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    Museum collections / Art Institute of Chicago
    Saints Augustine and Peter by Paolo Veneziano
    Paolo Veneziano. Saints Augustine and Peter, c. 1350. The Art Institute of Chicago. Public domain (CC0).
    AT-00000592

    Public data from the Art Institute of Chicago. Learn more

    Saints Augustine and Peter

    by Paolo Veneziano

    Inscriptions

    Inscribed: S/AGV/STI/NV/S (to the left of Saint Augustine, in red pigment), S/PET/RVS (to the left of Saint Peter, in red pigment)

    Exhibition history

    The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1933, no. 88, as School of Lorenzo Veneziano. The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1 to November 1, 1934, no. 36, as School of Lorenzo Veneziano.

    Publications

    Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20 (1930), p. 3. “Roerich Museum Is to Sell Its Old Masters,” Art Digest 4, 11 (1930), p. 15. Daniel Catton Rich, “Two Trecento Venetian Panels,” Bulletin of the Art Institute of Chicago 24 (1930), pp. 86–89 (ill.). Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano,” Burlington Magazine 57 (1930), pp. 171, 177. The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192. Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, 2 vols., London, 1957, vol. 1, p. 127. Evelyn Sandberg-Vavalà, “Maestro Paolo Veneziano: His Paintings in America and Elsewhere,” (1939) in Michelangelo Muraro, Paolo da Venezia, University Park, Pennsylvania, and London, 1970, pp. 97, 98 n. 7. Sergio Bettini, Pitture cretesi-veneziane, slave e italiane del Museo Nazionale di Ravenna, Ravenna, 1940, p. 100 n. 1. Rodolfo Pallucchini, La pittura veneziana del trecento, Lezioni tenute alla Facoltà di Lettere dell’Università di Bologna, Bologna, 1955, p. 131. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 350. Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae, Munich, 1961, p. 516. Rodolfo Pallucchini, La pittura veneziana del trecento, Venice and Rome, 1964, p. 51, fig. 172. Brigitte Klesse, Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts, Bern, 1967, p. 446, no. 460c. John Maxon, The Art Institute of Chicago, 1970, pp. 23, 288. Michelangelo Muraro, Paolo da Venezia, University Park, Pennsylvania, and London, 1970, pp. 55, 73 n. 47, 103–4, 106, fig. 19. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Massachusetts, 1972, pp. 158, 375, 441, 571. Grgo Gamulin, "La pittura su tavola nel tardo medioevo sulla costa orientale dell'Adriatico" in Venezia e il Levante fino al secolo XV, ed. Agostino Pertusi (Florence, 1974), p. 204 n. 1. Christopher Lloyd, with contributions by Margherita Andreotti, Larry J. Feinberg, and Martha Wolff, Italian Paintings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection, Chicago, 1993, pp. 185–89, ill. Robert Gibbs, "Paolo Veneziano (Paolo da Venezia)" in The Dictionary of Art, vol. 24, London, 1996, pp. 32-33. Mojmír S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Part I, Prague, 1998, p. 130. Filippo Pedrocco, Paolo Veneziano, Milan, 2003, pp. 111, 116, 130, 192–93, no. 24, ill.

    Quick Overview

    Artist
    Paolo Veneziano (Italian, active 1333–1358)
    Date
    c. 1350
    Medium
    Tempera on panel
    Dimensions
    77.4 × 49.5 cm (30 1/2 × 19 1/2 in.); Framed: 101 × 59.7 cm (39 3/4 × 23 1/2 in.)
    Type
    Painting
    Classification
    tempera
    Style
    14th century
    Place
    Venice
    Department
    Painting and Sculpture of Europe
    Credit line
    Gift of Mrs. Charles V. Hickox
    Accession no.
    1958.304

    Provenance

    Grimaldi, Venice (according to the Roerich Museum sale catalogue); The Roerich Museum, New York; sold American Art Association, New York, March 28, 1930, no. 151 (ill.), as Lorenzo Veneziano, to Robert B. Harshe acting on behalf of Catherine Barker Spaulding Hickox (Harshe was listed as the buyer in the published results of the Roerich sale); Catherine Barker Spaulding Hickox, Michigan City, Indiana, and New York, 1930–58; on loan to the Art Institute from 1932; given to the Art Institute, 1958.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000592

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