ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Salome with the Head of St. John the Baptist
    Albrecht Altdorfer. Salome with the Head of St. John the Baptist, c. 1517. The Cleveland Museum of Art. Public domain (CC0).
    AT-00000322

    Public data from the Cleveland Museum of Art. Learn more

    Salome with the Head of St. John the Baptist

    by Albrecht Altdorfer

    About the Artwork

    Salome's story is described in the biblical Gospels of Mark and Matthew. After dancing for King Herod of Galilee, her new stepfather, she was granted any wish she desired. Influenced by her mother, Herodias, she asked that John the Baptist--who was then imprisoned for condemning Herod and Herodias' marriage--be executed. Here, Salome enacts the most gruesome part of the story, presenting the prophet's head on a platter. In the Renaissance, the story was believed to presage the sacrifice of Christ on the cross and the presentation of the Eucharist during Catholic liturgy. Altdorfer's drawing emphasizes Salome's pride--a dangerous sin--through her elaborate garments, billowing, plumed headdress, and flowing long hair. He articulated these details using black ink highlighted with white gouache on paper darkened with brown wash and a finely pointed pen.

    Inscriptions

    lower right, in brown ink: 17; on paper mounted to recto, lower right, in brown ink: 40; verso of secondary support, center, in graphite: Liechtenstein

    Provenance

    ?-1948: Princes of Liechtenstein, Vienna (no stamp; according to inscription on secondary support). 1948: with F. A. Drey, London. 1948-: The Cleveland Museum of Art, Cleveland, Ohio.

    Exhibition history

    Original Prints and Drawings by Masters of Berlin Museum Paintings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 11-March 27, 1949). German Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 11-December 18, 1955). Department of Prints and Drawings Opening Exhibition. The Cleveland Museum of Art (organizer) (March 3, 1958-October 11, 1959). Drawings from the Museum Collection: 15th-17th Centuries. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 18-October 11, 1960). Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 11-September 10, 1963). Old Master Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 10-31, 1964). Prints and Drawings from the Cleveland Museum of Art Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-September 9, 1965). Old Master Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 29, 1966-February 28, 1967). Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 9, 1967-January 1, 1968). Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 11-October 21, 1968). Prints and Drawings of the Danube School. Yale University Art Gallery, New Haven, CT (organizer) (October 9-November 16, 1969); Philadelphia Museum of Art, Philadelphia, PA (December 11, 1969-January 25, 1970); Saint Louis Art Museum (February 10-March 24, 1970). Northern European Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1982-January 9, 1983). National Schools of Style. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 14-September 18, 1983). Albrecht Dürer and His Influence. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-March 10, 1991). The German Tradition. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 27-June 27, 1993). Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002). Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 9-June 8, 2014).

    Quick Overview

    Artist
    Albrecht Altdorfer (German, c. 1480–1538)
    Date
    c. 1517
    Medium
    pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink
    Dimensions
    Sheet: 19.1 x 12.6 cm (7 1/2 x 4 15/16 in.); Secondary Support: 20 x 13 cm (7 7/8 x 5 1/8 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    John L. Severance Fund
    Accession no.
    1948.440

    More by Albrecht Altdorfer in museum collections

    • Samson and Delilah

      Albrecht Altdorfer

      1506 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018370
    • The Emperor Maxentius Ordering the Burning of the Fifty Wise Men...

      Albrecht Altdorfer

      1500–38 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00021722

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 7, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000322

    Powered by Art Trackers