Annunciation
    Albert Bouts. The Annunciation, c. 1480. The Cleveland Museum of Art. Public domain (CC0).
    AT-00000266

    Public data from the Cleveland Museum of Art. Learn more

    The Annunciation

    by Albert Bouts

    About the Artwork

    The scene of the Annunciation to Mary that she will give birth to Christ is depicted here as a contemporary scene that may have been familiar to any viewer at the end of the 1400s. Mary is portrayed as an ordinary but wealthy woman who is interrupted by the Archangel Gabriel as she reads a book of hours. This type of book was enormously popular in the late Middle Ages as a prayer and devotional book, particularly among the wealthy, literate nobility, and city aristocracy.

    Provenance

    Graf Sierstorpff, Driburg, Germany April 19, 1887: [Sale: Rudolph Lepke's Kunst-Auctions-Haus, April 19, 1887, Berlin Germany, no. 106] before 1912: Eugen Schweitzer (1888–1981), Berlin, Germany -1915: (M. Knoedler & Company, New York, NY) 1915-1942: John L. Severance (1863-1936), Cleveland, OH 1942-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943). Exhibition of the Month: Texture in Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 6-December 8, 1947). Classic to Baroque: A Style Change in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949). 35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951). Masterpieces of Flemish Art: Van Eyck to Bosch. Groeningemuseum, Bruges, Bruges, Belgium (organizer) (co-organizer) (June 26-September 11, 1960); The Detroit Institute of Arts, Detroit, MI (co-organizer) (October 18-December 31, 1960). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). The Medieval Top Seller: The Book of Hours. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26, 2022-July 30, 2023).

    Quick Overview

    Artist
    Albert Bouts (Netherlandish, 1451/55–1549)
    Date
    c. 1480
    Medium
    oil on wood
    Dimensions
    Framed: 75.2 x 69 x 8.5 cm (29 5/8 x 27 3/16 x 3 3/8 in.); Unframed: 50.2 x 41.5 cm (19 3/4 x 16 5/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Medieval Art
    Credit line
    Bequest of John L. Severance
    Accession no.
    1942.635

    More by Albert Bouts in museum collections

    • Head of Saint John the Baptist on a Charger

      Albert Bouts

      ca. 1500 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00014627

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 7, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000266

    Powered by Art Trackers